https://wikizilla.org/w/api.php?hidebots=1&urlversion=1&days=7&limit=50&target=Takashi_Shimura&action=feedrecentchanges&feedformat=atomWikizilla - Changes related to "Takashi Shimura" [en]2024-03-29T09:43:32ZRelated changesMediaWiki 1.39.6https://wikizilla.org/wiki/Killer_Whale_(film)Killer Whale (film)2024-03-29T03:57:03Z<p><a href="/wiki/User:KaijuFan21" class="mw-userlink" title="User:KaijuFan21"><bdi>KaijuFan21</bdi></a> posted a new comment on <a href="/wiki/Killer_Whale_(film)#comment-86579" title="Killer Whale (film)">Killer Whale (film)</a> Japanese Moby Dick.</p>
KaijuFan21https://wikizilla.org/wiki/Killer_Whale_(film)Killer Whale (film)2024-03-29T03:56:31Z<p><a href="/wiki/User:KaijuFan21" class="mw-userlink" title="User:KaijuFan21"><bdi>KaijuFan21</bdi></a> posted a new comment on <a href="/wiki/Killer_Whale_(film)#comment-86578" title="Killer Whale (film)">Killer Whale (film)</a> It also doesn't have anything to to with Orga lol</p>
KaijuFan21https://wikizilla.org/wiki/Killer_Whale_(film)Killer Whale (film)2024-03-29T03:55:37Z<p><a href="/wiki/User:KaijuFan21" class="mw-userlink" title="User:KaijuFan21"><bdi>KaijuFan21</bdi></a> posted a new comment on <a href="/wiki/Killer_Whale_(film)#comment-86576" title="Killer Whale (film)">Killer Whale (film)</a> What is that poster...</p>
KaijuFan21https://wikizilla.org/w/index.php?title=Riley_Jackson&diff=362039&oldid=359876Riley Jackson2024-03-28T22:32:35Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:32, 28 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l16">Line 16:</td>
<td colspan="2" class="diff-lineno">Line 16:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|imdb =https://www.imdb.com/name/nm0413979/</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|imdb =https://www.imdb.com/name/nm0413979/</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''J. Riley Jackson Jr.''', known professionally as '''Riley Jackson''', was an [[United States|American]] writer, producer, [[wikipedia:Dubbing#ADR/post-sync|ADR]] director and supervisor, and film dubber. Beginning a long career in radio in his home state of Illinois during the [[wikipedia:Golden Age of Radio|Golden Age of Radio]], Jackson moved to Hollywood in the late 1940s and branched out into television and film work.{{R|Broadcasting}}<ref name="Miner">{{cite web|url=https://blogs.iwu.edu/asc/2018/07/05/scripts/|title= Riley Jackson’s Script Collection|last=Miner|first=Meg|date=5 July 2018|work=Archives & Special Collections|accessdate= 9 October 2023}}</ref> In [[1961]], he and fellow showman Robert Patrick established the distribution company Parade Releasing,<ref name="Boxoffice">{{cite magazine|author=<!--Staff writer(s); no by-line.-->|title=Patrick Jackson Team On the March|url=https://archive.org/details/boxofficeoctdec183boxo/page/n483/mode/2up?view=theater|magazine=Boxoffice|location=Hollywood|publisher=BoxOffice Media LP|page=12|date=16 December 1963|via=Archive.org}}</ref> which handled the edited U.S. release of the [[Toho]] war film ''[[wikipedia:Storm Over the Pacific|The Storm of the Pacific]]'' ([[1960]]), retitled "''I Bombed Pearl Harbor''." Jackson took up dialogue writing duties on the Americanization alongside Hugo Grimaldi, dubbing director-editor of ''Gigantis, the Fire Monster'', the [[1959]] U.S. version of ''[[Godzilla Raids Again]]'' ([[1955]]), garnering the attention of [[UPA]] post-production supervisor Richard Krown, who hired him as the dialogue writer for the U.S. English dub of ''[[Invasion of Astro-Monster]]'' ([[1965]]).<ref name="Homenick">{{cite web|url=https://vantagepointinterviews.com/2021/09/14/godzillas-crowning-moment-upas-post-production-supervisor-richard-krown-on-americanizing-toho-classics/|title=GODZILLA’S CROWNING MOMENT! UPA’s Post-Production Supervisor Richard Krown on Americanizing Toho Classics! |last=Homenick|first=Brett|date=14 September 2021|work=Vantage Point Interviews|accessdate=9 October 2023}}</ref> This in turn led him to do further work on the English-dubbed versions of [[Japan|Japanese]] [[tokusatsu]] and [[kaiju]] films throughout the rest of his career. Jackson passed away in Newport Beach on September 5, [[1993]] at the age of 76. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''J. Riley Jackson Jr.''', known professionally as '''Riley Jackson''', was an [[United States|American]] writer, producer, [[wikipedia:Dubbing#ADR/post-sync|ADR]] director and supervisor, and film dubber. Beginning a long career in radio in his home state of Illinois during the [[wikipedia:Golden Age of Radio|Golden Age of Radio]], Jackson moved to Hollywood in the late 1940s and branched out into television and film work.{{R|Broadcasting}}<ref name="Miner">{{cite web|url=https://blogs.iwu.edu/asc/2018/07/05/scripts/|title= Riley Jackson’s Script Collection|last=Miner|first=Meg|date=5 July 2018|work=Archives & Special Collections|accessdate= 9 October 2023}}</ref> In [[1961]], he and fellow showman Robert Patrick established the distribution company Parade Releasing,<ref name="Boxoffice">{{cite magazine|author=<!--Staff writer(s); no by-line.-->|title=Patrick Jackson Team On the March|url=https://archive.org/details/boxofficeoctdec183boxo/page/n483/mode/2up?view=theater|magazine=Boxoffice|location=Hollywood|publisher=BoxOffice Media LP|page=12|date=16 December 1963|via=Archive.org}}</ref> which handled the edited U.S. release of the [[Toho]] war film ''[[wikipedia:Storm Over the Pacific|The Storm of the Pacific]]'' ([[1960]]), retitled "''I Bombed Pearl Harbor''." Jackson took up dialogue writing duties on the Americanization alongside Hugo Grimaldi, dubbing director-editor of ''Gigantis, the Fire Monster'', the [[1959]] U.S. version of ''[[Godzilla Raids Again]]'' ([[1955]]), garnering the attention of [[UPA]] post-production supervisor Richard Krown, who hired him as the dialogue writer for the U.S. English dub of ''[[Invasion of Astro-Monster]]'' ([[1965]]).<ref name="Homenick">{{cite web|url=https://vantagepointinterviews.com/2021/09/14/godzillas-crowning-moment-upas-post-production-supervisor-richard-krown-on-americanizing-toho-classics/|title=GODZILLA’S CROWNING MOMENT! UPA’s Post-Production Supervisor Richard Krown on Americanizing Toho Classics! |last=Homenick|first=Brett|date=14 September 2021|work=Vantage Point Interviews|accessdate=9 October 2023}}</ref> This in turn led him to do further work on the English-dubbed versions of [[Japan|Japanese]] [[tokusatsu]] and [[kaiju]] films throughout the rest of his career. Jackson passed away <ins style="font-weight: bold; text-decoration: none;">due to complications from cancer<ref name="Homenick"></ref> </ins>in Newport Beach on September 5, [[1993]] at the age of 76. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{TOC}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{TOC}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Selected filmography==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Selected filmography==</div></td></tr>
