https://wikizilla.org/w/api.php?hideanons=1&hidebots=1&urlversion=1&days=7&limit=50&target=Masaki_Shinohara&action=feedrecentchanges&feedformat=atomWikizilla - Changes related to "Masaki Shinohara" [en]2024-03-29T05:42:43ZRelated changesMediaWiki 1.39.6https://wikizilla.org/wiki/King_Kong_vs._GodzillaKing Kong vs. Godzilla2024-03-29T00:46:10Z<p><a href="/wiki/User:Ani_Mate,_the_One-Headed_Human" class="mw-userlink" title="User:Ani Mate, the One-Headed Human"><bdi>Ani Mate, the One-Headed Human</bdi></a> posted a new comment on <a href="/wiki/King_Kong_vs._Godzilla#comment-86543" title="King Kong vs. Godzilla">King Kong vs. Godzilla</a> Toho doesn’t own the international distribution rights to the film, Universal does. John Beck, the original producer who showed Toho the script for King Kong vs. Prometheus, got a hold of distribution rights for some countries outside of Asia which he would later sell to Universal. This basically means that Universal perpetually own the rights to the film in the States, UK, Canada and Israel. So for it to be included in a digital collection negotiations would have to be done with Universal (a...</p>
Ani Mate, the One-Headed Humanhttps://wikizilla.org/wiki/Godzilla_(Second_Generation)Godzilla (Second Generation)2024-03-28T22:42:45Z<p><a href="/wiki/User:Goatzilla1998" class="mw-userlink" title="User:Goatzilla1998"><bdi>Goatzilla1998</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(Second_Generation)#comment-86500" title="Godzilla (Second Generation)">Godzilla (Second Generation)</a> The goofiest goji 10/10</p>
Goatzilla1998https://wikizilla.org/w/index.php?title=Riley_Jackson&diff=362039&oldid=359876Riley Jackson2024-03-28T22:32:35Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''J. Riley Jackson Jr.''', known professionally as '''Riley Jackson''', was an [[United States|American]] writer, producer, [[wikipedia:Dubbing#ADR/post-sync|ADR]] director and supervisor, and film dubber. Beginning a long career in radio in his home state of Illinois during the [[wikipedia:Golden Age of Radio|Golden Age of Radio]], Jackson moved to Hollywood in the late 1940s and branched out into television and film work.{{R|Broadcasting}}<ref name="Miner">{{cite web|url=https://blogs.iwu.edu/asc/2018/07/05/scripts/|title= Riley Jackson’s Script Collection|last=Miner|first=Meg|date=5 July 2018|work=Archives & Special Collections|accessdate= 9 October 2023}}</ref> In [[1961]], he and fellow showman Robert Patrick established the distribution company Parade Releasing,<ref name="Boxoffice">{{cite magazine|author=<!--Staff writer(s); no by-line.-->|title=Patrick Jackson Team On the March|url=https://archive.org/details/boxofficeoctdec183boxo/page/n483/mode/2up?view=theater|magazine=Boxoffice|location=Hollywood|publisher=BoxOffice Media LP|page=12|date=16 December 1963|via=Archive.org}}</ref> which handled the edited U.S. release of the [[Toho]] war film ''[[wikipedia:Storm Over the Pacific|The Storm of the Pacific]]'' ([[1960]]), retitled "''I Bombed Pearl Harbor''." Jackson took up dialogue writing duties on the Americanization alongside Hugo Grimaldi, dubbing director-editor of ''Gigantis, the Fire Monster'', the [[1959]] U.S. version of ''[[Godzilla Raids Again]]'' ([[1955]]), garnering the attention of [[UPA]] post-production supervisor Richard Krown, who hired him as the dialogue writer for the U.S. English dub of ''[[Invasion of Astro-Monster]]'' ([[1965]]).<ref name="Homenick">{{cite web|url=https://vantagepointinterviews.com/2021/09/14/godzillas-crowning-moment-upas-post-production-supervisor-richard-krown-on-americanizing-toho-classics/|title=GODZILLA’S CROWNING MOMENT! UPA’s Post-Production Supervisor Richard Krown on Americanizing Toho Classics! |last=Homenick|first=Brett|date=14 September 2021|work=Vantage Point Interviews|accessdate=9 October 2023}}</ref> This in turn led him to do further work on the English-dubbed versions of [[Japan|Japanese]] [[tokusatsu]] and [[kaiju]] films throughout the rest of his career. Jackson passed away in Newport Beach on September 5, [[1993]] at the age of 76. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''J. Riley Jackson Jr.''', known professionally as '''Riley Jackson''', was an [[United States|American]] writer, producer, [[wikipedia:Dubbing#ADR/post-sync|ADR]] director and supervisor, and film dubber. Beginning a long career in radio in his home state of Illinois during the [[wikipedia:Golden Age of Radio|Golden Age of Radio]], Jackson moved to Hollywood in the late 1940s and branched out into television and film work.{{R|Broadcasting}}<ref name="Miner">{{cite web|url=https://blogs.iwu.edu/asc/2018/07/05/scripts/|title= Riley Jackson’s Script Collection|last=Miner|first=Meg|date=5 July 2018|work=Archives & Special Collections|accessdate= 9 October 2023}}</ref> In [[1961]], he and fellow showman Robert Patrick established the distribution company Parade Releasing,<ref name="Boxoffice">{{cite magazine|author=<!--Staff writer(s); no by-line.-->|title=Patrick Jackson Team On the March|url=https://archive.org/details/boxofficeoctdec183boxo/page/n483/mode/2up?view=theater|magazine=Boxoffice|location=Hollywood|publisher=BoxOffice Media LP|page=12|date=16 December 1963|via=Archive.org}}</ref> which handled the edited U.S. release of the [[Toho]] war film ''[[wikipedia:Storm Over the Pacific|The Storm of the Pacific]]'' ([[1960]]), retitled "''I Bombed Pearl Harbor''." Jackson took up dialogue writing duties on the Americanization alongside Hugo Grimaldi, dubbing director-editor of ''Gigantis, the Fire Monster'', the [[1959]] U.S. version of ''[[Godzilla Raids Again]]'' ([[1955]]), garnering the attention of [[UPA]] post-production supervisor Richard Krown, who hired him as the dialogue writer for the U.S. English dub of ''[[Invasion of Astro-Monster]]'' ([[1965]]).<ref name="Homenick">{{cite web|url=https://vantagepointinterviews.com/2021/09/14/godzillas-crowning-moment-upas-post-production-supervisor-richard-krown-on-americanizing-toho-classics/|title=GODZILLA’S CROWNING MOMENT! UPA’s Post-Production Supervisor Richard Krown on Americanizing Toho Classics! |last=Homenick|first=Brett|date=14 September 2021|work=Vantage Point Interviews|accessdate=9 October 2023}}</ref> This in turn led him to do further work on the English-dubbed versions of [[Japan|Japanese]] [[tokusatsu]] and [[kaiju]] films throughout the rest of his career. Jackson passed away <ins style="font-weight: bold; text-decoration: none;">due to complications from cancer<ref name="Homenick"></ref> </ins>in Newport Beach on September 5, [[1993]] at the age of 76. </div></td></tr>
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</table>Space Hunter Mhttps://wikizilla.org/w/index.php?title=The_War_of_the_Gargantuas&diff=361988&oldid=361835The War of the Gargantuas2024-03-28T19:54:57Z<p><span dir="auto"><span class="autocomment">Trivia</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''''Kong, Hurricane on the Metropolis''''' (''Kong, Uragano sulla Metropoli''; Italy; reissue title)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''''Kong, Hurricane on the Metropolis''''' (''Kong, Uragano sulla Metropoli''; Italy; reissue title)</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''''Brother of Frankenstein''''' (India)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''''Brother of Frankenstein''''' (India)</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*'''''Katango's War''''' (<del style="font-weight: bold; text-decoration: none;">the </del>Netherlands)</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*'''''Katango's War''''' (Netherlands)</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''''Duel of Monsters''''' (''Pojedynek potworów''; Poland)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''''Duel of Monsters''''' (''Pojedynek potworów''; Poland)</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''''Battle of the Giants (Kong and King)''''' (''(קרב הענקים (קונג וקינג''; Israel)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*'''''Battle of the Giants (Kong and King)''''' (''(קרב הענקים (קונג וקינג''; Israel)</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Trivia==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Trivia==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''The War of the Gargantuas'' was theatrically released in Japan as a triple feature with ''Tsuru no Ongaeshi'' and ''Jungle Emperor''.<ref>[[File:0002017418.jpg|200px]]</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''The War of the Gargantuas'' was theatrically released in Japan as a triple feature with ''Tsuru no Ongaeshi'' and ''Jungle Emperor''.<ref>[[File:0002017418.jpg|200px]]</ref></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*The Japanese cut of ''The War of the Gargantuas'' makes several ambiguous references to ''[[Frankenstein vs. Baragon]]'' (1965), but the only direct link between them is the name "[[Frankenstein]]," which appears in the Japanese title for this film and is used to refer to the Gargantuas ("Frankensteins") in dialogue. Allusions and flashbacks to the events of the previous film seem to recast and rename the three main characters and move their laboratory from [[Hiroshima]] to Kyoto, while inserting [[Sanda]] into Frankenstein's role.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*The Japanese cut of ''The War of the Gargantuas'' makes several ambiguous references to ''[[Frankenstein vs. Baragon]]'' (1965), but the only direct link between them is the name "[[Frankenstein]]," which appears in the Japanese title for this film and is used to refer to the Gargantuas ("Frankensteins") in <ins style="font-weight: bold; text-decoration: none;">its </ins>dialogue. Allusions and flashbacks to the events of the previous film seem to recast and rename the three main characters and move their laboratory from [[Hiroshima]] to Kyoto, while inserting [[Sanda]] into Frankenstein's role.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>**Additionally, [[Kumi Mizuno]]'s character in this film, [[Akemi Togawa]], is very similar to her character Sueko Togami from ''Frankenstein vs. Baragon'', leading some to erroneously believe that she was reprising the role.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>**Additionally, [[Kumi Mizuno]]'s character in this film, [[Akemi Togawa]], is very similar to her character Sueko Togami from ''Frankenstein vs. Baragon'', leading some to erroneously believe that she was reprising the role.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*According to the 2014 book ''[[Godzilla Dictionary (New Edition)]]'', both ''The War of the Gargantuas'' and its predecessor ''Frankenstein vs. Baragon'' take place in the same timeline as the [[Godzilla (franchise)|Godzilla]] films of the [[Showa era|Showa series]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*According to the 2014 book ''[[Godzilla Dictionary (New Edition)]]'', both ''The War of the Gargantuas'' and its predecessor ''Frankenstein vs. Baragon'' take place in the same timeline as the [[Godzilla (franchise)|Godzilla]] films of the [[Showa era|Showa series]].</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*This film marks the first appearance of the [[Maser Cannon]]s in a Toho film. The Maser Cannons would go on to become famous recurring military weapons in Toho's Godzilla films over the next several decades.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*This film marks the first appearance of the [[Maser Cannon]]s in a Toho film. The Maser Cannons would go on to become famous recurring military weapons in Toho's Godzilla films over the next several decades.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The American producer of the film, Henry G. Saperstein, had reportedly planned to make a [[U.S.-Japan Collaboration: Godzilla|collaborative Japanese-American Godzilla film]]. It has long been speculated that this film would pit [[Godzilla]] against one or both of the Gargantuas, but there is no concrete evidence supporting this. However, author Patrick Macias mentions in his 2006 book ''Otaku in USA - Love & Misunderstanding! The History of Adopted Anime in America!'' that Saperstein allegedly planned to produce a sequel to ''The War of the Gargantuas'' featuring Godzilla battling against one of the Gargantuas as a cyborg, though this idea was also never realized.<ref>{{cite book|author=Macias, Patrick|title=Otaku in USA - Love & Misunderstanding! The History of Adopted Anime in America!|publisher=Ota Publishing|date=2006|isbn=978-4778310028}}</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The American producer of the film, Henry G. Saperstein, had reportedly planned to make a [[U.S.-Japan Collaboration: Godzilla|collaborative Japanese-American Godzilla film]]. It has long been speculated that this film would pit [[Godzilla]] against one or both of the Gargantuas, but there is no concrete evidence supporting this. However, author Patrick Macias mentions in his 2006 book ''Otaku in USA - Love & Misunderstanding! The History of Adopted Anime in America!'' that Saperstein allegedly planned to produce a sequel to ''The War of the Gargantuas'' featuring Godzilla battling against one of the Gargantuas as a cyborg, though this idea was also never realized.<ref>{{cite book|author=Macias, Patrick|title=Otaku in USA - Love & Misunderstanding! The History of Adopted Anime in America!|publisher=Ota Publishing|date=2006|isbn=978-4778310028}}</ref></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*The original ending of the film was to not only have Sanda and Gaira swallowed up by the underwater volcano, but the lava was to have spread to Tokyo where it was to destroy the city as well as the remaining cells of the monsters; cited in an interview with director Honda in Guy Tucker's ''Age of the Gods: A History of the Japanese Fantasy Film''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*The original ending of the film was to not only have Sanda and Gaira swallowed up by the underwater volcano, but the lava was to have spread to Tokyo where it was to destroy the city as well as the remaining cells of the monsters; <ins style="font-weight: bold; text-decoration: none;">this was </ins>cited in an interview with director Honda in Guy Tucker's ''Age of the Gods: A History of the Japanese Fantasy Film''.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Gaira and Sanda re-appeared in ''[[Go! Godman]]'' episodes 16 "[[Godman vs. Sanda]]" and 17 "[[Godman vs. Gaira]]" as well as in ''[[Go! Greenman]]'' Episodes 4 "[[Greenman vs. Gaira]]" and 31 "[[Greenman vs. Sanda]]." Gaira later made an appearance in the [[2008]] [[Go! Godman (film)|''Go! Godman'' film]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Gaira and Sanda re-appeared in ''[[Go! Godman]]'' episodes 16 "[[Godman vs. Sanda]]" and 17 "[[Godman vs. Gaira]]" as well as in ''[[Go! Greenman]]'' Episodes 4 "[[Greenman vs. Gaira]]" and 31 "[[Greenman vs. Sanda]]." Gaira later made an appearance in the [[2008]] [[Go! Godman (film)|''Go! Godman'' film]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The insert song "Feel In My Heart" (also known as "The Words Get Stuck In My Throat" in the U.S. version), performed by Kipp Hamilton, was later covered by the American rock band [[wikipedia:Devo|Devo]].<ref>{{cite book|author=Macias, Patrick|title=Tokyo Scope: The Japanese Cult Film Companion|date=2001|publisher=Cadence Books|page=22|isbn=1-569-31681-3}}.</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The insert song "Feel In My Heart" (also known as "The Words Get Stuck In My Throat" in the U.S. version), performed by Kipp Hamilton, was later covered by the American rock band [[wikipedia:Devo|Devo]].<ref>{{cite book|author=Macias, Patrick|title=Tokyo Scope: The Japanese Cult Film Companion|date=2001|publisher=Cadence Books|page=22|isbn=1-569-31681-3}}.</ref></div></td></tr>
</table>Daimajin1966https://wikizilla.org/wiki/Kenpachiro_SatsumaKenpachiro Satsuma2024-03-28T16:01:14Z<p><a href="/wiki/User:Dripnautilus2" class="mw-userlink" title="User:Dripnautilus2"><bdi>Dripnautilus2</bdi></a> posted a new comment on <a href="/wiki/Kenpachiro_Satsuma#comment-86388" title="Kenpachiro Satsuma">Kenpachiro Satsuma</a> R.I.P.</p>
Dripnautilus2https://wikizilla.org/w/index.php?title=The_War_of_the_Gargantuas&diff=361835&oldid=360310The War of the Gargantuas2024-03-28T15:08:03Z<p><span dir="auto"><span class="autocomment">Glen Glenn Sound Company English dub</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr>
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</table>Space Hunter Mhttps://wikizilla.org/w/index.php?title=Mamoru_Miyano&diff=361805&oldid=316049Mamoru Miyano2024-03-28T09:18:38Z<p><span dir="auto"><span class="autocomment">Trivia</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[GAMERA -Rebirth-]]'' (TV 2023) as [[James Tazaki]] [voice]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[GAMERA -Rebirth-]]'' (TV 2023) as [[James Tazaki]] [voice]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Trivia==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Trivia==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Miyano is one of few people to have acted in the ''Godzilla'', ''Gamera'', and ''Ultraman'' franchises. Others include [[Yukijiro Hotaru]], [[Akiji Kobayashi]], and [[Takashi Nishina]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Miyano is one of few people to have acted in the ''Godzilla'', ''Gamera'', and ''Ultraman'' franchises. Others include [[Yukijiro Hotaru]], [[Akiji Kobayashi]], <ins style="font-weight: bold; text-decoration: none;">[[Saburo Shinoda]],<ref>OMEGA遊撃隊, 1995, ''強いぞ!ガメラ'', p.155, Tokuma Shoten, ISBN-10 : 4198602573, ISBN-13 : 978-4198602574</ref> </ins>and [[Takashi Nishina]].</div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{Reflist}}</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==External links==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==External links==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://ultra.fandom.com/wiki/Mamoru_Miyano Mamoru Miyano at Ultra Wiki]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://ultra.fandom.com/wiki/Mamoru_Miyano Mamoru Miyano at Ultra Wiki]</div></td></tr>
</table>DreamBrisdinhttps://wikizilla.org/w/index.php?title=Yukijiro_Hotaru&diff=361803&oldid=316051Yukijiro Hotaru2024-03-28T09:17:37Z<p><span dir="auto"><span class="autocomment">Trivia</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Hotaru's character in ''[[Reigo: King of the Sea Monsters]]'' is named Osako after his celebrated role as Tsutomu Osako in the Heisei ''Gamera'' trilogy.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Hotaru's character in ''[[Reigo: King of the Sea Monsters]]'' is named Osako after his celebrated role as Tsutomu Osako in the Heisei ''Gamera'' trilogy.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Hotaru is one of few people to have acted in the ''Godzilla'', ''Gamera'', and ''Ultraman'' franchises. Others include [[Akiji Kobayashi]], [[Takashi Nishina]], and [[Mamoru Miyano]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Hotaru is one of few people to have acted in the ''Godzilla'', ''Gamera'', and ''Ultraman'' franchises. Others include [[Akiji Kobayashi]], [[Takashi Nishina]], <ins style="font-weight: bold; text-decoration: none;">[[Saburo Shinoda]],<ref>OMEGA遊撃隊, 1995, ''強いぞ!ガメラ'', p.155, Tokuma Shoten, ISBN-10 : 4198602573, ISBN-13 : 978-4198602574</ref> </ins>and [[Mamoru Miyano]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*One of the reasons why Yukijiro accepted the offer to play Osako is because Yukitaro Hotaru, Yukijiro's mentor and the inspiration for his stage name, appeared in the 1967 film ''[[Gamera vs. Gyaos]]''.<ref name="HGPerfection">{{cite book|title=[[Heisei Gamera Perfection]]|date=8 February 2014|publisher=[[Kadokawa|ASCII MEDIA WORKS]]|isbn=9784048918817}}</ref>{{rp|274}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*One of the reasons why Yukijiro accepted the offer to play Osako is because Yukitaro Hotaru, Yukijiro's mentor and the inspiration for his stage name, appeared in the 1967 film ''[[Gamera vs. Gyaos]]''.<ref name="HGPerfection">{{cite book|title=[[Heisei Gamera Perfection]]|date=8 February 2014|publisher=[[Kadokawa|ASCII MEDIA WORKS]]|isbn=9784048918817}}</ref>{{rp|274}}</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Reflist}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Reflist}}</div></td></tr>
</table>DreamBrisdinhttps://wikizilla.org/wiki/Godzilla_(Second_Generation)Godzilla (Second Generation)2024-03-28T05:53:49Z<p><a href="/wiki/User:Kamachi16" class="mw-userlink" title="User:Kamachi16"><bdi>Kamachi16</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(Second_Generation)#comment-86306" title="Godzilla (Second Generation)">Godzilla (Second Generation)</a> Showa Goji is kinda a chonk he was CHONK in 62 and 64 but he went to the gym even in 55 he wasn't chonk he was healthy until he let himself go in 62 64 so I guess Meh chonk</p>
Kamachi16https://wikizilla.org/w/index.php?title=Naoya_Matsumoto&diff=361749&oldid=326415Naoya Matsumoto2024-03-28T02:06:06Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Naoya Matsumoto''' {{Nihongo|松本 直也|Matsumoto Naoya}} is a [[Japan]]ese actor and stuntman affiliated with Red Entertainment Deliver. Having been involved with [[tokusatsu]] for over a decade, he has served as a suit actor primarily for [[Toei]]'s [[wikia:w:c:powerrangers:Super Sentai|''Super Sentai'']] and [[wikia:w:c:kamenrider:Kamen Rider Series|''Kamen Rider'']] franchises, both of which he entered in [[2009]] through ''[[wikia:w:c:powerrangers:Samurai Sentai Shinkenger|Samurai Sentai Shinkenger]]'' and ''[[wikia:w:c:kamenrider:Kamen Rider W|Kamen Rider W]]'', respectively.{{R|Profile}} He has been cast in the role of [[Godzilla]] for multiple live action short films, including three of [[Kazuhiro Nakagawa]]'s Godzilla Fest originals and the April Fool's video ''[[Godzilla vs. the Tigers]]''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Naoya Matsumoto''' {{Nihongo|松本 直也|Matsumoto Naoya}} is a [[Japan]]ese actor and stuntman affiliated with Red Entertainment Deliver. Having been involved with [[tokusatsu]] for over a decade, he has served as a suit actor primarily for [[Toei]]'s [[wikia:w:c:powerrangers:Super Sentai|''Super Sentai'']] and [[wikia:w:c:kamenrider:Kamen Rider Series|''Kamen Rider'']] franchises, both of which he entered in [[2009]] through ''[[wikia:w:c:powerrangers:Samurai Sentai Shinkenger|Samurai Sentai Shinkenger]]'' and ''[[wikia:w:c:kamenrider:Kamen Rider W|Kamen Rider W]]'', respectively.{{R|Profile}} He has been cast in the role of [[Godzilla]] for multiple live<ins style="font-weight: bold; text-decoration: none;">-</ins>action short films, including three of [[Kazuhiro Nakagawa]]'s Godzilla Fest originals and the April Fool's video ''[[Godzilla vs. the Tigers]]''.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{TOC}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{TOC}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Selected filmography==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Selected filmography==</div></td></tr>
</table>Leshttps://wikizilla.org/w/index.php?title=Peter_Cullen&diff=361668&oldid=299679Peter Cullen2024-03-27T19:12:48Z<p><span dir="auto"><span class="autocomment">Selected filmography</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Selected filmography==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Selected filmography==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[King Kong (1976 film)|King Kong]]'' ([[1976]]) as [[King Kong (De Laurentiis)|King Kong]] (voice, uncredited)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[King Kong (1976 film)|King Kong]]'' ([[1976]]) as [[King Kong (De Laurentiis)|King Kong]] (voice, uncredited)</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">*''[[Nausicaä of the Valley of the Wind#U.S. release|Warriors of the Wind]]'' ([[1985]]) as General (voice, uncredited)</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[King Kong Lives]]'' ([[1986]]) as King Kong (stock vocalizations)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[King Kong Lives]]'' ([[1986]]) as King Kong (stock vocalizations)</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>Space Hunter Mhttps://wikizilla.org/w/index.php?title=Invasion_of_Astro-Monster&diff=361648&oldid=361345Invasion of Astro-Monster2024-03-27T17:07:17Z<p><span dir="auto"><span class="autocomment">Foreign releases: </span> "shown" is vague - in theaters? on television? Moved to its own section.</span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:07, 27 March 2024</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In [[1980]], UPA rechristened the film ''Godzilla vs. Monster Zero'' for television and home video. The film was released under this title on home video in the U.S. over the ensuing two decades, including in a [[1998]] DVD release by Simitar. Classic Media released both the original Japanese version of the film and a reconstruction of the initial theatrical American version (''Monster Zero'') on DVD in the U.S. in 2007, as ''Invasion of Astro-Monster''. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In [[1980]], UPA rechristened the film ''Godzilla vs. Monster Zero'' for television and home video. The film was released under this title on home video in the U.S. over the ensuing two decades, including in a [[1998]] DVD release by Simitar. Classic Media released both the original Japanese version of the film and a reconstruction of the initial theatrical American version (''Monster Zero'') on DVD in the U.S. in 2007, as ''Invasion of Astro-Monster''. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>After acquiring the U.S. rights to the film in 2017, Janus Films provided to streaming platforms an uncut English-dubbed audio track of the film that had previously appeared on video in the United Kingdom with the on-screen title ''Invasion of the Astro-Monsters''. The same audio track appeared on Criterion's ''Godzilla: The [[Showa era|Showa-Era]] Films, 1954–1975'' box set in 2019. This uncut international version was created no later than the 1980s and is the only uncut, English-dubbed version Toho has offered to distributors and repertory theaters that has been identified. This version features the U.S. English dub with cut scenes filled in with the music and effects track, and - in one scene - on-set audio of Nick Adams' performance. The past existence of an alternate, international English dub of ''Invasion of Astro-Monster'' has been conjectured and dubiously claimed within the English language Godzilla fandom for decades.<ref name="IOAM international dub">{{cite web|url=https://groups.google.com/g/alt.movies.monster/c/wmfEQ6PZCtw/m/WUMXZVu62DwJ|title=Toho's upcoming DVD lineup!|author=August Ragone|date=25 September 2000|work=alt.movies.monster}}</ref> As of 2024, no definitive evidence of such a dub has come to light. <del style="font-weight: bold; text-decoration: none;">It is known that ''Invasion of Astro-Monster'' was shown at least twice in Lebanon with French and Lebanese-Arabic subtitles, with the second </del>release <del style="font-weight: bold; text-decoration: none;">being the same ''Invasion of the Astro-Monsters'' cut used for the British video release. <ref>https://archive.org/details/invasion-of-astro-monster-x-264-pcm</ref></del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>After acquiring the U.S. rights to the film in 2017, Janus Films provided to streaming platforms an uncut English-dubbed audio track of the film that had previously appeared on video in the United Kingdom with the on-screen title ''Invasion of the Astro-Monsters''. The same audio track appeared on Criterion's ''Godzilla: The [[Showa era|Showa-Era]] Films, 1954–1975'' box set in 2019. This uncut international version was created no later than the 1980s and is the only uncut, English-dubbed version Toho has offered to distributors and repertory theaters that has been identified. This version features the U.S. English dub with cut scenes filled in with the music and effects track, and - in one scene - on-set audio of Nick Adams' performance. The past existence of an alternate, international English dub of ''Invasion of Astro-Monster'' has been conjectured and dubiously claimed within the English language Godzilla fandom for decades.<ref name="IOAM international dub">{{cite web|url=https://groups.google.com/g/alt.movies.monster/c/wmfEQ6PZCtw/m/WUMXZVu62DwJ|title=Toho's upcoming DVD lineup!|author=August Ragone|date=25 September 2000|work=alt.movies.monster}}</ref> As of 2024, no definitive evidence of such a dub has come to light.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">===United Kingdom </ins>release<ins style="font-weight: bold; text-decoration: none;">===</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:PolyGram Godzilla triple feature VHS cover.png|thumb|left|200px|UK ''Invasion of the Astro-Monsters'' triple feature VHS cover]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:PolyGram Godzilla triple feature VHS cover.png|thumb|left|200px|UK ''Invasion of the Astro-Monsters'' triple feature VHS cover]]</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">===United Kingdom release===</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Invasion of Astro-Monster'' was never released theatrically in the UK, remaining unseen until an airing of the international version premiered on Channel 4 in July 1990.<ref name="MFAUC">[http://www.smguariento.com/monsters-from-an-unknown-culture-godzilla-and-friends-in-britain-1957-1980-by-sim-branaghan-part-1/ Monsters From An Unknown Culture: Godzilla (and friends) in Britain 1957-1980 by Sim Branaghan – Part 1]</ref> A letterboxed VHS release from Polygram followed in 1992, in a set with ''[[Ebirah, Horror of the Deep]]'' and ''[[Destroy All Monsters]]''. 4 Front Video also released it on VHS in 1998. [[Sony]] released both the Japanese and international versions on Blu-ray in 2019 as part of the [[The Criterion Collection]]'s ''Godzilla: The Showa-Era Films, 1954–1975'' box set. It is currently the only ''Godzilla'' film to have a U (Universal) rating from the British Board of Film Classification, for "very mild violence, threat, language."<ref name="BBFC">{{cite web|url=https://www.bbfc.co.uk/release/invasion-of-the-astro-monsters-q29sbgvjdglvbjpwwc0zmta5mzu|work=BBFC|accessdate=1 December 2023}}</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Invasion of Astro-Monster'' was never released theatrically in the UK, remaining unseen until an airing of the international version premiered on Channel 4 in July 1990.<ref name="MFAUC">[http://www.smguariento.com/monsters-from-an-unknown-culture-godzilla-and-friends-in-britain-1957-1980-by-sim-branaghan-part-1/ Monsters From An Unknown Culture: Godzilla (and friends) in Britain 1957-1980 by Sim Branaghan – Part 1]</ref> A letterboxed VHS release from Polygram followed in 1992, in a set with ''[[Ebirah, Horror of the Deep]]'' and ''[[Destroy All Monsters]]''. 4 Front Video also released it on VHS in 1998. [[Sony]] released both the Japanese and international versions on Blu-ray in 2019 as part of the [[The Criterion Collection]]'s ''Godzilla: The Showa-Era Films, 1954–1975'' box set. It is currently the only ''Godzilla'' film to have a U (Universal) rating from the British Board of Film Classification, for "very mild violence, threat, language."<ref name="BBFC">{{cite web|url=https://www.bbfc.co.uk/release/invasion-of-the-astro-monsters-q29sbgvjdglvbjpwwc0zmta5mzu|work=BBFC|accessdate=1 December 2023}}</ref></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{Clear}}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===West German release===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===West German release===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Invasion of Astro-Monster Poster Germany 1.jpg|200px|thumb|right|West German poster]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Invasion of Astro-Monster Poster Germany 1.jpg|200px|thumb|right|West German poster]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Constantin Film released a heavily altered 81-minute version of ''Invasion of Astro-Monster'' entitled ''Befehl aus dem Dunkel'' (lit. ''"Command From the Dark"'') on February 17, 1967<ref name="OFDb">{{cite web|url=https://www.ofdb.de/view.php?page=fassung&fid=3417&vid=155620|title=OFDb - : Constantin (Deutschland), Freigabe: FSK 12 von Befehl aus dem Dunkel (1965)|author=andreas82|date=19 December 2005|work=OFDb|accessdate=3 January 2023}}</ref> The German dubbing, written and directed by Manfred R. Köhler, was recorded at Aventin-Filmstudio in Munich.