</table>Space Hunter Mhttps://wikizilla.org/wiki/Kenpachiro_SatsumaKenpachiro Satsuma2024-03-28T16:01:14Z<p><a href="/wiki/User:Dripnautilus2" class="mw-userlink" title="User:Dripnautilus2"><bdi>Dripnautilus2</bdi></a> posted a new comment on <a href="/wiki/Kenpachiro_Satsuma#comment-86388" title="Kenpachiro Satsuma">Kenpachiro Satsuma</a> R.I.P.</p>
Dripnautilus2https://wikizilla.org/w/index.php?title=Mamoru_Miyano&diff=361805&oldid=316049Mamoru Miyano2024-03-28T09:18:38Z<p><span dir="auto"><span class="autocomment">Trivia</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:18, 28 March 2024</td>
</tr><tr><td colspan="4" class="diff-multi" lang="en">(One intermediate revision by the same user not shown)</td></tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l50">Line 50:</td>
<td colspan="2" class="diff-lineno">Line 50:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[GAMERA -Rebirth-]]'' (TV 2023) as [[James Tazaki]] [voice]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[GAMERA -Rebirth-]]'' (TV 2023) as [[James Tazaki]] [voice]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Trivia==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Trivia==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Miyano is one of few people to have acted in the ''Godzilla'', ''Gamera'', and ''Ultraman'' franchises. Others include [[Yukijiro Hotaru]], [[Akiji Kobayashi]], and [[Takashi Nishina]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Miyano is one of few people to have acted in the ''Godzilla'', ''Gamera'', and ''Ultraman'' franchises. Others include [[Yukijiro Hotaru]], [[Akiji Kobayashi]], <ins style="font-weight: bold; text-decoration: none;">[[Saburo Shinoda]],<ref>OMEGA遊撃隊, 1995, ''強いぞ!ガメラ'', p.155, Tokuma Shoten, ISBN-10 : 4198602573, ISBN-13 : 978-4198602574</ref> </ins>and [[Takashi Nishina]].</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">==References==</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{Reflist}}</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==External links==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==External links==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://ultra.fandom.com/wiki/Mamoru_Miyano Mamoru Miyano at Ultra Wiki]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://ultra.fandom.com/wiki/Mamoru_Miyano Mamoru Miyano at Ultra Wiki]</div></td></tr>
</table>DreamBrisdinhttps://wikizilla.org/w/index.php?title=Yukijiro_Hotaru&diff=361803&oldid=316051Yukijiro Hotaru2024-03-28T09:17:37Z<p><span dir="auto"><span class="autocomment">Trivia</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:17, 28 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l37">Line 37:</td>
<td colspan="2" class="diff-lineno">Line 37:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Trivia==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Trivia==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Hotaru's character in ''[[Reigo: King of the Sea Monsters]]'' is named Osako after his celebrated role as Tsutomu Osako in the Heisei ''Gamera'' trilogy.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Hotaru's character in ''[[Reigo: King of the Sea Monsters]]'' is named Osako after his celebrated role as Tsutomu Osako in the Heisei ''Gamera'' trilogy.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Hotaru is one of few people to have acted in the ''Godzilla'', ''Gamera'', and ''Ultraman'' franchises. Others include [[Akiji Kobayashi]], [[Takashi Nishina]], and [[Mamoru Miyano]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Hotaru is one of few people to have acted in the ''Godzilla'', ''Gamera'', and ''Ultraman'' franchises. Others include [[Akiji Kobayashi]], [[Takashi Nishina]], <ins style="font-weight: bold; text-decoration: none;">[[Saburo Shinoda]],<ref>OMEGA遊撃隊, 1995, ''強いぞ!ガメラ'', p.155, Tokuma Shoten, ISBN-10 : 4198602573, ISBN-13 : 978-4198602574</ref> </ins>and [[Mamoru Miyano]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*One of the reasons why Yukijiro accepted the offer to play Osako is because Yukitaro Hotaru, Yukijiro's mentor and the inspiration for his stage name, appeared in the 1967 film ''[[Gamera vs. Gyaos]]''.<ref name="HGPerfection">{{cite book|title=[[Heisei Gamera Perfection]]|date=8 February 2014|publisher=[[Kadokawa|ASCII MEDIA WORKS]]|isbn=9784048918817}}</ref>{{rp|274}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*One of the reasons why Yukijiro accepted the offer to play Osako is because Yukitaro Hotaru, Yukijiro's mentor and the inspiration for his stage name, appeared in the 1967 film ''[[Gamera vs. Gyaos]]''.<ref name="HGPerfection">{{cite book|title=[[Heisei Gamera Perfection]]|date=8 February 2014|publisher=[[Kadokawa|ASCII MEDIA WORKS]]|isbn=9784048918817}}</ref>{{rp|274}}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==References==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==References==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Reflist}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Reflist}}</div></td></tr>
</table>DreamBrisdinhttps://wikizilla.org/w/index.php?title=Naoya_Matsumoto&diff=361749&oldid=326415Naoya Matsumoto2024-03-28T02:06:06Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 02:06, 28 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l14">Line 14:</td>