<ref name="Deutsche Synchronkartei">{{cite web|url=https://www.synchronkartei.de/film/28552|title=Deutsche Synchronkartei - Filme - Befehl aus dem Dunkel|work=Deutsche Synchronkartei|accessdate=3 January 2023}}</ref> The title ''Befehl aus dem Dunkel'' is in reference to the 1932 novel by German science fiction author Hans Dominik, though the West German version has nothing to do with the novel other than the name. The new script strays dramatically from the original Japanese version. Seemingly because no previous ''[[Godzilla (franchise)|Godzilla]]'' films had been released in the country since ''[[Godzilla Raids Again]]'' in 1958, all references to previous films were jettisoned. Instead, the film is presented as a standalone story, with [[Godzilla (Second Generation)|Godzilla]], [[Rodan (Showa)|Rodan]] (referred to by his Japanese name, Radon) and [[King Ghidorah (Showa)|King Ghidorah]] never having been encountered by modern human civilization previously. [[Planet X]] is renamed "Alpha 707" and orbits a ring-less Saturn (seemingly a justification of an error thought to originate from or be linked to [[Toho]]'s translation script) instead of [[Jupiter]], with its [[Xilien|inhabitants]] referred to as the "Alphas", who explain they visited the [[Earth]] in ancient times and discovered Godzilla and Rodan then. Emphasis was placed on the science fiction elements instead of the monster spectacle, with much of the monster footage during the two battles heavily cut, especially in regards to the anthropomorphization of Godzilla. Stock footage from ''[[Atragon]]'', another Toho film previously released by Constantin, was also inserted to show crowds evacuating before the onslaught of Godzilla and Rodan. King Ghidorah never resurfaces during the final battle and is assumed to have been defeated by Godzilla and Rodan.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Constantin Film released a heavily altered 81-minute version of ''Invasion of Astro-Monster'' entitled ''Befehl aus dem Dunkel'' (lit. ''"Command From the Dark"'') on February 17, 1967<ref name="OFDb">{{cite web|url=https://www.ofdb.de/view.php?page=fassung&fid=3417&vid=155620|title=OFDb - : Constantin (Deutschland), Freigabe: FSK 12 von Befehl aus dem Dunkel (1965)|author=andreas82|date=19 December 2005|work=OFDb|accessdate=3 January 2023}}</ref> The German dubbing, written and directed by Manfred R. Köhler, was recorded at Aventin-Filmstudio in Munich.<ref name="Deutsche Synchronkartei">{{cite web|url=https://www.synchronkartei.de/film/28552|title=Deutsche Synchronkartei - Filme - Befehl aus dem Dunkel|work=Deutsche Synchronkartei|accessdate=3 January 2023}}</ref> The title ''Befehl aus dem Dunkel'' is in reference to the 1932 novel by German science fiction author Hans Dominik, though the West German version has nothing to do with the novel other than the name. The new script strays dramatically from the original Japanese version. Seemingly because no previous ''[[Godzilla (franchise)|Godzilla]]'' films had been released in the country since ''[[Godzilla Raids Again]]'' in 1958, all references to previous films were jettisoned. Instead, the film is presented as a standalone story, with [[Godzilla (Second Generation)|Godzilla]], [[Rodan (Showa)|Rodan]] (referred to by his Japanese name, Radon) and [[King Ghidorah (Showa)|King Ghidorah]] never having been encountered by modern human civilization previously. [[Planet X]] is renamed "Alpha 707" and orbits a ring-less Saturn (seemingly a justification of an error thought to originate from or be linked to [[Toho]]'s translation script) instead of [[Jupiter]], with its [[Xilien|inhabitants]] referred to as the "Alphas", who explain they visited the [[Earth]] in ancient times and discovered Godzilla and Rodan then. Emphasis was placed on the science fiction elements instead of the monster spectacle, with much of the monster footage during the two battles heavily cut, especially in regards to the anthropomorphization of Godzilla. Stock footage from ''[[Atragon]]'', another Toho film previously released by Constantin, was also inserted to show crowds evacuating before the onslaught of Godzilla and Rodan. King Ghidorah never resurfaces during the final battle and is assumed to have been defeated by Godzilla and Rodan.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{clear}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{clear}}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">===Lebanon release===</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">It is known that ''Invasion of Astro-Monster'' was shown at least twice in Lebanon with French and Lebanese-Arabic subtitles,{{citation needed}} with the second release being the same ''Invasion of the Astro-Monsters'' cut used for the British video release.<ref>https://archive.org/details/invasion-of-astro-monster-x-264-pcm</ref></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Box office==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Box office==</div></td></tr>
</table>Astounding Beyond Beliefhttps://wikizilla.org/wiki/All_Monsters_AttackAll Monsters Attack2024-03-27T17:00:38Z<p><a href="/wiki/User:The_H-Man" class="mw-userlink" title="User:The H-Man"><bdi>The H-Man</bdi></a> posted a new comment on <a href="/wiki/All_Monsters_Attack#comment-86151" title="All Monsters Attack">All Monsters Attack</a> Very insightful, thanks for sharing.</p>
The H-Manhttps://wikizilla.org/wiki/Mansai_NomuraMansai Nomura2024-03-27T14:31:18Z<p><a href="/wiki/User:Dripnautilus2" class="mw-userlink" title="User:Dripnautilus2"><bdi>Dripnautilus2</bdi></a> posted a new comment on <a href="/wiki/Mansai_Nomura#comment-86095" title="Mansai Nomura">Mansai Nomura</a> Underrated despite what he done</p>
Dripnautilus2https://wikizilla.org/wiki/Godzilla_(Second_Generation)Godzilla (Second Generation)2024-03-27T14:27:02Z<p><a href="/wiki/User:BaragonwaSaikoda" class="mw-userlink" title="User:BaragonwaSaikoda"><bdi>BaragonwaSaikoda</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(Second_Generation)#comment-86091" title="Godzilla (Second Generation)">Godzilla (Second Generation)</a> fr</p>
BaragonwaSaikodahttps://wikizilla.org/wiki/All_Monsters_AttackAll Monsters Attack2024-03-27T14:22:58Z<p><a href="/wiki/User:ShamsthevampYre" class="mw-userlink" title="User:ShamsthevampYre"><bdi>ShamsthevampYre</bdi></a> posted a new comment on <a href="/wiki/All_Monsters_Attack#comment-86088" title="All Monsters Attack">All Monsters Attack</a> I would rather watch a guy wearing a Godzilla suit try to f*ck a nuclear reactor for three hours straight with a budget of -$100,000 than watch this abomination</p>
ShamsthevampYrehttps://wikizilla.org/wiki/Godzilla_(Second_Generation)Godzilla (Second Generation)2024-03-27T13:52:16Z<p><a href="/wiki/User:Showa_Fan" class="mw-userlink" title="User:Showa Fan"><bdi>Showa Fan</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(Second_Generation)#comment-86072" title="Godzilla (Second Generation)">Godzilla (Second Generation)</a> Fact</p>
Showa Fanhttps://wikizilla.org/wiki/Godzilla_(Second_Generation)Godzilla (Second Generation)2024-03-27T12:45:57Z<p><a href="/wiki/User:ThatOneKaijuFan2011" class="mw-userlink" title="User:ThatOneKaijuFan2011"><bdi>ThatOneKaijuFan2011</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(Second_Generation)#comment-86059" title="Godzilla (Second Generation)">Godzilla (Second Generation)</a> The best father Kaiju! He actually taught his son how to fend for himself, unlike Heisei Godziller or Final Wars Godziller.</p>
ThatOneKaijuFan2011https://wikizilla.org/w/index.php?title=Godzilla_(1954_film)&diff=361610&oldid=361176Godzilla (1954 film)2024-03-27T12:36:43Z<p><span dir="auto"><span class="autocomment">Preservation</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:36, 27 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l396">Line 396:</td>
<td colspan="2" class="diff-lineno">Line 396:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 2014, Tokyo Laboratory decided to carry out a 4K restoration of the film. 1973 and 1975 edge code 35mm internegatives residing at Tokyo Laboratory were found to be one generation older than the third generation, 1983 edge code 35mm master positive that had been the source for home video releases for years. All three materials were scanned in 4K DPX on an ARRISCAN film scanner. Restoration was conducted in 2K, with the second generation sources being prioritized. The restoration was then redone in 4K in 2021.<ref name="t-sakamoto01">{{cite web|url= https://www.phileweb.com/interview/article/202103/06/816.html|title= “使用禁止のネガ”に“失われたはずの予告フィルム”、『4Kゴジラ』制作秘話がゴジラ映画の考古学だった|author= Tatsuya Matsunaga|date= 2021|accessdate= 19 November 2023}}</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 2014, Tokyo Laboratory decided to carry out a 4K restoration of the film. 1973 and 1975 edge code 35mm internegatives residing at Tokyo Laboratory were found to be one generation older than the third generation, 1983 edge code 35mm master positive that had been the source for home video releases for years. All three materials were scanned in 4K DPX on an ARRISCAN film scanner. Restoration was conducted in 2K, with the second generation sources being prioritized. The restoration was then redone in 4K in 2021.<ref name="t-sakamoto01">{{cite web|url= https://www.phileweb.com/interview/article/202103/06/816.html|title= “使用禁止のネガ”に“失われたはずの予告フィルム”、『4Kゴジラ』制作秘話がゴジラ映画の考古学だった|author= Tatsuya Matsunaga|date= 2021|accessdate= 19 November 2023}}</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>After the U.S. version's first release in major U.S. cities, the United Kingdom and Australia, [[Movielab]] struck a 16mm reduction negative for television syndication. A 16mm print made from this negative was first shown on Monday, October 13, 1958 at 7:30 P.M. on WOR-TV in New York City.<ref>[[File:Screen_Shot_2024-03-03_at_11.28.36_PM.png|150px]]</ref> The title on the printed-in film leader is flanked by Paramount logos, and the title "THIS PICTURE IS SUITABLE ONLY FOR ADULTS" with accompanying 35mm negative splice is also printed in at the start of the film before the TransWorld logo. <del style="font-weight: bold; text-decoration: none;">Both </del>of these characteristics indicate that the original negative of the U.S. version had been conformed to the 1957 Paramount Australian release, and that a 35mm master positive had been printed from it at some point after the conforming and then used to print the television negative prior to the 1958 premiere on WOR-TV.<ref>[[File:Ccd4e74fvz0c.jpg|150px]]</ref><ref>[[File:Screen_Shot_2024-03-03_at_11.08.59_PM.png|150px]]</ref><ref>[[File:Screen_Shot_2024-03-03_at_11.09.28_PM.png|150px]]</ref> The well-known ''Godzilla, King of the Monsters!'' title card is printed into the television negative, but a title lasting 30 seconds crediting Burr, Honda and Terry Morse was cut into the television negative itself one second before the end of the fade out of the main title.<ref>[[File:Screen_Shot_2024-03-03_at_11.12.51_PM.png|150px]]</ref><ref>[[File:Screen_Shot_2024-03-03_at_11.13.03_PM.png|150px]]</ref> Instead of splicing in silence or additional sound underneath their credits title, Movielab let this 30-second title and one second of cut title card throw the sync off until the fade in to decimated Tokyo by recording 29 seconds of silence into the beginning of the soundtrack negative; this causes the TransWorld logo and title card to be silent and Godzilla's stomps and roar to be heard fully within the spliced-in title. Other than the end title, the ending credits are missing from the element used to print the television negative. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>After the U.S. version's first release in major U.S. cities, the United Kingdom and Australia, [[Movielab]] struck a 16mm reduction negative for television syndication. A 16mm print made from this negative was first shown on Monday, October 13, 1958 at 7:30 P.M. on WOR-TV in New York City.<ref>[[File:Screen_Shot_2024-03-03_at_11.28.36_PM.png|150px]]</ref> The title on the printed-in film leader is flanked by Paramount logos<ins style="font-weight: bold; text-decoration: none;">, the Commonwealth term "spool" is used on the film leader instead of "reel"</ins>, and the title "THIS PICTURE IS SUITABLE ONLY FOR ADULTS" with accompanying 35mm negative splice is also printed in at the start of the film before the TransWorld logo. <ins style="font-weight: bold; text-decoration: none;">All </ins>of these characteristics indicate that the original negative of the U.S. version had been conformed to the 1957 Paramount Australian release, and that a 35mm master positive had been printed from it at some point after the conforming and then used to print the television negative prior to the 1958 premiere on WOR-TV.<ref>[[File:Ccd4e74fvz0c.jpg|150px]]</ref><ref>[[File:Screen_Shot_2024-03-03_at_11.08.59_PM.png|150px]]</ref><ref>[[File:Screen_Shot_2024-03-03_at_11.09.28_PM.png|150px]]</ref> The well-known ''Godzilla, King of the Monsters!'' title card is printed into the television negative, but a title lasting 30 seconds crediting Burr, Honda and Terry Morse was cut into the television negative itself one second before the end of the fade out of the main title.<ref>[[File:Screen_Shot_2024-03-03_at_11.12.51_PM.png|150px]]</ref><ref>[[File:Screen_Shot_2024-03-03_at_11.13.03_PM.png|150px]]</ref> Instead of splicing in silence or additional sound underneath their credits title, Movielab let this 30-second title and one second of cut title card throw the sync off until the fade in to decimated Tokyo by recording 29 seconds of silence into the beginning of the soundtrack negative; this causes the TransWorld logo and title card to be silent and Godzilla's stomps and roar to be heard fully within the spliced-in title. Other than the end title, the ending credits are missing from the element used to print the television negative. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the 1980s, a video master was made for television syndication and home video release. Black dust differs from the 35mm master positive used to print the 16mm television negative, and damage had accumulated on the original negative of the U.S. cut - particularly an uncertain form of decomposition seemingly only affecting the camera original U.S. footage - so the video master was transferred from a separate master positive printed at a much later date. Before Criterion's 2012 restoration, this master was used for all known home video releases in English-speaking countries and Japan. The TransWorld logo is present in this master positive, as is the full ''Godzilla, King of the Monsters!'' title card without the television negative's opening credits spliced in. However, on all known and authorized home video releases other than the cropped widescreen side of the 1998 Simitar DVD, and seemingly all television airings, the visual component of the TransWorld logo is replaced with a black screen. The ending credits other than the ending title are missing from the video master, as is the Australian ratings title.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the 1980s, a video master was made for television syndication and home video release. Black dust differs from the 35mm master positive used to print the 16mm television negative, and damage had accumulated on the original negative of the U.S. cut - particularly an uncertain form of decomposition seemingly only affecting the camera original U.S. footage - so the video master was transferred from a separate master positive printed at a much later date. Before Criterion's 2012 restoration, this master was used for all known home video releases in English-speaking countries and Japan. The TransWorld logo is present in this master positive, as is the full ''Godzilla, King of the Monsters!'' title card without the television negative's opening credits spliced in. However, on all known and authorized home video releases other than the cropped widescreen side of the 1998 Simitar DVD, and seemingly all television airings, the visual component of the TransWorld logo is replaced with a black screen. The ending credits other than the ending title are missing from the video master, as is the Australian ratings title.</div></td></tr>
</table>Sydney Perkinshttps://wikizilla.org/wiki/Godzilla_(Second_Generation)Godzilla (Second Generation)2024-03-27T10:29:10Z<p><a href="/wiki/User:BaragonwaSaikoda" class="mw-userlink" title="User:BaragonwaSaikoda"><bdi>BaragonwaSaikoda</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(Second_Generation)#comment-86023" title="Godzilla (Second Generation)">Godzilla (Second Generation)</a> Ranking Godzillas on the halal meter: Showa Godzilla a very good role model (starting from Gt3HM at least), and pretty silly and goofy, very halal</p>
BaragonwaSaikodahttps://wikizilla.org/wiki/King_Kong_vs._GodzillaKing Kong vs. Godzilla2024-03-27T07:22:13Z<p><a href="/wiki/User:Ultraman_rides_a_dragon_cuz_yes" class="mw-userlink" title="User:Ultraman rides a dragon cuz yes"><bdi>Ultraman rides a dragon cuz yes</bdi></a> posted a new comment on <a href="/wiki/King_Kong_vs._Godzilla#comment-86019" title="King Kong vs. Godzilla">King Kong vs. Godzilla</a> Probably has something to do with Universal.</p>
Ultraman rides a dragon cuz yeshttps://wikizilla.org/wiki/King_Kong_vs._GodzillaKing Kong vs. Godzilla2024-03-27T06:51:07Z<p><a href="/wiki/User:Aggression25" class="mw-userlink" title="User:Aggression25"><bdi>Aggression25</bdi></a> posted a new comment on <a href="/wiki/King_Kong_vs._Godzilla#comment-86018" title="King Kong vs. Godzilla">King Kong vs. Godzilla</a> How come this film isn’t included in the digital collection of the Godzilla Showa Collection?! As much as I would love to buy the collection, I can’t without this film included in it.</p>
Aggression25https://wikizilla.org/wiki/Ebirah,_Horror_of_the_DeepEbirah, Horror of the Deep2024-03-26T20:48:34Z<p><a href="/wiki/User:Dripnautilus2" class="mw-userlink" title="User:Dripnautilus2"><bdi>Dripnautilus2</bdi></a> posted a new comment on <a href="/wiki/Ebirah,_Horror_of_the_Deep#comment-85907" title="Ebirah, Horror of the Deep">Ebirah, Horror of the Deep</a> WOW</p>
Dripnautilus2https://wikizilla.org/wiki/All_Monsters_AttackAll Monsters Attack2024-03-26T20:24:24Z<p><a href="/wiki/User:Showa_Fan" class="mw-userlink" title="User:Showa Fan"><bdi>Showa Fan</bdi></a> posted a new comment on <a href="/wiki/All_Monsters_Attack#comment-85900" title="All Monsters Attack">All Monsters Attack</a> Kewl</p>
Showa Fanhttps://wikizilla.org/w/index.php?title=Invasion_of_Astro-Monster&diff=361345&oldid=359869Invasion of Astro-Monster2024-03-26T19:15:26Z<p>Edited the Foreign release part to include information about the Lebanese releases under the U.S. release.</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:15, 26 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l210">Line 210:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In [[1980]], UPA rechristened the film ''Godzilla vs. Monster Zero'' for television and home video. The film was released under this title on home video in the U.S. over the ensuing two decades, including in a [[1998]] DVD release by Simitar. Classic Media released both the original Japanese version of the film and a reconstruction of the initial theatrical American version (''Monster Zero'') on DVD in the U.S. in 2007, as ''Invasion of Astro-Monster''. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In [[1980]], UPA rechristened the film ''Godzilla vs. Monster Zero'' for television and home video. The film was released under this title on home video in the U.S. over the ensuing two decades, including in a [[1998]] DVD release by Simitar. Classic Media released both the original Japanese version of the film and a reconstruction of the initial theatrical American version (''Monster Zero'') on DVD in the U.S. in 2007, as ''Invasion of Astro-Monster''. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>After acquiring the U.S. rights to the film in 2017, Janus Films provided to streaming platforms an uncut English-dubbed audio track of the film that had previously appeared on video in the United Kingdom with the on-screen title ''Invasion of the Astro-Monsters''. The same audio track appeared on Criterion's ''Godzilla: The [[Showa era|Showa-Era]] Films, 1954–1975'' box set in 2019. This uncut international version was created no later than the 1980s and is the only uncut, English-dubbed version Toho has offered to distributors and repertory theaters that has been identified. This version features the U.S. English dub with cut scenes filled in with the music and effects track, and - in one scene - on-set audio of Nick Adams' performance. The past existence of an alternate, international English dub of ''Invasion of Astro-Monster'' has been conjectured and dubiously claimed within the English language Godzilla fandom for decades.<ref name="IOAM international dub">{{cite web|url=https://groups.google.com/g/alt.movies.monster/c/wmfEQ6PZCtw/m/WUMXZVu62DwJ|title=Toho's upcoming DVD lineup!|author=August Ragone|date=25 September 2000|work=alt.movies.monster}}</ref> As of 2024, no definitive evidence of such a dub has come to light.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>After acquiring the U.S. rights to the film in 2017, Janus Films provided to streaming platforms an uncut English-dubbed audio track of the film that had previously appeared on video in the United Kingdom with the on-screen title ''Invasion of the Astro-Monsters''. The same audio track appeared on Criterion's ''Godzilla: The [[Showa era|Showa-Era]] Films, 1954–1975'' box set in 2019. This uncut international version was created no later than the 1980s and is the only uncut, English-dubbed version Toho has offered to distributors and repertory theaters that has been identified. This version features the U.S. English dub with cut scenes filled in with the music and effects track, and - in one scene - on-set audio of Nick Adams' performance. The past existence of an alternate, international English dub of ''Invasion of Astro-Monster'' has been conjectured and dubiously claimed within the English language Godzilla fandom for decades.<ref name="IOAM international dub">{{cite web|url=https://groups.google.com/g/alt.movies.monster/c/wmfEQ6PZCtw/m/WUMXZVu62DwJ|title=Toho's upcoming DVD lineup!|author=August Ragone|date=25 September 2000|work=alt.movies.monster}}</ref> As of 2024, no definitive evidence of such a dub has come to light. <ins style="font-weight: bold; text-decoration: none;">It is known that ''Invasion of Astro-Monster'' was shown at least twice in Lebanon with French and Lebanese-Arabic subtitles, with the second release being the same ''Invasion of the Astro-Monsters'' cut used for the British video release. <ref>https://archive.org/details/invasion-of-astro-monster-x-264-pcm</ref></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:PolyGram Godzilla triple feature VHS cover.png|thumb|left|200px|UK ''Invasion of the Astro-Monsters'' triple feature VHS cover]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:PolyGram Godzilla triple feature VHS cover.png|thumb|left|200px|UK ''Invasion of the Astro-Monsters'' triple feature VHS cover]]</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://web.archive.org/web/20040803035322/http://www.dalekempire.com/GodzillaAmerica4.html List of deleted shots in the American version]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://web.archive.org/web/20040803035322/http://www.dalekempire.com/GodzillaAmerica4.html List of deleted shots in the American version]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>==References==</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>==References ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Reflist}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Reflist}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Invasion of Astro-Monster}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Invasion of Astro-Monster}}</div></td></tr>
</table>Deathgilashttps://wikizilla.org/wiki/Godzilla_(Second_Generation)Godzilla (Second Generation)2024-03-26T18:51:31Z<p><a href="/wiki/User:VaderForVa" class="mw-userlink" title="User:VaderForVa"><bdi>VaderForVa</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(Second_Generation)#comment-85876" title="Godzilla (Second Generation)">Godzilla (Second Generation)</a> Who was that Kaiju Pokemon in the show,the worm one (I have faded memories of watching the show on yt so I don't know the episode or season)</p>
VaderForVahttps://wikizilla.org/wiki/Godzilla_Raids_AgainGodzilla Raids Again2024-03-26T15:54:34Z<p><a href="/wiki/User:Dripnautilus2" class="mw-userlink" title="User:Dripnautilus2"><bdi>Dripnautilus2</bdi></a> posted a new comment on <a href="/wiki/Godzilla_Raids_Again#comment-85820" title="Godzilla Raids Again">Godzilla Raids Again</a> I like this Godzilla. He looks like he can shoot his teeth like rockets from his mouth</p>
Dripnautilus2https://wikizilla.org/wiki/Godzilla_Raids_AgainGodzilla Raids Again2024-03-26T15:54:04Z<p><a href="/wiki/User:Dripnautilus2" class="mw-userlink" title="User:Dripnautilus2"><bdi>Dripnautilus2</bdi></a> posted a new comment on <a href="/wiki/Godzilla_Raids_Again#comment-85819" title="Godzilla Raids Again">Godzilla Raids Again</a> Yes</p>
Dripnautilus2https://wikizilla.org/wiki/Godzilla_(Second_Generation)Godzilla (Second Generation)2024-03-26T15:48:07Z<p><a href="/wiki/User:Dripnautilus2" class="mw-userlink" title="User:Dripnautilus2"><bdi>Dripnautilus2</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(Second_Generation)#comment-85817" title="Godzilla (Second Generation)">Godzilla (Second Generation)</a> LOL</p>
Dripnautilus2https://wikizilla.org/wiki/Godzilla_(Second_Generation)Godzilla (Second Generation)2024-03-26T15:47:54Z<p><a href="/wiki/User:Dripnautilus2" class="mw-userlink" title="User:Dripnautilus2"><bdi>Dripnautilus2</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(Second_Generation)#comment-85816" title="Godzilla (Second Generation)">Godzilla (Second Generation)</a> YES!</p>
Dripnautilus2https://wikizilla.org/wiki/Ebirah,_Horror_of_the_DeepEbirah, Horror of the Deep2024-03-26T14:11:51Z<p><a href="/wiki/User:JohnGojira" class="mw-userlink" title="User:JohnGojira"><bdi>JohnGojira</bdi></a> posted a new comment on <a href="/wiki/Ebirah,_Horror_of_the_Deep#comment-85792" title="Ebirah, Horror of the Deep">Ebirah, Horror of the Deep</a> Yeah, it is really not all that bad a film.</p>
JohnGojirahttps://wikizilla.org/wiki/The_MysteriansThe Mysterians2024-03-26T11:47:40Z<p><a href="/wiki/User:TheKaijuGuy" class="mw-userlink" title="User:TheKaijuGuy"><bdi>TheKaijuGuy</bdi></a> posted a new comment on <a href="/wiki/The_Mysterians#comment-85772" title="The Mysterians">The Mysterians</a> Everybody likes Mechagodzilla more</p>
TheKaijuGuyhttps://wikizilla.org/w/index.php?title=Ebirah,_Horror_of_the_Deep&diff=361196&oldid=354178Ebirah, Horror of the Deep2024-03-26T11:13:15Z<p><span dir="auto"><span class="autocomment">Titan Productions English dub</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:13, 26 March 2024</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Cast|notice=no</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Cast|notice=no</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Hal Linden|Hal Linden]]|Yoshimura{{sfn|Ryfle|1998|p=151}}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Hal Linden|Hal Linden]]|Yoshimura <ins style="font-weight: bold; text-decoration: none;">/ narrator (trailer)</ins>{{sfn|Ryfle|1998|p=151}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Lucy Martin|Dayo</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Lucy Martin|Dayo</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Earl Hammond|Commander [[Ryui|Yamoto]] / television announcer</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Earl Hammond|Commander [[Ryui|Yamoto]] / television announcer</div></td></tr>
</table>Sydney Perkinshttps://wikizilla.org/w/index.php?title=Destroy_All_Monsters&diff=361195&oldid=356934Destroy All Monsters2024-03-26T11:10:51Z<p><span dir="auto"><span class="autocomment">Titan Productions English dub</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:10, 26 March 2024</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Titan Productions English dub===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Titan Productions English dub===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Cast|notice=no</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Cast|notice=no</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|Hal Linden|Captain Katsuo Yamabe<ref name="Ryfle"/></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|<ins style="font-weight: bold; text-decoration: none;">[[wikipedia:</ins>Hal Linden<ins style="font-weight: bold; text-decoration: none;">|Hal Linden]]</ins>|Captain Katsuo Yamabe<ref name="Ryfle"/></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|Bret Morrison<ref name="Craig"/>|Dr. Yoshida<ref name="Ryfle"/></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">|[[wikipedia:Bret Morrison</ins>|Bret Morrison<ins style="font-weight: bold; text-decoration: none;">]]</ins><ref name="Craig"/>|Dr. Yoshida<ref name="Ryfle"/></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Paulette Rubinstein|Kyoko Manabe</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Paulette Rubinstein|Kyoko Manabe</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|Bernard Grant|Dr. Otani</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|<ins style="font-weight: bold; text-decoration: none;">[[wikipedia:</ins>Bernard Grant<ins style="font-weight: bold; text-decoration: none;">|Bernard Grant]]</ins>|Dr. Otani</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Lucy Martin|Kilaak Queen</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Lucy Martin|Kilaak Queen</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Kenneth Harvey|Major Tada</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Kenneth Harvey|Major Tada</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|Jack Curtis|Arima / UNSC Technician / Newscaster<ref name="Ryfle"/></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|<ins style="font-weight: bold; text-decoration: none;">[[wikipedia:</ins>Jack Curtis <ins style="font-weight: bold; text-decoration: none;">(voice actor)|Jack Curtis]]</ins>|Arima / UNSC Technician / Newscaster<ref name="Ryfle"/></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Larry Robinson|''Moonlight SY-3'' astronaut</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Larry Robinson|''Moonlight SY-3'' astronaut</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|Norman Rose|Narrator<ref name="Ryfle"/></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|<ins style="font-weight: bold; text-decoration: none;">[[wikipedia:</ins>Norman Rose<ins style="font-weight: bold; text-decoration: none;">|Norman Rose]]</ins>|Narrator<ref name="Ryfle"/></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Italian dub===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Italian dub===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Cast|notice=no</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Cast|notice=no</div></td></tr>
</table>Sydney Perkinshttps://wikizilla.org/wiki/RodanRodan2024-03-26T10:23:53Z<p><a href="/wiki/User:BaragonwaSaikoda" class="mw-userlink" title="User:BaragonwaSaikoda"><bdi>BaragonwaSaikoda</bdi></a> posted a new comment on <a href="/wiki/Rodan#comment-85758" title="Rodan">Rodan</a> Rodman</p>