<td colspan="2" class="diff-lineno">Line 14:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|twitter =https://twitter.com/matsudodeshow</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|twitter =https://twitter.com/matsudodeshow</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Naoya Matsumoto''' {{Nihongo|松本 直也|Matsumoto Naoya}} is a [[Japan]]ese actor and stuntman affiliated with Red Entertainment Deliver. Having been involved with [[tokusatsu]] for over a decade, he has served as a suit actor primarily for [[Toei]]'s [[wikia:w:c:powerrangers:Super Sentai|''Super Sentai'']] and [[wikia:w:c:kamenrider:Kamen Rider Series|''Kamen Rider'']] franchises, both of which he entered in [[2009]] through ''[[wikia:w:c:powerrangers:Samurai Sentai Shinkenger|Samurai Sentai Shinkenger]]'' and ''[[wikia:w:c:kamenrider:Kamen Rider W|Kamen Rider W]]'', respectively.{{R|Profile}} He has been cast in the role of [[Godzilla]] for multiple live action short films, including three of [[Kazuhiro Nakagawa]]'s Godzilla Fest originals and the April Fool's video ''[[Godzilla vs. the Tigers]]''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Naoya Matsumoto''' {{Nihongo|松本 直也|Matsumoto Naoya}} is a [[Japan]]ese actor and stuntman affiliated with Red Entertainment Deliver. Having been involved with [[tokusatsu]] for over a decade, he has served as a suit actor primarily for [[Toei]]'s [[wikia:w:c:powerrangers:Super Sentai|''Super Sentai'']] and [[wikia:w:c:kamenrider:Kamen Rider Series|''Kamen Rider'']] franchises, both of which he entered in [[2009]] through ''[[wikia:w:c:powerrangers:Samurai Sentai Shinkenger|Samurai Sentai Shinkenger]]'' and ''[[wikia:w:c:kamenrider:Kamen Rider W|Kamen Rider W]]'', respectively.{{R|Profile}} He has been cast in the role of [[Godzilla]] for multiple live<ins style="font-weight: bold; text-decoration: none;">-</ins>action short films, including three of [[Kazuhiro Nakagawa]]'s Godzilla Fest originals and the April Fool's video ''[[Godzilla vs. the Tigers]]''.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{TOC}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{TOC}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Selected filmography==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Selected filmography==</div></td></tr>
</table>Leshttps://wikizilla.org/w/index.php?title=Peter_Cullen&diff=361668&oldid=299679Peter Cullen2024-03-27T19:12:48Z<p><span dir="auto"><span class="autocomment">Selected filmography</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:12, 27 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l12">Line 12:</td>
<td colspan="2" class="diff-lineno">Line 12:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Selected filmography==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Selected filmography==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[King Kong (1976 film)|King Kong]]'' ([[1976]]) as [[King Kong (De Laurentiis)|King Kong]] (voice, uncredited)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[King Kong (1976 film)|King Kong]]'' ([[1976]]) as [[King Kong (De Laurentiis)|King Kong]] (voice, uncredited)</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">*''[[Nausicaä of the Valley of the Wind#U.S. release|Warriors of the Wind]]'' ([[1985]]) as General (voice, uncredited)</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[King Kong Lives]]'' ([[1986]]) as King Kong (stock vocalizations)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[King Kong Lives]]'' ([[1986]]) as King Kong (stock vocalizations)</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>Space Hunter Mhttps://wikizilla.org/wiki/Mansai_NomuraMansai Nomura2024-03-27T14:31:18Z<p><a href="/wiki/User:Dripnautilus2" class="mw-userlink" title="User:Dripnautilus2"><bdi>Dripnautilus2</bdi></a> posted a new comment on <a href="/wiki/Mansai_Nomura#comment-86095" title="Mansai Nomura">Mansai Nomura</a> Underrated despite what he done</p>
Dripnautilus2https://wikizilla.org/w/index.php?title=Godzilla_(1954_film)&diff=361610&oldid=361176Godzilla (1954 film)2024-03-27T12:36:43Z<p><span dir="auto"><span class="autocomment">Preservation</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:36, 27 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l396">Line 396:</td>
<td colspan="2" class="diff-lineno">Line 396:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 2014, Tokyo Laboratory decided to carry out a 4K restoration of the film. 1973 and 1975 edge code 35mm internegatives residing at Tokyo Laboratory were found to be one generation older than the third generation, 1983 edge code 35mm master positive that had been the source for home video releases for years. All three materials were scanned in 4K DPX on an ARRISCAN film scanner. Restoration was conducted in 2K, with the second generation sources being prioritized. The restoration was then redone in 4K in 2021.<ref name="t-sakamoto01">{{cite web|url= https://www.phileweb.com/interview/article/202103/06/816.html|title= “使用禁止のネガ”に“失われたはずの予告フィルム”、『4Kゴジラ』制作秘話がゴジラ映画の考古学だった|author= Tatsuya Matsunaga|date= 2021|accessdate= 19 November 2023}}</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 2014, Tokyo Laboratory decided to carry out a 4K restoration of the film. 1973 and 1975 edge code 35mm internegatives residing at Tokyo Laboratory were found to be one generation older than the third generation, 1983 edge code 35mm master positive that had been the source for home video releases for years. All three materials were scanned in 4K DPX on an ARRISCAN film scanner. Restoration was conducted in 2K, with the second generation sources being prioritized. The restoration was then redone in 4K in 2021.<ref name="t-sakamoto01">{{cite web|url= https://www.phileweb.com/interview/article/202103/06/816.html|title= “使用禁止のネガ”に“失われたはずの予告フィルム”、『4Kゴジラ』制作秘話がゴジラ映画の考古学だった|author= Tatsuya Matsunaga|date= 2021|accessdate= 19 November 2023}}</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>After the U.S. version's first release in major U.S. cities, the United Kingdom and Australia, [[Movielab]] struck a 16mm reduction negative for television syndication. A 16mm print made from this negative was first shown on Monday, October 13, 1958 at 7:30 P.M. on WOR-TV in New York City.