BaragonwaSaikodahttps://wikizilla.org/w/index.php?title=Godzilla_(1954_film)&diff=361176&oldid=361162Godzilla (1954 film)2024-03-26T08:11:41Z<p>All but one of these are just the Commonwealth spellings; this site uses American English.</p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 08:11, 26 March 2024</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A helicopter carrying investigative reporters arrives on Odo Island. The residents increasingly begin to believe that the recent disasters in the ocean were caused by a living creature, but the reporters remain skeptical. That night the islanders perform an exorcism ceremony in the hope of warding off Godzilla. A violent storm hits the island, and much of the village is destroyed, as though it was crushed from above. Masaji's younger brother [[Shinkichi Yamane|Shinkichi]] ventures outside during the storm and watches in horror as his family home is crushed by a gigantic creature with his brother and mother still inside.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A helicopter carrying investigative reporters arrives on Odo Island. The residents increasingly begin to believe that the recent disasters in the ocean were caused by a living creature, but the reporters remain skeptical. That night the islanders perform an exorcism ceremony in the hope of warding off Godzilla. A violent storm hits the island, and much of the village is destroyed, as though it was crushed from above. Masaji's younger brother [[Shinkichi Yamane|Shinkichi]] ventures outside during the storm and watches in horror as his family home is crushed by a gigantic creature with his brother and mother still inside.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The next day, the witnesses are brought to the [[National Diet Building]] in [[Tokyo]]. <del style="font-weight: bold; text-decoration: none;">Palaeontologist </del>Dr. [[Kyohei Yamane]] requests that an investigative party be sent to Odo Island. Accompanying the expedition are Yamane's daughter [[Emiko Yamane|Emiko]] and her boyfriend [[Hideto Ogata]], a salvage worker for Southern Seas Shipping. As the expedition's ship prepares to depart, reclusive scientist and Emiko's childhood friend Dr. [[Daisuke Serizawa]] sees them off. The expedition arrives safely on the island, where Yamane discovers a huge footprint contaminated with radioactivity, along with a [[trilobite]]. Suddenly, the village alarm is set off and the villagers run towards the hills. A huge monster raises its head over a hill, terrifying the villagers who flee after witnessing its sheer size.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The next day, the witnesses are brought to the [[National Diet Building]] in [[Tokyo]]. <ins style="font-weight: bold; text-decoration: none;">Paleontologist </ins>Dr. [[Kyohei Yamane]] requests that an investigative party be sent to Odo Island. Accompanying the expedition are Yamane's daughter [[Emiko Yamane|Emiko]] and her boyfriend [[Hideto Ogata]], a salvage worker for Southern Seas Shipping. As the expedition's ship prepares to depart, reclusive scientist and Emiko's childhood friend Dr. [[Daisuke Serizawa]] sees them off. The expedition arrives safely on the island, where Yamane discovers a huge footprint contaminated with radioactivity, along with a [[trilobite]]. Suddenly, the village alarm is set off and the villagers run towards the hills. A huge monster raises its head over a hill, terrifying the villagers who flee after witnessing its sheer size.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Afterwards, Yamane presents his findings at an emergency meeting at the Diet Building. He presents a photograph of the creature, proposing to call it "Godzilla" after the monster from Odo Island's folklore. He states that Godzilla must stand at least 50 meters tall and posits that he is actually a prehistoric semi-aquatic reptile, intermediary between land and marine reptiles. Yamane says that the sediment from Godzilla's footprint contained a massive amount of Strontium-90, which could have only have come from a hydrogen bomb. Thus, Yamane proposes that repeated recent hydrogen bomb testing in the South Pacific completely destroyed Godzilla's underwater habitat, irradiating him and driving him from his sanctuary. After Yamane's presentation, a man from the crowd, Oyama, suggests that the information should not be publicly known. Since Godzilla is the product of nuclear weapons, Oyama says, the truth may strain Japan's already fragile international relations. However, a woman in the crowd angrily objects to Oyama's suggestion and demands that the truth be revealed. After she insults Oyama, chaos breaks loose in the Diet Building.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Afterwards, Yamane presents his findings at an emergency meeting at the Diet Building. He presents a photograph of the creature, proposing to call it "Godzilla" after the monster from Odo Island's folklore. He states that Godzilla must stand at least 50 meters tall and posits that he is actually a prehistoric semi-aquatic reptile, intermediary between land and marine reptiles. Yamane says that the sediment from Godzilla's footprint contained a massive amount of Strontium-90, which could have only have come from a hydrogen bomb. Thus, Yamane proposes that repeated recent hydrogen bomb testing in the South Pacific completely destroyed Godzilla's underwater habitat, irradiating him and driving him from his sanctuary. After Yamane's presentation, a man from the crowd, Oyama, suggests that the information should not be publicly known. Since Godzilla is the product of nuclear weapons, Oyama says, the truth may strain Japan's already fragile international relations. However, a woman in the crowd angrily objects to Oyama's suggestion and demands that the truth be revealed. After she insults Oyama, chaos breaks loose in the Diet Building.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Odo Island]] is renamed Oko Island.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Odo Island]] is renamed Oko Island.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hideto Ogata|Ogata]] is a student of [[Kyohei Yamane|Dr. Yamane]]. In his introductory scene with [[Emiko Yamane|Emiko]], he is asked over the phone by Yamane to assist with his conference with the government officials.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hideto Ogata|Ogata]] is a student of [[Kyohei Yamane|Dr. Yamane]]. In his introductory scene with [[Emiko Yamane|Emiko]], he is asked over the phone by Yamane to assist with his conference with the government officials.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Dr. Yamane is a radiobiologist in addition to a <del style="font-weight: bold; text-decoration: none;">palaeontologist</del>. In the earlier placed scene where he meets with the officials (as in the American version), he reasons an atomic phenomenon may be the cause of the ship disasters.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Dr. Yamane is a radiobiologist in addition to a <ins style="font-weight: bold; text-decoration: none;">paleontologist</ins>. In the earlier placed scene where he meets with the officials (as in the American version), he reasons an atomic phenomenon may be the cause of the ship disasters.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The injury to [[Daisuke Serizawa|Dr. Serizawa]]'s eye is a recent one caused by his experiments, rather than being an injury he sustained in the Second World War. His inland "field experiments" and absence are merely a ruse to draw away suspicion from the experiments conducted in secret in his own Tokyo laboratory. The allegations of a German colleague by Hagiwara and Serizawa's dismissal of such one are omitted in the dialogue.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The injury to [[Daisuke Serizawa|Dr. Serizawa]]'s eye is a recent one caused by his experiments, rather than being an injury he sustained in the Second World War. His inland "field experiments" and absence are merely a ruse to draw away suspicion from the experiments conducted in secret in his own Tokyo laboratory. The allegations of a German colleague by Hagiwara and Serizawa's dismissal of such one are omitted in the dialogue.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Confined to his hospital bed, Martin does not attend the operation to kill Godzilla with the [[Oxygen Destroyer]] himself, but watches the events unfold via television.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Confined to his hospital bed, Martin does not attend the operation to kill Godzilla with the [[Oxygen Destroyer]] himself, but watches the events unfold via television.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Originally, the effects in this film were to be accomplished by stop-motion animation (filming small immobile puppets while moving them between each frame so that the playback will create an illusion of movement), which was very popular at the time. However, due to the film's budget, [[Eiji Tsuburaya]] made up a newer and cheaper method for this film later dubbed "[[suitmation]]" - foam-fabricating costumes that are coated with layers of latex and portrayed by actors.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Originally, the effects in this film were to be accomplished by stop-motion animation (filming small immobile puppets while moving them between each frame so that the playback will create an illusion of movement), which was very popular at the time. However, due to the film's budget, [[Eiji Tsuburaya]] made up a newer and cheaper method for this film later dubbed "[[suitmation]]" - foam-fabricating costumes that are coated with layers of latex and portrayed by actors.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>**Despite this, two scenes in the film appear to use stop-motion: at 58:28, when one of the fire trucks sent to stop the fires caused by Godzilla's rampage flips over, and at 1:03:58, when an agitated Godzilla swings its tail into a nearby building.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>**Despite this, two scenes in the film appear to use stop-motion: at 58:28, when one of the fire trucks sent to stop the fires caused by Godzilla's rampage flips over, and at 1:03:58, when an agitated Godzilla swings its tail into a nearby building.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*In Akira Kurosawa's posthumously published book ''A Dream is a Genius'', ''Godzilla'' is listed at number 34 on the list of the director's top 100 <del style="font-weight: bold; text-decoration: none;">favourite </del>films.<ref>[http://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html Akira Kurosawa’s List of His 100 Favorite Movies - Open Culture]</ref></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*In Akira Kurosawa's posthumously published book ''A Dream is a Genius'', ''Godzilla'' is listed at number 34 on the list of the director's top 100 <ins style="font-weight: bold; text-decoration: none;">favorite </ins>films.<ref>[http://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html Akira Kurosawa’s List of His 100 Favorite Movies - Open Culture]</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Godzilla'' is one of the few films in the series to show nudity, as several women in the background of a shot during the first scene on [[Odo Island]] are topless. Unlike instances of nudity in two later [[Showa era]] ''Godzilla'' films, ''[[Godzilla vs. Megalon]]'' and ''[[Terror of Mechagodzilla]]'', this shot was retained in the U.S. version; however, it was shortened by several seconds.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Godzilla'' is one of the few films in the series to show nudity, as several women in the background of a shot during the first scene on [[Odo Island]] are topless. Unlike instances of nudity in two later [[Showa era]] ''Godzilla'' films, ''[[Godzilla vs. Megalon]]'' and ''[[Terror of Mechagodzilla]]'', this shot was retained in the U.S. version; however, it was shortened by several seconds.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Some stock footage of Godzilla's rampage from this film would later be used for the monster [[Varan]]'s attack on [[Tokyo]] in the film ''[[Varan (film)|Varan]]'' (1958).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Some stock footage of Godzilla's rampage from this film would later be used for the monster [[Varan]]'s attack on [[Tokyo]] in the film ''[[Varan (film)|Varan]]'' (1958).</div></td></tr>
</table>Leshttps://wikizilla.org/w/index.php?title=Godzilla_(1954_film)&diff=361162&oldid=361085Godzilla (1954 film)2024-03-26T05:40:47Z<p>Just fixed some spelling mistakes.</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 05:40, 26 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l46">Line 46:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A helicopter carrying investigative reporters arrives on Odo Island. The residents increasingly begin to believe that the recent disasters in the ocean were caused by a living creature, but the reporters remain skeptical. That night the islanders perform an exorcism ceremony in the hope of warding off Godzilla. A violent storm hits the island, and much of the village is destroyed, as though it was crushed from above. Masaji's younger brother [[Shinkichi Yamane|Shinkichi]] ventures outside during the storm and watches in horror as his family home is crushed by a gigantic creature with his brother and mother still inside.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A helicopter carrying investigative reporters arrives on Odo Island. The residents increasingly begin to believe that the recent disasters in the ocean were caused by a living creature, but the reporters remain skeptical. That night the islanders perform an exorcism ceremony in the hope of warding off Godzilla. A violent storm hits the island, and much of the village is destroyed, as though it was crushed from above. Masaji's younger brother [[Shinkichi Yamane|Shinkichi]] ventures outside during the storm and watches in horror as his family home is crushed by a gigantic creature with his brother and mother still inside.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The next day, the witnesses are brought to the [[National Diet Building]] in [[Tokyo]]. <del style="font-weight: bold; text-decoration: none;">Paleontologist </del>Dr. [[Kyohei Yamane]] requests that an investigative party be sent to Odo Island. Accompanying the expedition are Yamane's daughter [[Emiko Yamane|Emiko]] and her boyfriend [[Hideto Ogata]], a salvage worker for Southern Seas Shipping. As the expedition's ship prepares to depart, reclusive scientist and Emiko's childhood friend Dr. [[Daisuke Serizawa]] sees them off. The expedition arrives safely on the island, where Yamane discovers a huge footprint contaminated with radioactivity, along with a [[trilobite]]. Suddenly, the village alarm is set off and the villagers run towards the hills. A huge monster raises its head over a hill, terrifying the villagers who flee after witnessing its sheer size.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The next day, the witnesses are brought to the [[National Diet Building]] in [[Tokyo]]. <ins style="font-weight: bold; text-decoration: none;">Palaeontologist </ins>Dr. [[Kyohei Yamane]] requests that an investigative party be sent to Odo Island. Accompanying the expedition are Yamane's daughter [[Emiko Yamane|Emiko]] and her boyfriend [[Hideto Ogata]], a salvage worker for Southern Seas Shipping. As the expedition's ship prepares to depart, reclusive scientist and Emiko's childhood friend Dr. [[Daisuke Serizawa]] sees them off. The expedition arrives safely on the island, where Yamane discovers a huge footprint contaminated with radioactivity, along with a [[trilobite]]. Suddenly, the village alarm is set off and the villagers run towards the hills. A huge monster raises its head over a hill, terrifying the villagers who flee after witnessing its sheer size.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Afterwards, Yamane presents his findings at an emergency meeting at the Diet Building. He presents a photograph of the creature, proposing to call it "Godzilla" after the monster from Odo Island's folklore. He states that Godzilla must stand at least 50 meters tall and posits that he is actually a prehistoric semi-aquatic reptile, intermediary between land and marine reptiles. Yamane says that the sediment from Godzilla's footprint contained a massive amount of Strontium-90, which could have only have come from a hydrogen bomb. Thus, Yamane proposes that repeated recent hydrogen bomb testing in the South Pacific completely destroyed Godzilla's underwater habitat, irradiating him and driving him from his sanctuary. After Yamane's presentation, a man from the crowd, Oyama, suggests that the information should not be publicly known. Since Godzilla is the product of nuclear weapons, Oyama says, the truth may strain Japan's already fragile international relations. However, a woman in the crowd angrily objects to Oyama's suggestion and demands that the truth be revealed. After she insults Oyama, chaos breaks loose in the Diet Building.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Afterwards, Yamane presents his findings at an emergency meeting at the Diet Building. He presents a photograph of the creature, proposing to call it "Godzilla" after the monster from Odo Island's folklore. He states that Godzilla must stand at least 50 meters tall and posits that he is actually a prehistoric semi-aquatic reptile, intermediary between land and marine reptiles. Yamane says that the sediment from Godzilla's footprint contained a massive amount of Strontium-90, which could have only have come from a hydrogen bomb. Thus, Yamane proposes that repeated recent hydrogen bomb testing in the South Pacific completely destroyed Godzilla's underwater habitat, irradiating him and driving him from his sanctuary. After Yamane's presentation, a man from the crowd, Oyama, suggests that the information should not be publicly known. Since Godzilla is the product of nuclear weapons, Oyama says, the truth may strain Japan's already fragile international relations. However, a woman in the crowd angrily objects to Oyama's suggestion and demands that the truth be revealed. After she insults Oyama, chaos breaks loose in the Diet Building.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l54">Line 54:</td>
<td colspan="2" class="diff-lineno">Line 54:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>That night, Godzilla suddenly rises in [[Tokyo Bay]] in front of a pleasure boat, unharmed by the depth charge assault. Within a minute, the monster descends back into the ocean, but his brief appearance causes nationwide panic. The next morning, government officials ask Yamane if there is a way to kill Godzilla. A frustrated Yamane explains that Godzilla has already survived a massive amount of radiation, and believes that he should be studied to see what keeps him alive.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>That night, Godzilla suddenly rises in [[Tokyo Bay]] in front of a pleasure boat, unharmed by the depth charge assault. Within a minute, the monster descends back into the ocean, but his brief appearance causes nationwide panic. The next morning, government officials ask Yamane if there is a way to kill Godzilla. A frustrated Yamane explains that Godzilla has already survived a massive amount of radiation, and believes that he should be studied to see what keeps him alive.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Emiko is expected to marry Serizawa, who is also a colleague of her father. Emiko, however, is in love with Ogata and plans to marry him, having always seen Serizawa as a brother. A reporter named Hagiwara asks Emiko to introduce him to Serizawa so that he can interview him about a supposed invention that may prove to be a breakthrough against Godzilla. Emiko agrees, intending to use the <del style="font-weight: bold; text-decoration: none;">opportinity </del>to finally tell Serizawa she plans to marry Ogata. Serizawa insists that he has no idea what invention Hagiwara is talking about, and the reporter leaves. Serizawa agrees to show Emiko his current experiment, on the condition that she not tell another soul about its existence. He brings Emiko into his laboratory, where he demonstrates his invention by dropping a pellet into a fish tank, which causes the water to bubble before asphyxiating and then disintegrating all of the fish inside. Serizawa explains that while researching the element oxygen, he stumbled upon an incredibly powerful chemical reaction that horrified him. He calls his invention the [[Oxygen Destroyer]], and says that until he finds a beneficial use for it, he will never reveal its existence to the world as it is a far more powerful weapon than any nuclear bomb. Emiko is shocked by the demonstration, but agrees to keep Serizawa's secret. However, she is unable to tell him about her engagement to Ogata.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Emiko is expected to marry Serizawa, who is also a colleague of her father. Emiko, however, is in love with Ogata and plans to marry him, having always seen Serizawa as a brother. A reporter named Hagiwara asks Emiko to introduce him to Serizawa so that he can interview him about a supposed invention that may prove to be a breakthrough against Godzilla. Emiko agrees, intending to use the <ins style="font-weight: bold; text-decoration: none;">opportunity </ins>to finally tell Serizawa she plans to marry Ogata. Serizawa insists that he has no idea what invention Hagiwara is talking about, and the reporter leaves. Serizawa agrees to show Emiko his current experiment, on the condition that she not tell another soul about its existence. He brings Emiko into his laboratory, where he demonstrates his invention by dropping a pellet into a fish tank, which causes the water to bubble before asphyxiating and then disintegrating all of the fish inside. Serizawa explains that while researching the element oxygen, he stumbled upon an incredibly powerful chemical reaction that horrified him. He calls his invention the [[Oxygen Destroyer]], and says that until he finds a beneficial use for it, he will never reveal its existence to the world as it is a far more powerful weapon than any nuclear bomb. Emiko is shocked by the demonstration, but agrees to keep Serizawa's secret. However, she is unable to tell him about her engagement to Ogata.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>That night, Godzilla appears again out of Tokyo Bay and attacks Tokyo's Shinagawa Ward. While the monster's attack is relatively short, it causes much destruction and death. The next morning, the JSDF hastily construct a line of 40-meter electric towers along the coast of Tokyo that will send 50,000 volts of electricity through Godzilla, should he arrive again. Civilians are then evacuated from the city and put into bomb shelters. The JSDF then prepares a blockade along the fence line.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>That night, Godzilla appears again out of Tokyo Bay and attacks Tokyo's Shinagawa Ward. While the monster's attack is relatively short, it causes much destruction and death. The next morning, the JSDF hastily construct a line of 40-meter electric towers along the coast of Tokyo that will send 50,000 volts of electricity through Godzilla, should he arrive again. Civilians are then evacuated from the city and put into bomb shelters. The JSDF then prepares a blockade along the fence line.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l350">Line 350:</td>
<td colspan="2" class="diff-lineno">Line 350:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Odo Island]] is renamed Oko Island.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Odo Island]] is renamed Oko Island.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hideto Ogata|Ogata]] is a student of [[Kyohei Yamane|Dr. Yamane]]. In his introductory scene with [[Emiko Yamane|Emiko]], he is asked over the phone by Yamane to assist with his conference with the government officials.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hideto Ogata|Ogata]] is a student of [[Kyohei Yamane|Dr. Yamane]]. In his introductory scene with [[Emiko Yamane|Emiko]], he is asked over the phone by Yamane to assist with his conference with the government officials.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Dr. Yamane is a radiobiologist in addition to a <del style="font-weight: bold; text-decoration: none;">paleontologist</del>. In the earlier placed scene where he meets with the officials (as in the American version), he reasons an atomic phenomenon may be the cause of the ship disasters.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Dr. Yamane is a radiobiologist in addition to a <ins style="font-weight: bold; text-decoration: none;">palaeontologist</ins>. In the earlier placed scene where he meets with the officials (as in the American version), he reasons an atomic phenomenon may be the cause of the ship disasters.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The injury to [[Daisuke Serizawa|Dr. Serizawa]]'s eye is a recent one caused by his experiments, rather than being an injury he sustained in the Second World War. His inland "field experiments" and absence are merely a ruse to draw away suspicion from the experiments conducted in secret in his own Tokyo laboratory. The allegations of a German colleague by Hagiwara and Serizawa's dismissal of such one are omitted in the dialogue.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The injury to [[Daisuke Serizawa|Dr. Serizawa]]'s eye is a recent one caused by his experiments, rather than being an injury he sustained in the Second World War. His inland "field experiments" and absence are merely a ruse to draw away suspicion from the experiments conducted in secret in his own Tokyo laboratory. The allegations of a German colleague by Hagiwara and Serizawa's dismissal of such one are omitted in the dialogue.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Confined to his hospital bed, Martin does not attend the operation to kill Godzilla with the [[Oxygen Destroyer]] himself, but watches the events unfold via television.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Confined to his hospital bed, Martin does not attend the operation to kill Godzilla with the [[Oxygen Destroyer]] himself, but watches the events unfold via television.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l581">Line 581:</td>
<td colspan="2" class="diff-lineno">Line 581:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Originally, the effects in this film were to be accomplished by stop-motion animation (filming small immobile puppets while moving them between each frame so that the playback will create an illusion of movement), which was very popular at the time. However, due to the film's budget, [[Eiji Tsuburaya]] made up a newer and cheaper method for this film later dubbed "[[suitmation]]" - foam-fabricating costumes that are coated with layers of latex and portrayed by actors.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Originally, the effects in this film were to be accomplished by stop-motion animation (filming small immobile puppets while moving them between each frame so that the playback will create an illusion of movement), which was very popular at the time. However, due to the film's budget, [[Eiji Tsuburaya]] made up a newer and cheaper method for this film later dubbed "[[suitmation]]" - foam-fabricating costumes that are coated with layers of latex and portrayed by actors.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>**Despite this, two scenes in the film appear to use stop-motion: at 58:28, when one of the fire trucks sent to stop the fires caused by Godzilla's rampage flips over, and at 1:03:58, when an agitated Godzilla swings its tail into a nearby building.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>**Despite this, two scenes in the film appear to use stop-motion: at 58:28, when one of the fire trucks sent to stop the fires caused by Godzilla's rampage flips over, and at 1:03:58, when an agitated Godzilla swings its tail into a nearby building.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*In Akira Kurosawa's posthumously published book ''A Dream is a Genius'', ''Godzilla'' is listed at number 34 on the list of the director's top 100 <del style="font-weight: bold; text-decoration: none;">favorite </del>films.<ref>[http://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html Akira Kurosawa’s List of His 100 Favorite Movies - Open Culture]</ref></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*In Akira Kurosawa's posthumously published book ''A Dream is a Genius'', ''Godzilla'' is listed at number 34 on the list of the director's top 100 <ins style="font-weight: bold; text-decoration: none;">favourite </ins>films.<ref>[http://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html Akira Kurosawa’s List of His 100 Favorite Movies - Open Culture]</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Godzilla'' is one of the few films in the series to show nudity, as several women in the background of a shot during the first scene on [[Odo Island]] are topless. Unlike instances of nudity in two later [[Showa era]] ''Godzilla'' films, ''[[Godzilla vs. Megalon]]'' and ''[[Terror of Mechagodzilla]]'', this shot was retained in the U.S. version; however, it was shortened by several seconds.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Godzilla'' is one of the few films in the series to show nudity, as several women in the background of a shot during the first scene on [[Odo Island]] are topless. Unlike instances of nudity in two later [[Showa era]] ''Godzilla'' films, ''[[Godzilla vs. Megalon]]'' and ''[[Terror of Mechagodzilla]]'', this shot was retained in the U.S. version; however, it was shortened by several seconds.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Some stock footage of Godzilla's rampage from this film would later be used for the monster [[Varan]]'s attack on [[Tokyo]] in the film ''[[Varan (film)|Varan]]'' (1958).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Some stock footage of Godzilla's rampage from this film would later be used for the monster [[Varan]]'s attack on [[Tokyo]] in the film ''[[Varan (film)|Varan]]'' (1958).</div></td></tr>
</table>KaijuFan21https://wikizilla.org/wiki/The_War_of_the_GargantuasThe War of the Gargantuas2024-03-26T04:41:58Z<p><a href="/wiki/User:Ultra_X_goji" class="mw-userlink" title="User:Ultra X goji"><bdi>Ultra X goji</bdi></a> posted a new comment on <a href="/wiki/The_War_of_the_Gargantuas#comment-85732" title="The War of the Gargantuas">The War of the Gargantuas</a> Frankenstein children</p>
Ultra X gojihttps://wikizilla.org/wiki/Godzilla_(Second_Generation)Godzilla (Second Generation)2024-03-26T03:38:05Z<p><a href="/wiki/User:Keeri%27ijra" class="mw-userlink" title="User:Keeri'ijra"><bdi>Keeri'ijra</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(Second_Generation)#comment-85729" title="Godzilla (Second Generation)">Godzilla (Second Generation)</a> Taking Pokedex entries literally is.....certainly something, but Goji wins easy.</p>
Keeri'ijrahttps://wikizilla.org/wiki/Godzilla_(Second_Generation)Godzilla (Second Generation)2024-03-26T03:34:37Z<p><a href="/wiki/User:Showa_Fan" class="mw-userlink" title="User:Showa Fan"><bdi>Showa Fan</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(Second_Generation)#comment-85726" title="Godzilla (Second Generation)">Godzilla (Second Generation)</a> I have no fucking idea how strong Pokémons are so I can't debate on this</p>
Showa Fanhttps://wikizilla.org/wiki/Godzilla_(Second_Generation)Godzilla (Second Generation)2024-03-26T03:00:36Z<p><a href="/wiki/User:Kamachi16" class="mw-userlink" title="User:Kamachi16"><bdi>Kamachi16</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(Second_Generation)#comment-85724" title="Godzilla (Second Generation)">Godzilla (Second Generation)</a> hot take showa godzilla > every single pokemon and pal (I DO NOT CARE IF ARCEUS COULD ERASE HIM SHOWA GOJI WOULD PULL OUT A GLOCK 19</p>