<ref>[[File:Screen_Shot_2024-03-03_at_11.28.36_PM.png|150px]]</ref> The title on the printed-in film leader is flanked by Paramount logos, and the title "THIS PICTURE IS SUITABLE ONLY FOR ADULTS" with accompanying 35mm negative splice is also printed in at the start of the film before the TransWorld logo. <del style="font-weight: bold; text-decoration: none;">Both </del>of these characteristics indicate that the original negative of the U.S. version had been conformed to the 1957 Paramount Australian release, and that a 35mm master positive had been printed from it at some point after the conforming and then used to print the television negative prior to the 1958 premiere on WOR-TV.<ref>[[File:Ccd4e74fvz0c.jpg|150px]]</ref><ref>[[File:Screen_Shot_2024-03-03_at_11.08.59_PM.png|150px]]</ref><ref>[[File:Screen_Shot_2024-03-03_at_11.09.28_PM.png|150px]]</ref> The well-known ''Godzilla, King of the Monsters!'' title card is printed into the television negative, but a title lasting 30 seconds crediting Burr, Honda and Terry Morse was cut into the television negative itself one second before the end of the fade out of the main title.<ref>[[File:Screen_Shot_2024-03-03_at_11.12.51_PM.png|150px]]</ref><ref>[[File:Screen_Shot_2024-03-03_at_11.13.03_PM.png|150px]]</ref> Instead of splicing in silence or additional sound underneath their credits title, Movielab let this 30-second title and one second of cut title card throw the sync off until the fade in to decimated Tokyo by recording 29 seconds of silence into the beginning of the soundtrack negative; this causes the TransWorld logo and title card to be silent and Godzilla's stomps and roar to be heard fully within the spliced-in title. Other than the end title, the ending credits are missing from the element used to print the television negative. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>After the U.S. version's first release in major U.S. cities, the United Kingdom and Australia, [[Movielab]] struck a 16mm reduction negative for television syndication. A 16mm print made from this negative was first shown on Monday, October 13, 1958 at 7:30 P.M. on WOR-TV in New York City.<ref>[[File:Screen_Shot_2024-03-03_at_11.28.36_PM.png|150px]]</ref> The title on the printed-in film leader is flanked by Paramount logos<ins style="font-weight: bold; text-decoration: none;">, the Commonwealth term "spool" is used on the film leader instead of "reel"</ins>, and the title "THIS PICTURE IS SUITABLE ONLY FOR ADULTS" with accompanying 35mm negative splice is also printed in at the start of the film before the TransWorld logo. <ins style="font-weight: bold; text-decoration: none;">All </ins>of these characteristics indicate that the original negative of the U.S. version had been conformed to the 1957 Paramount Australian release, and that a 35mm master positive had been printed from it at some point after the conforming and then used to print the television negative prior to the 1958 premiere on WOR-TV.<ref>[[File:Ccd4e74fvz0c.jpg|150px]]</ref><ref>[[File:Screen_Shot_2024-03-03_at_11.08.59_PM.png|150px]]</ref><ref>[[File:Screen_Shot_2024-03-03_at_11.09.28_PM.png|150px]]</ref> The well-known ''Godzilla, King of the Monsters!'' title card is printed into the television negative, but a title lasting 30 seconds crediting Burr, Honda and Terry Morse was cut into the television negative itself one second before the end of the fade out of the main title.<ref>[[File:Screen_Shot_2024-03-03_at_11.12.51_PM.png|150px]]</ref><ref>[[File:Screen_Shot_2024-03-03_at_11.13.03_PM.png|150px]]</ref> Instead of splicing in silence or additional sound underneath their credits title, Movielab let this 30-second title and one second of cut title card throw the sync off until the fade in to decimated Tokyo by recording 29 seconds of silence into the beginning of the soundtrack negative; this causes the TransWorld logo and title card to be silent and Godzilla's stomps and roar to be heard fully within the spliced-in title. Other than the end title, the ending credits are missing from the element used to print the television negative. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the 1980s, a video master was made for television syndication and home video release. Black dust differs from the 35mm master positive used to print the 16mm television negative, and damage had accumulated on the original negative of the U.S. cut - particularly an uncertain form of decomposition seemingly only affecting the camera original U.S. footage - so the video master was transferred from a separate master positive printed at a much later date. Before Criterion's 2012 restoration, this master was used for all known home video releases in English-speaking countries and Japan. The TransWorld logo is present in this master positive, as is the full ''Godzilla, King of the Monsters!'' title card without the television negative's opening credits spliced in. However, on all known and authorized home video releases other than the cropped widescreen side of the 1998 Simitar DVD, and seemingly all television airings, the visual component of the TransWorld logo is replaced with a black screen. The ending credits other than the ending title are missing from the video master, as is the Australian ratings title.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the 1980s, a video master was made for television syndication and home video release. Black dust differs from the 35mm master positive used to print the 16mm television negative, and damage had accumulated on the original negative of the U.S. cut - particularly an uncertain form of decomposition seemingly only affecting the camera original U.S. footage - so the video master was transferred from a separate master positive printed at a much later date. Before Criterion's 2012 restoration, this master was used for all known home video releases in English-speaking countries and Japan. The TransWorld logo is present in this master positive, as is the full ''Godzilla, King of the Monsters!'' title card without the television negative's opening credits spliced in. However, on all known and authorized home video releases other than the cropped widescreen side of the 1998 Simitar DVD, and seemingly all television airings, the visual component of the TransWorld logo is replaced with a black screen. The ending credits other than the ending title are missing from the video master, as is the Australian ratings title.</div></td></tr>
</table>Sydney Perkinshttps://wikizilla.org/wiki/Godzilla_Raids_AgainGodzilla Raids Again2024-03-26T15:54:34Z<p><a href="/wiki/User:Dripnautilus2" class="mw-userlink" title="User:Dripnautilus2"><bdi>Dripnautilus2</bdi></a> posted a new comment on <a href="/wiki/Godzilla_Raids_Again#comment-85820" title="Godzilla Raids Again">Godzilla Raids Again</a> I like this Godzilla. He looks like he can shoot his teeth like rockets from his mouth</p>
Dripnautilus2https://wikizilla.org/wiki/Godzilla_Raids_AgainGodzilla Raids Again2024-03-26T15:54:04Z<p><a href="/wiki/User:Dripnautilus2" class="mw-userlink" title="User:Dripnautilus2"><bdi>Dripnautilus2</bdi></a> posted a new comment on <a href="/wiki/Godzilla_Raids_Again#comment-85819" title="Godzilla Raids Again">Godzilla Raids Again</a> Yes</p>
Dripnautilus2https://wikizilla.org/wiki/The_MysteriansThe Mysterians2024-03-26T11:47:40Z<p><a href="/wiki/User:TheKaijuGuy" class="mw-userlink" title="User:TheKaijuGuy"><bdi>TheKaijuGuy</bdi></a> posted a new comment on <a href="/wiki/The_Mysterians#comment-85772" title="The Mysterians">The Mysterians</a> Everybody likes Mechagodzilla more</p>
TheKaijuGuyhttps://wikizilla.org/w/index.php?title=Godzilla_(1954_film)&diff=361176&oldid=361162Godzilla (1954 film)2024-03-26T08:11:41Z<p>All but one of these are just the Commonwealth spellings; this site uses American English.</p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 08:11, 26 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l46">Line 46:</td>
<td colspan="2" class="diff-lineno">Line 46:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A helicopter carrying investigative reporters arrives on Odo Island. The residents increasingly begin to believe that the recent disasters in the ocean were caused by a living creature, but the reporters remain skeptical. That night the islanders perform an exorcism ceremony in the hope of warding off Godzilla. A violent storm hits the island, and much of the village is destroyed, as though it was crushed from above. Masaji's younger brother [[Shinkichi Yamane|Shinkichi]] ventures outside during the storm and watches in horror as his family home is crushed by a gigantic creature with his brother and mother still inside.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A helicopter carrying investigative reporters arrives on Odo Island. The residents increasingly begin to believe that the recent disasters in the ocean were caused by a living creature, but the reporters remain skeptical. That night the islanders perform an exorcism ceremony in the hope of warding off Godzilla. A violent storm hits the island, and much of the village is destroyed, as though it was crushed from above. Masaji's younger brother [[Shinkichi Yamane|Shinkichi]] ventures outside during the storm and watches in horror as his family home is crushed by a gigantic creature with his brother and mother still inside.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The next day, the witnesses are brought to the [[National Diet Building]] in [[Tokyo]]. <del style="font-weight: bold; text-decoration: none;">Palaeontologist </del>Dr. [[Kyohei Yamane]] requests that an investigative party be sent to Odo Island. Accompanying the expedition are Yamane's daughter [[Emiko Yamane|Emiko]] and her boyfriend [[Hideto Ogata]], a salvage worker for Southern Seas Shipping. As the expedition's ship prepares to depart, reclusive scientist and Emiko's childhood friend Dr. [[Daisuke Serizawa]] sees them off. The expedition arrives safely on the island, where Yamane discovers a huge footprint contaminated with radioactivity, along with a [[trilobite]]. Suddenly, the village alarm is set off and the villagers run towards the hills. A huge monster raises its head over a hill, terrifying the villagers who flee after witnessing its sheer size.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The next day, the witnesses are brought to the [[National Diet Building]] in [[Tokyo]]. <ins style="font-weight: bold; text-decoration: none;">Paleontologist </ins>Dr. [[Kyohei Yamane]] requests that an investigative party be sent to Odo Island. Accompanying the expedition are Yamane's daughter [[Emiko Yamane|Emiko]] and her boyfriend [[Hideto Ogata]], a salvage worker for Southern Seas Shipping. As the expedition's ship prepares to depart, reclusive scientist and Emiko's childhood friend Dr. [[Daisuke Serizawa]] sees them off. The expedition arrives safely on the island, where Yamane discovers a huge footprint contaminated with radioactivity, along with a [[trilobite]]. Suddenly, the village alarm is set off and the villagers run towards the hills. A huge monster raises its head over a hill, terrifying the villagers who flee after witnessing its sheer size.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Afterwards, Yamane presents his findings at an emergency meeting at the Diet Building. He presents a photograph of the creature, proposing to call it "Godzilla" after the monster from Odo Island's folklore. He states that Godzilla must stand at least 50 meters tall and posits that he is actually a prehistoric semi-aquatic reptile, intermediary between land and marine reptiles. Yamane says that the sediment from Godzilla's footprint contained a massive amount of Strontium-90, which could have only have come from a hydrogen bomb. Thus, Yamane proposes that repeated recent hydrogen bomb testing in the South Pacific completely destroyed Godzilla's underwater habitat, irradiating him and driving him from his sanctuary. After Yamane's presentation, a man from the crowd, Oyama, suggests that the information should not be publicly known. Since Godzilla is the product of nuclear weapons, Oyama says, the truth may strain Japan's already fragile international relations. However, a woman in the crowd angrily objects to Oyama's suggestion and demands that the truth be revealed. After she insults Oyama, chaos breaks loose in the Diet Building.