Kamachi16https://wikizilla.org/w/index.php?title=King_Kong_vs._Godzilla&diff=361091&oldid=357979King Kong vs. Godzilla2024-03-26T01:18:27Z<p><span dir="auto"><span class="autocomment">U.S. release</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The U.S. English-language version of ''King Kong vs. Godzilla'' was prepared by producer [[John Beck]], who felt that [[Toho]]'s version of the film would not play well to American audiences. He hired writers Bruce Howard and Paul Mason to "Americanize" the film. Peter Zinner was brought in as an editor for Beck's version. Among the alterations made for the North American theatrical release are:</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The U.S. English-language version of ''King Kong vs. Godzilla'' was prepared by producer [[John Beck]], who felt that [[Toho]]'s version of the film would not play well to American audiences. He hired writers Bruce Howard and Paul Mason to "Americanize" the film. Peter Zinner was brought in as an editor for Beck's version. Among the alterations made for the North American theatrical release are:</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Dialogue for the film was dubbed at Ryder Sound Services, Inc. in Hollywood.{{sfn|Ryfle|1998|p=151}} The new dialogue often strayed heavily from the Japanese script. Howard and Mason's script <del style="font-weight: bold; text-decoration: none;">is still comedic at times but eliminates </del>most of the humor <del style="font-weight: bold; text-decoration: none;">in </del>[[Shinichi Sekizawa]]'s original screenplay. The English dubbing session was completed in a week.{{R|Mason, Perkins}} Some characters' names are changed. For instance, [[Tako]]'s given name is revealed to be Yoshio, while only his surname is ever spoken in the Japanese version. Dr. Shosuke Shigesawa's first name is changed to Kenji, and Dr. Makioka is renamed Akira Makino.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Dialogue for the film was dubbed at Ryder Sound Services, Inc. in Hollywood.{{sfn|Ryfle|1998|p=151}} The new dialogue often strayed heavily from the Japanese script. Howard and Mason's script <ins style="font-weight: bold; text-decoration: none;">retains </ins>most of the <ins style="font-weight: bold; text-decoration: none;">broad </ins>humor <ins style="font-weight: bold; text-decoration: none;">of </ins>[[Shinichi Sekizawa]]'s original screenplay <ins style="font-weight: bold; text-decoration: none;">but de-emphasizes its satirical aspects</ins>. The English dubbing session was completed in a week.{{R|Mason, Perkins}} Some characters' names are changed. For instance, [[Tako]]'s given name is revealed to be Yoshio, while only his surname is ever spoken in the Japanese version. Dr. Shosuke Shigesawa's first name is changed to Kenji, and Dr. Makioka is renamed Akira Makino.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Akira Ifukube]]'s musical score was largely replaced by music from the [[Universal Pictures|Universal]] and Mutel libraries. The composers of the added music included Hans J. Salter (''[[wikipedia:The Golden Horde (film)|The Golden Horde]]'', ''[[wikipedia:Thunder on the Hill|Thunder on the Hill]]'', ''[[wikipedia:Creature from the Black Lagoon|Creature from the Black Lagoon]]'', ''[[wikipedia:Wichita Town|Wichita Town]]'', ''[[wikipedia:Against All Flags|Against All Flags]]'', ''[[wikipedia:Man-Made Monster|Man-Made Monster]]''), Heinz Roemheld (''[[wikipedia:The Monster That Challenged the World|The Monster That Challenged the World]]''), Paul Sawtell, Bert Shefter (''[[wikipedia:The Deerslayer (1957 film)|The Deerslayer]]''), and Herschel Burke Gilbert (''[[wikipedia:While the City Sleeps (1956 film)|While the City Sleeps]]'').<ref name="ironhandz1">[https://www.youtube.com/watch?v=QiHBDHPKTlU Uploader comment for KING KONG VS. GODZILLA OST - "First Confrontation"]</ref> Ifukube's [[Faro Island]] native chant used to put Kong to sleep after he drinks [[Farolacton]] juice kept in large clay jars and an exotic jungle cue are the only tracks carried over from the original soundtrack.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Akira Ifukube]]'s musical score was largely replaced by music from the [[Universal Pictures|Universal]] and Mutel libraries. The composers of the added music included Hans J. Salter (''[[wikipedia:The Golden Horde (film)|The Golden Horde]]'', ''[[wikipedia:Thunder on the Hill|Thunder on the Hill]]'', ''[[wikipedia:Creature from the Black Lagoon|Creature from the Black Lagoon]]'', ''[[wikipedia:Wichita Town|Wichita Town]]'', ''[[wikipedia:Against All Flags|Against All Flags]]'', ''[[wikipedia:Man-Made Monster|Man-Made Monster]]''), Heinz Roemheld (''[[wikipedia:The Monster That Challenged the World|The Monster That Challenged the World]]''), Paul Sawtell, Bert Shefter (''[[wikipedia:The Deerslayer (1957 film)|The Deerslayer]]''), and Herschel Burke Gilbert (''[[wikipedia:While the City Sleeps (1956 film)|While the City Sleeps]]'').<ref name="ironhandz1">[https://www.youtube.com/watch?v=QiHBDHPKTlU Uploader comment for KING KONG VS. GODZILLA OST - "First Confrontation"]</ref> Ifukube's [[Faro Island]] native chant used to put Kong to sleep after he drinks [[Farolacton]] juice kept in large clay jars and an exotic jungle cue are the only tracks carried over from the original soundtrack.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Altered: Although the film begins with the same footage of the spinning [[Earth]], it has been repurposed to serve as an actual representation of the planet, rather than a prop for the TV show ''World Wonder Series''. An excerpt from Shakespeare's ''[[wikipedia:Hamlet|Hamlet]]'', "There are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy", also serves as an analogue for the presenter's comments about the mysteries of the Earth in the original version.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Altered: Although the film begins with the same footage of the spinning [[Earth]], it has been repurposed to serve as an actual representation of the planet, rather than a prop for the TV show ''World Wonder Series''. An excerpt from Shakespeare's ''[[wikipedia:Hamlet|Hamlet]]'', "There are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy", also serves as an analogue for the presenter's comments about the mysteries of the Earth in the original version.</div></td></tr>
</table>Space Hunter Mhttps://wikizilla.org/w/index.php?title=Godzilla_(1954_film)&diff=361085&oldid=361082Godzilla (1954 film)2024-03-26T01:13:06Z<p><span dir="auto"><span class="autocomment">Trivia</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Although this was [[Godzilla]]'s first film, the character's real debut was ''The Monster Godzilla'' {{nihongo|怪獣ゴジラ}}, a radio drama which aired on Nippon Broadcasting, based on Takeo Murata's first-draft script. Its 11 half-hour episodes played from July 17 to September 25.<ref name="NewGodzillaDictionary-p43">{{cite book|title=[[Godzilla Dictionary (New Edition)|Godzilla Dictionary [New Edition]]]|date=7 August 2014|publisher=Kasakura Publishing|page=43|isbn=9784773087253}}</ref> To date, the audio of the drama has only been released in the form of a CD (''Godzilla Sound Memorial'', alongside a 1984 interview with Tomoyuki Tanaka) packaged in the ''G-Shock - Godzilla Premium Collections 2001-'' set {{nihongo|Gの衝撃 ゴジラ・プレミアム・コレクションズ2001}} by Toho in 2001.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Although this was [[Godzilla]]'s first film, the character's real debut was ''The Monster Godzilla'' {{nihongo|怪獣ゴジラ}}, a radio drama which aired on Nippon Broadcasting, based on Takeo Murata's first-draft script. Its 11 half-hour episodes played from July 17 to September 25.<ref name="NewGodzillaDictionary-p43">{{cite book|title=[[Godzilla Dictionary (New Edition)|Godzilla Dictionary [New Edition]]]|date=7 August 2014|publisher=Kasakura Publishing|page=43|isbn=9784773087253}}</ref> To date, the audio of the drama has only been released in the form of a CD (''Godzilla Sound Memorial'', alongside a 1984 interview with Tomoyuki Tanaka) packaged in the ''G-Shock - Godzilla Premium Collections 2001-'' set {{nihongo|Gの衝撃 ゴジラ・プレミアム・コレクションズ2001}} by Toho in 2001.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Originally, the effects in this film were to be accomplished by stop-motion animation (filming small immobile puppets while moving them between each frame so that the playback will create an illusion of movement), which was very popular at the time. However, due to the film's budget, [[Eiji Tsuburaya]] made up a newer and cheaper method for this film later dubbed "[[suitmation]]" - foam-fabricating costumes that are coated with layers of latex and portrayed by actors.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Originally, the effects in this film were to be accomplished by stop-motion animation (filming small immobile puppets while moving them between each frame so that the playback will create an illusion of movement), which was very popular at the time. However, due to the film's budget, [[Eiji Tsuburaya]] made up a newer and cheaper method for this film later dubbed "[[suitmation]]" - foam-fabricating costumes that are coated with layers of latex and portrayed by actors.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>**Despite this, two scenes appear to use stop-motion: at 58:28, when one of the fire trucks sent to stop the fires caused by Godzilla's rampage flips over, and at 1:03:58, when an agitated Godzilla swings its tail into a nearby building.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>**Despite this, two scenes <ins style="font-weight: bold; text-decoration: none;">in the film </ins>appear to use stop-motion: at 58:28, when one of the fire trucks sent to stop the fires caused by Godzilla's rampage flips over, and at 1:03:58, when an agitated Godzilla swings its tail into a nearby building.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*In Akira Kurosawa's posthumously published book ''A Dream is a Genius'', ''Godzilla'' is listed at number 34 on the list of the director's top 100 favorite films.<ref>[http://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html Akira Kurosawa’s List of His 100 Favorite Movies - Open Culture]</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*In Akira Kurosawa's posthumously published book ''A Dream is a Genius'', ''Godzilla'' is listed at number 34 on the list of the director's top 100 favorite films.<ref>[http://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html Akira Kurosawa’s List of His 100 Favorite Movies - Open Culture]</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Godzilla'' is one of the few films in the series to show nudity, as several women in the background of a shot during the first scene on [[Odo Island]] are topless. Unlike instances of nudity in two later [[Showa era]] ''Godzilla'' films, ''[[Godzilla vs. Megalon]]'' and ''[[Terror of Mechagodzilla]]'', this shot was retained in the U.S. version; however, it was shortened by several seconds.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Godzilla'' is one of the few films in the series to show nudity, as several women in the background of a shot during the first scene on [[Odo Island]] are topless. Unlike instances of nudity in two later [[Showa era]] ''Godzilla'' films, ''[[Godzilla vs. Megalon]]'' and ''[[Terror of Mechagodzilla]]'', this shot was retained in the U.S. version; however, it was shortened by several seconds.</div></td></tr>
</table>Daimajin1966https://wikizilla.org/w/index.php?title=Godzilla_(1954_film)&diff=361082&oldid=355782Godzilla (1954 film)2024-03-26T01:06:14Z<p><span dir="auto"><span class="autocomment">French and Belgian release</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Odo Island]] is renamed Oko Island.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Odo Island]] is renamed Oko Island.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hideto Ogata|Ogata]] is a student of [[Kyohei Yamane|Dr. Yamane]]. In his introductory scene with [[Emiko Yamane|Emiko]], he is asked over the phone by Yamane to assist with his conference with the government officials.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hideto Ogata|Ogata]] is a student of [[Kyohei Yamane|Dr. Yamane]]. In his introductory scene with [[Emiko Yamane|Emiko]], he is asked over the phone by Yamane to assist with his conference with the government officials.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Dr. Yamane is a <del style="font-weight: bold; text-decoration: none;">radiologist </del>in addition to a paleontologist. In the earlier placed scene where he meets with the officials (as in the American version), he reasons an atomic phenomenon may be the cause of the ship disasters.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Dr. Yamane is a <ins style="font-weight: bold; text-decoration: none;">radiobiologist </ins>in addition to a paleontologist. In the earlier placed scene where he meets with the officials (as in the American version), he reasons an atomic phenomenon may be the cause of the ship disasters.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The injury to [[Daisuke Serizawa|Dr. Serizawa]]'s eye is a recent one caused by his experiments, rather than being an injury he sustained in the Second World War. His inland "field experiments" and absence are merely a ruse to draw away suspicion from the experiments conducted in secret in his own Tokyo laboratory. The allegations of a German colleague by Hagiwara and Serizawa's dismissal of such one are omitted in the dialogue.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The injury to [[Daisuke Serizawa|Dr. Serizawa]]'s eye is a recent one caused by his experiments, rather than being an injury he sustained in the Second World War. His inland "field experiments" and absence are merely a ruse to draw away suspicion from the experiments conducted in secret in his own Tokyo laboratory. The allegations of a German colleague by Hagiwara and Serizawa's dismissal of such one are omitted in the dialogue.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Confined to his hospital bed, Martin does not attend the operation to kill Godzilla with the [[Oxygen Destroyer]] himself, but watches the events unfold via television.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Confined to his hospital bed, Martin does not attend the operation to kill Godzilla with the [[Oxygen Destroyer]] himself, but watches the events unfold via television.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===West German and Austrian release===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===West German and Austrian release===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In West Germany and Austria, a shorter German language cut of the Toho version was released by Lehmacher Film on August 10, 1956. A version distributed by Atrium Film containing a different opening credits sequence also exists. In total, 13 minutes were removed from the film.<ref name="Godzilla (1954) - Schnittberichte.com">[http://www.schnittberichte.com/schnittbericht.php?ID=1711]</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In West Germany and Austria, a shorter German language cut of the Toho version was released by Lehmacher Film on August 10, 1956. A version distributed by Atrium Film containing a different opening credits sequence also exists. In total, 13 minutes were removed from the film.<ref name="Godzilla (1954) - Schnittberichte.com">[http://www.schnittberichte.com/schnittbericht.php?ID=1711]</ref></div></td></tr>
</table>Space Hunter Mhttps://wikizilla.org/w/index.php?title=Godzilla_Raids_Again&diff=361080&oldid=361078Godzilla Raids Again2024-03-26T01:00:26Z<p><span dir="auto"><span class="autocomment">Trailers</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 01:00, 26 March 2024</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Videos|</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Videos|</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">4b179urNFlQ</youtube>|Japanese trailer<br>(fragment from ''[[Rodan (film)|Rodan]]'' trailer)}}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">4b179urNFlQ</youtube>|Japanese trailer<br>(fragment from <ins style="font-weight: bold; text-decoration: none;">the </ins>''[[Rodan (film)|Rodan]]'' trailer)}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">y1K3p9buv9E</youtube>|Japanese teaser trailer<br>(audio lost)}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">y1K3p9buv9E</youtube>|Japanese teaser trailer<br>(audio lost)}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">2M0MBI5wyEg</youtube>|U.S. ''Gigantis, the Fire Monster''<br>teaser trailer}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">2M0MBI5wyEg</youtube>|U.S. ''Gigantis, the Fire Monster''<br>teaser trailer}}</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Miscellaneous===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Miscellaneous===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Videos|</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Videos|</div></td></tr>