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Afterwards, Yamane presents his findings at an emergency meeting at the Diet Building. He presents a photograph of the creature, proposing to call it "Godzilla" after the monster from Odo Island's folklore. He states that Godzilla must stand at least 50 meters tall and posits that he is actually a prehistoric semi-aquatic reptile, intermediary between land and marine reptiles. Yamane says that the sediment from Godzilla's footprint contained a massive amount of Strontium-90, which could have only have come from a hydrogen bomb. Thus, Yamane proposes that repeated recent hydrogen bomb testing in the South Pacific completely destroyed Godzilla's underwater habitat, irradiating him and driving him from his sanctuary. After Yamane's presentation, a man from the crowd, Oyama, suggests that the information should not be publicly known. Since Godzilla is the product of nuclear weapons, Oyama says, the truth may strain Japan's already fragile international relations. However, a woman in the crowd angrily objects to Oyama's suggestion and demands that the truth be revealed. After she insults Oyama, chaos breaks loose in the Diet Building.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l350">Line 350:</td>
<td colspan="2" class="diff-lineno">Line 350:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Odo Island]] is renamed Oko Island.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Odo Island]] is renamed Oko Island.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hideto Ogata|Ogata]] is a student of [[Kyohei Yamane|Dr. Yamane]]. In his introductory scene with [[Emiko Yamane|Emiko]], he is asked over the phone by Yamane to assist with his conference with the government officials.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hideto Ogata|Ogata]] is a student of [[Kyohei Yamane|Dr. Yamane]]. In his introductory scene with [[Emiko Yamane|Emiko]], he is asked over the phone by Yamane to assist with his conference with the government officials.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Dr. Yamane is a radiobiologist in addition to a <del style="font-weight: bold; text-decoration: none;">palaeontologist</del>. In the earlier placed scene where he meets with the officials (as in the American version), he reasons an atomic phenomenon may be the cause of the ship disasters.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Dr. Yamane is a radiobiologist in addition to a <ins style="font-weight: bold; text-decoration: none;">paleontologist</ins>. In the earlier placed scene where he meets with the officials (as in the American version), he reasons an atomic phenomenon may be the cause of the ship disasters.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The injury to [[Daisuke Serizawa|Dr. Serizawa]]'s eye is a recent one caused by his experiments, rather than being an injury he sustained in the Second World War. His inland "field experiments" and absence are merely a ruse to draw away suspicion from the experiments conducted in secret in his own Tokyo laboratory. The allegations of a German colleague by Hagiwara and Serizawa's dismissal of such one are omitted in the dialogue.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The injury to [[Daisuke Serizawa|Dr. Serizawa]]'s eye is a recent one caused by his experiments, rather than being an injury he sustained in the Second World War. His inland "field experiments" and absence are merely a ruse to draw away suspicion from the experiments conducted in secret in his own Tokyo laboratory. The allegations of a German colleague by Hagiwara and Serizawa's dismissal of such one are omitted in the dialogue.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Confined to his hospital bed, Martin does not attend the operation to kill Godzilla with the [[Oxygen Destroyer]] himself, but watches the events unfold via television.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Confined to his hospital bed, Martin does not attend the operation to kill Godzilla with the [[Oxygen Destroyer]] himself, but watches the events unfold via television.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l581">Line 581:</td>
<td colspan="2" class="diff-lineno">Line 581:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Originally, the effects in this film were to be accomplished by stop-motion animation (filming small immobile puppets while moving them between each frame so that the playback will create an illusion of movement), which was very popular at the time. However, due to the film's budget, [[Eiji Tsuburaya]] made up a newer and cheaper method for this film later dubbed "[[suitmation]]" - foam-fabricating costumes that are coated with layers of latex and portrayed by actors.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Originally, the effects in this film were to be accomplished by stop-motion animation (filming small immobile puppets while moving them between each frame so that the playback will create an illusion of movement), which was very popular at the time. However, due to the film's budget, [[Eiji Tsuburaya]] made up a newer and cheaper method for this film later dubbed "[[suitmation]]" - foam-fabricating costumes that are coated with layers of latex and portrayed by actors.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>**Despite this, two scenes in the film appear to use stop-motion: at 58:28, when one of the fire trucks sent to stop the fires caused by Godzilla's rampage flips over, and at 1:03:58, when an agitated Godzilla swings its tail into a nearby building.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>**Despite this, two scenes in the film appear to use stop-motion: at 58:28, when one of the fire trucks sent to stop the fires caused by Godzilla's rampage flips over, and at 1:03:58, when an agitated Godzilla swings its tail into a nearby building.