</table>Daimajin1966https://wikizilla.org/w/index.php?title=Godzilla_Raids_Again&diff=361078&oldid=361024Godzilla Raids Again2024-03-26T00:55:44Z<p><span dir="auto"><span class="autocomment">Gigantis, the Fire Monster</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 00:55, 26 March 2024</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===''Gigantis, the Fire Monster''===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===''Gigantis, the Fire Monster''===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Cast|notice=no</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Cast|notice=no</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Keye Luke|Keye Luke]]|[[Shoichi Tsukioka]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Keye Luke|Keye Luke]]|[[Shoichi Tsukioka]] <ins style="font-weight: bold; text-decoration: none;">/ policeman</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Aya Oyama|Hidemi Yamaji</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Aya Oyama|Hidemi Yamaji</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Marvin Miller (actor)|Marvin Miller]]|[[Koji Kobayashi]] / prologue narrator</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Marvin Miller (actor)|Marvin Miller]]|[[Koji Kobayashi<ins style="font-weight: bold; text-decoration: none;">]] / Dr. [[Kyohei Yamane</ins>]] / prologue narrator </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Paul Frees|Paul Frees]]|<del style="font-weight: bold; text-decoration: none;">Dr. [[Kyohei Yamane]] </del>/ Captain Terasawa / <del style="font-weight: bold; text-decoration: none;">Kohei Yamaji</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Paul Frees|Paul Frees]]|<ins style="font-weight: bold; text-decoration: none;">Kohei Yamaji </ins>/ Captain Terasawa / <ins style="font-weight: bold; text-decoration: none;">convict</ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:George Takei|George Takei]]|Ikeda</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:George Takei|George Takei]]|Ikeda <ins style="font-weight: bold; text-decoration: none;">/ Osaka SDF dispatcher</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Jane Chang|Yasuko Inoue</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Jane Chang|Yasuko Inoue</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|James Yagi|Osaka SDF captain</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|James Yagi|Osaka SDF captain</div></td></tr>
</table>Space Hunter Mhttps://wikizilla.org/w/index.php?title=Godzilla_Raids_Again&diff=361024&oldid=360664Godzilla Raids Again2024-03-25T23:27:55Z<p><span dir="auto"><span class="autocomment">U.S. release</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:27, 25 March 2024</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===[[United States|U.S.]] release===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===[[United States|U.S.]] release===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Gigantis The Fire Monster Poster A.png|thumb|right|200px|U.S. ''Gigantis, the Fire Monster'' poster]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Gigantis The Fire Monster Poster A.png|thumb|right|200px|U.S. ''Gigantis, the Fire Monster'' poster]]</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Following the sleeper hit of their localization of ''[[Godzilla (1954 film)#U.S. release|Godzilla]]'', producers Edward Barison, Harry Rybnick and Richard Kaye acquired the U.S. theatrical rights to ''Godzilla Raids Again''. Their idea was to create a new U.S. film for AB-PT Pictures Corporation featuring the special effects and crowd sequences from ''Godzilla Raids Again'' complemented by new effects footage. Ib Melchior and Edwin Watson drafted a screenplay for the project in May 1957 entitled ''[[The Volcano Monsters]]'', in which [[Godzilla (Second Generation)|Godzilla]] and [[Anguirus (First Generation)|Anguirus]] - now a giant, female ''[[Tyrannosaurus rex]]'' and a giant ''[[wikipedia:Ankylosaurus|Ankylosaurus]]'', respectively - are discovered in a volcanic cave and later ravage [[San Francisco]]. In July 1957, despite Toho having shipped new Godzilla and Anguirus suits to Hollywood, AB-PT Pictures Corp. removed the film from their 1957 slate for unknown reasons and apparently moved it to the 1958 slate. The project then plunged into a year-long development hell. A further revision of the screenplay was made, dated February 1958, and the project continued to be promoted in fan magazines as an upcoming release by Melchior and Watson's agent, [[wikipedia:Forrest J Ackerman|Forrest J Ackerman]]. It is unknown why ''The Volcano Monsters'' went unmade, how advanced the project's development had reached while active, when in 1958 that it was scrapped, what <del style="font-weight: bold; text-decoration: none;">ever </del>happened to the monster suits, or whether the group involved in the project was a consortium that included producer Paul Schreibman, who would go on to prepare a separate localization that would also disguise the film's origin as a sequel to ''Godzilla''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Following the sleeper hit of their localization of ''[[Godzilla (1954 film)#U.S. release|Godzilla]]'', producers Edward Barison, Harry Rybnick<ins style="font-weight: bold; text-decoration: none;">, </ins>and Richard Kaye acquired the U.S. theatrical rights to ''Godzilla Raids Again''. Their idea was to create a new U.S. film for AB-PT Pictures Corporation featuring the special effects and crowd sequences from ''Godzilla Raids Again'' complemented by new effects footage. Ib Melchior and Edwin Watson drafted a screenplay for the project in May 1957 entitled ''[[The Volcano Monsters]]'', in which [[Godzilla (Second Generation)|Godzilla]] and [[Anguirus (First Generation)|Anguirus]] - now a giant, female ''[[Tyrannosaurus rex]]'' and a giant ''[[wikipedia:Ankylosaurus|Ankylosaurus]]'', respectively - are discovered in a volcanic cave and later ravage [[San Francisco]]. In July 1957, despite Toho having shipped new Godzilla and Anguirus suits to Hollywood, AB-PT Pictures Corp. removed the film from their 1957 slate for unknown reasons and apparently moved it to the 1958 slate. The project then plunged into a year-long development hell. A further revision of the screenplay was made, dated February 1958, and the project continued to be promoted in fan magazines as an upcoming release by Melchior and Watson's agent, [[wikipedia:Forrest J Ackerman|Forrest J Ackerman]]. It is unknown why ''The Volcano Monsters'' went unmade, how advanced the project's development had reached while active, when in 1958 that it was scrapped, what happened to the monster suits, or whether the group involved in the project was a consortium that included producer Paul Schreibman, who would go on to prepare a separate localization that would also disguise the film's origin as a sequel to ''Godzilla''.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>At an undetermined point in 1958, Schreibman had finished a localization entitled ''Gigantis, the Fire Monster''. He hired Hugo Grimaldi to re-write<del style="font-weight: bold; text-decoration: none;">, </del>re-edit the film. Aside from changing Godzilla's name to "Gigantis," Grimaldi's version <del style="font-weight: bold; text-decoration: none;">changes </del>the origins of the monsters: "Gigantis" and Anguirus (spelled "Angurus" in [[Warner Bros.]]' advertising materials) are described as two related species of prehistoric fire monsters. The sound effects of the monsters were <del style="font-weight: bold; text-decoration: none;">altered </del>to reflect this, with several shots of Godzilla augmented with Anguirus' roar. For years, it was believed that the reason for these changes was that Warner Bros. did not have the rights to Godzilla's name. However, Paul Schreibman said that he changed Godzilla's name to "Gigantis" to give the audience the impression that they were seeing a new monster, believing that an original film would sell better than a sequel. He later claimed that he came to regret that decision. Additionally, nearly all of [[Masaru Sato]]'s original score was replaced with library music, most of which was composed by Paul Sawtell and Bert Shefter for other science fiction films. Significant quantities of stock footage, some of it from the propaganda film ''[[wikipedia:Our Enemy — The Japanese|Our Enemy — The Japanese]]'' (1943) and the adventure film ''[[wikipedia:Unknown Island|Unknown Island]]'' (1948), were also added into the film, most prominently in a new prologue and an expanded reel of film shown by Dr. [[Kyohei Yamane]] as he explains how "Gigantis" and Anguirus came into being.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>At an undetermined point in 1958, Schreibman had finished a localization entitled ''Gigantis, the Fire Monster''. He hired Hugo Grimaldi to re-write <ins style="font-weight: bold; text-decoration: none;">and </ins>re-edit the film. Aside from changing Godzilla's name to "Gigantis," Grimaldi's version <ins style="font-weight: bold; text-decoration: none;">alters </ins>the origins of the monsters: "Gigantis" and Anguirus (spelled "Angurus" in [[Warner Bros.]]' advertising materials) are described as two related species of prehistoric fire monsters. The sound effects of the monsters were <ins style="font-weight: bold; text-decoration: none;">changed </ins>to reflect this, with several shots of Godzilla augmented with Anguirus' roar. For years, it was believed that the reason for these changes was that Warner Bros. did not have the rights to Godzilla's name. However, Paul Schreibman said that he changed Godzilla's name to "Gigantis" to give the audience the impression that they were seeing a new monster, believing that an original film would sell better than a sequel. He later claimed that he came to regret that decision. Additionally, nearly all of [[Masaru Sato]]'s original score was replaced with library music, most of which was composed by Paul Sawtell and Bert Shefter for other science fiction films. Significant quantities of stock footage, some of it from the propaganda film ''[[wikipedia:Our Enemy — The Japanese|Our Enemy — The Japanese]]'' (1943) and the adventure film ''[[wikipedia:Unknown Island|Unknown Island]]'' (1948), were also added into the film, most prominently in a new prologue and an expanded reel of film shown by Dr. [[Kyohei Yamane]] as he explains how "Gigantis" and Anguirus came into being.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The English dubbing, also supervised and directed by Grimaldi, was recorded at Ryder Sound Service, Inc. in Hollywood. The voice cast featured veteran performers Keye Luke, Marvin Miller, and Paul Frees, as well as a very young George Takei of ''Star Trek'' fame. Luke was cast as Tsukioka, whose character now narrated the events of the film. In addition to voicing Kobayashi, Miller narrated a pre-credits stock footage montage detailing man's scientific progress.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The English dubbing, also supervised and directed by Grimaldi, was recorded at Ryder Sound Service, Inc. in Hollywood. The voice cast featured veteran performers Keye Luke, Marvin Miller, and Paul Frees, as well as a very young George Takei of ''Star Trek'' fame. Luke was cast as Tsukioka, whose character now narrated the events of the film. In addition to voicing Kobayashi, Miller narrated a pre-credits stock footage montage detailing man's scientific progress.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>After completing the Americanization of the film by the end of 1958, Schrebman had sold the theatrical rights to [[Warner Bros.]] by January 1959, and the <del style="font-weight: bold; text-decoration: none;">flm </del>was released in May 1959. A dialogue transcript submitted for censorship April 29, 1959 to the Motion Picture Division of the State Education Department of New York features numerous lines excised or shortened in the available version, as well as several other editorial differences, including the placement of the opening credits at the very start of the film. Audible cuts can be heard at points corresponding to some of the dialog edits. The provenance of this transcribed print is unknown. As of 2024, no original 35mm release print has been examined that would confirm what indeed was seen and heard during the original theatrical release. <ref name="Dialogue">{{cite book|title="Gigantis the Fire Monster" (Dialogue Transcript)|date=April 2, 1959 |publisher= Warner Bros.}}</ref> ''Gigantis, the Fire Monster'' was presented as a double feature with ''[[wikipedia:Teenagers from Outer Space (film)|Teenagers from Outer Space]]'', which Warner also purchased from Schreibman.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>After completing the Americanization of the film by the end of 1958, Schrebman had sold the theatrical rights to [[Warner Bros.]] by January 1959, and the <ins style="font-weight: bold; text-decoration: none;">film </ins>was released in May 1959. A dialogue transcript submitted for censorship <ins style="font-weight: bold; text-decoration: none;">on </ins>April 29, 1959<ins style="font-weight: bold; text-decoration: none;">, </ins>to the Motion Picture Division of the State Education Department of New York features numerous lines excised or shortened in the available version, as well as several other editorial differences, including the placement of the opening credits at the very start of the film. Audible cuts can be heard at points corresponding to some of the dialog edits. The provenance of this transcribed print is unknown. As of 2024, no original 35mm release print has been examined that would confirm what indeed was seen and heard during the original theatrical release.<ref name="Dialogue">{{cite book|title="Gigantis the Fire Monster" (Dialogue Transcript)|date=April 2, 1959 |publisher= Warner Bros.}}</ref> ''Gigantis, the Fire Monster'' was presented as a double feature with ''[[wikipedia:Teenagers from Outer Space (film)|Teenagers from Outer Space]]'', which Warner also purchased from Schreibman.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''Gigantis, the Fire Monster'' did not enter standard television syndication after its theatrical run. The film remained obscure in the U.S. until its reappearance on cable TV in 1984, followed by syndicated airings and a VHS release via [[Anchor Bay|Video Treasures]] in 1989. A video generated title card restoring Toho's English title, ''Godzilla Raids Again'', accompanied the film in syndication in the late 1980s and early 1990s. This version was released on DVD alongside the Japanese version by [[Classic Media]] on November 7, 2006. The North American distribution rights to ''Godzilla Raids Again'' are currently held by Janus Films, who released it along with all of the other [[Showa era|Showa]] ''[[Godzilla (franchise)|Godzilla]]'' films in [[The Criterion Collection]]'s Blu-ray box set titled ''Godzilla: The Showa-Era Films, 1954-1975'' in [[2019]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''Gigantis, the Fire Monster'' did not enter standard television syndication after its theatrical run. The film remained obscure in the U.S. until its reappearance on cable TV in 1984, followed by syndicated airings and a VHS release via [[Anchor Bay|Video Treasures]] in 1989. A video<ins style="font-weight: bold; text-decoration: none;">-</ins>generated title card restoring Toho's English title, ''Godzilla Raids Again'', accompanied the film in syndication in the late 1980s and early 1990s. This version was released on DVD alongside the Japanese version by [[Classic Media]] on November 7, 2006. The North American distribution rights to ''Godzilla Raids Again'' are currently held by Janus Films, who released it along with all of the other [[Showa era|Showa]] ''[[Godzilla (franchise)|Godzilla]]'' films in [[The Criterion Collection]]'s Blu-ray box set titled ''Godzilla: The Showa-Era Films, 1954-1975'' in [[2019]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===United Kingdom release===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===United Kingdom release===</div></td></tr>
</table>Astounding Beyond Belief