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*In Akira Kurosawa's posthumously published book ''A Dream is a Genius'', ''Godzilla'' is listed at number 34 on the list of the director's top 100 <del style="font-weight: bold; text-decoration: none;">favourite </del>films.<ref>[http://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html Akira Kurosawa’s List of His 100 Favorite Movies - Open Culture]</ref></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*In Akira Kurosawa's posthumously published book ''A Dream is a Genius'', ''Godzilla'' is listed at number 34 on the list of the director's top 100 <ins style="font-weight: bold; text-decoration: none;">favorite </ins>films.<ref>[http://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html Akira Kurosawa’s List of His 100 Favorite Movies - Open Culture]</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Godzilla'' is one of the few films in the series to show nudity, as several women in the background of a shot during the first scene on [[Odo Island]] are topless. Unlike instances of nudity in two later [[Showa era]] ''Godzilla'' films, ''[[Godzilla vs. Megalon]]'' and ''[[Terror of Mechagodzilla]]'', this shot was retained in the U.S. version; however, it was shortened by several seconds.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Godzilla'' is one of the few films in the series to show nudity, as several women in the background of a shot during the first scene on [[Odo Island]] are topless. Unlike instances of nudity in two later [[Showa era]] ''Godzilla'' films, ''[[Godzilla vs. Megalon]]'' and ''[[Terror of Mechagodzilla]]'', this shot was retained in the U.S. version; however, it was shortened by several seconds.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Some stock footage of Godzilla's rampage from this film would later be used for the monster [[Varan]]'s attack on [[Tokyo]] in the film ''[[Varan (film)|Varan]]'' (1958).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Some stock footage of Godzilla's rampage from this film would later be used for the monster [[Varan]]'s attack on [[Tokyo]] in the film ''[[Varan (film)|Varan]]'' (1958).</div></td></tr>
</table>Leshttps://wikizilla.org/w/index.php?title=Godzilla_(1954_film)&diff=361162&oldid=361085Godzilla (1954 film)2024-03-26T05:40:47Z<p>Just fixed some spelling mistakes.</p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 05:40, 26 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l46">Line 46:</td>
<td colspan="2" class="diff-lineno">Line 46:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A helicopter carrying investigative reporters arrives on Odo Island. The residents increasingly begin to believe that the recent disasters in the ocean were caused by a living creature, but the reporters remain skeptical. That night the islanders perform an exorcism ceremony in the hope of warding off Godzilla. A violent storm hits the island, and much of the village is destroyed, as though it was crushed from above. Masaji's younger brother [[Shinkichi Yamane|Shinkichi]] ventures outside during the storm and watches in horror as his family home is crushed by a gigantic creature with his brother and mother still inside.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A helicopter carrying investigative reporters arrives on Odo Island. The residents increasingly begin to believe that the recent disasters in the ocean were caused by a living creature, but the reporters remain skeptical. That night the islanders perform an exorcism ceremony in the hope of warding off Godzilla. A violent storm hits the island, and much of the village is destroyed, as though it was crushed from above. Masaji's younger brother [[Shinkichi Yamane|Shinkichi]] ventures outside during the storm and watches in horror as his family home is crushed by a gigantic creature with his brother and mother still inside.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The next day, the witnesses are brought to the [[National Diet Building]] in [[Tokyo]]. <del style="font-weight: bold; text-decoration: none;">Paleontologist </del>Dr. [[Kyohei Yamane]] requests that an investigative party be sent to Odo Island. Accompanying the expedition are Yamane's daughter [[Emiko Yamane|Emiko]] and her boyfriend [[Hideto Ogata]], a salvage worker for Southern Seas Shipping. As the expedition's ship prepares to depart, reclusive scientist and Emiko's childhood friend Dr. [[Daisuke Serizawa]] sees them off. The expedition arrives safely on the island, where Yamane discovers a huge footprint contaminated with radioactivity, along with a [[trilobite]]. Suddenly, the village alarm is set off and the villagers run towards the hills. A huge monster raises its head over a hill, terrifying the villagers who flee after witnessing its sheer size.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The next day, the witnesses are brought to the [[National Diet Building]] in [[Tokyo]]. <ins style="font-weight: bold; text-decoration: none;">Palaeontologist </ins>Dr. [[Kyohei Yamane]] requests that an investigative party be sent to Odo Island. Accompanying the expedition are Yamane's daughter [[Emiko Yamane|Emiko]] and her boyfriend [[Hideto Ogata]], a salvage worker for Southern Seas Shipping. As the expedition's ship prepares to depart, reclusive scientist and Emiko's childhood friend Dr. [[Daisuke Serizawa]] sees them off. The expedition arrives safely on the island, where Yamane discovers a huge footprint contaminated with radioactivity, along with a [[trilobite]]. Suddenly, the village alarm is set off and the villagers run towards the hills. A huge monster raises its head over a hill, terrifying the villagers who flee after witnessing its sheer size.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Afterwards, Yamane presents his findings at an emergency meeting at the Diet Building. He presents a photograph of the creature, proposing to call it "Godzilla" after the monster from Odo Island's folklore. He states that Godzilla must stand at least 50 meters tall and posits that he is actually a prehistoric semi-aquatic reptile, intermediary between land and marine reptiles. Yamane says that the sediment from Godzilla's footprint contained a massive amount of Strontium-90, which could have only have come from a hydrogen bomb. Thus, Yamane proposes that repeated recent hydrogen bomb testing in the South Pacific completely destroyed Godzilla's underwater habitat, irradiating him and driving him from his sanctuary. After Yamane's presentation, a man from the crowd, Oyama, suggests that the information should not be publicly known. Since Godzilla is the product of nuclear weapons, Oyama says, the truth may strain Japan's already fragile international relations. However, a woman in the crowd angrily objects to Oyama's suggestion and demands that the truth be revealed. After she insults Oyama, chaos breaks loose in the Diet Building.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Afterwards, Yamane presents his findings at an emergency meeting at the Diet Building. He presents a photograph of the creature, proposing to call it "Godzilla" after the monster from Odo Island's folklore. He states that Godzilla must stand at least 50 meters tall and posits that he is actually a prehistoric semi-aquatic reptile, intermediary between land and marine reptiles. Yamane says that the sediment from Godzilla's footprint contained a massive amount of Strontium-90, which could have only have come from a hydrogen bomb. Thus, Yamane proposes that repeated recent hydrogen bomb testing in the South Pacific completely destroyed Godzilla's underwater habitat, irradiating him and driving him from his sanctuary. After Yamane's presentation, a man from the crowd, Oyama, suggests that the information should not be publicly known. Since Godzilla is the product of nuclear weapons, Oyama says, the truth may strain Japan's already fragile international relations. However, a woman in the crowd angrily objects to Oyama's suggestion and demands that the truth be revealed. After she insults Oyama, chaos breaks loose in the Diet Building.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l54">Line 54:</td>
<td colspan="2" class="diff-lineno">Line 54:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>That night, Godzilla suddenly rises in [[Tokyo Bay]] in front of a pleasure boat, unharmed by the depth charge assault. Within a minute, the monster descends back into the ocean, but his brief appearance causes nationwide panic. The next morning, government officials ask Yamane if there is a way to kill Godzilla. A frustrated Yamane explains that Godzilla has already survived a massive amount of radiation, and believes that he should be studied to see what keeps him alive.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>That night, Godzilla suddenly rises in [[Tokyo Bay]] in front of a pleasure boat, unharmed by the depth charge assault. Within a minute, the monster descends back into the ocean, but his brief appearance causes nationwide panic. The next morning, government officials ask Yamane if there is a way to kill Godzilla. A frustrated Yamane explains that Godzilla has already survived a massive amount of radiation, and believes that he should be studied to see what keeps him alive.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Emiko is expected to marry Serizawa, who is also a colleague of her father. Emiko, however, is in love with Ogata and plans to marry him, having always seen Serizawa as a brother. A reporter named Hagiwara asks Emiko to introduce him to Serizawa so that he can interview him about a supposed invention that may prove to be a breakthrough against Godzilla. Emiko agrees, intending to use the <del style="font-weight: bold; text-decoration: none;">opportinity </del>to finally tell Serizawa she plans to marry Ogata. Serizawa insists that he has no idea what invention Hagiwara is talking about, and the reporter leaves. Serizawa agrees to show Emiko his current experiment, on the condition that she not tell another soul about its existence. He brings Emiko into his laboratory, where he demonstrates his invention by dropping a pellet into a fish tank, which causes the water to bubble before asphyxiating and then disintegrating all of the fish inside. Serizawa explains that while researching the element oxygen, he stumbled upon an incredibly powerful chemical reaction that horrified him. He calls his invention the [[Oxygen Destroyer]], and says that until he finds a beneficial use for it, he will never reveal its existence to the world as it is a far more powerful weapon than any nuclear bomb. Emiko is shocked by the demonstration, but agrees to keep Serizawa's secret. However, she is unable to tell him about her engagement to Ogata.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Emiko is expected to marry Serizawa, who is also a colleague of her father. Emiko, however, is in love with Ogata and plans to marry him, having always seen Serizawa as a brother. A reporter named Hagiwara asks Emiko to introduce him to Serizawa so that he can interview him about a supposed invention that may prove to be a breakthrough against Godzilla. Emiko agrees, intending to use the <ins style="font-weight: bold; text-decoration: none;">opportunity </ins>to finally tell Serizawa she plans to marry Ogata. Serizawa insists that he has no idea what invention Hagiwara is talking about, and the reporter leaves. Serizawa agrees to show Emiko his current experiment, on the condition that she not tell another soul about its existence. He brings Emiko into his laboratory, where he demonstrates his invention by dropping a pellet into a fish tank, which causes the water to bubble before asphyxiating and then disintegrating all of the fish inside. Serizawa explains that while researching the element oxygen, he stumbled upon an incredibly powerful chemical reaction that horrified him. He calls his invention the [[Oxygen Destroyer]], and says that until he finds a beneficial use for it, he will never reveal its existence to the world as it is a far more powerful weapon than any nuclear bomb. Emiko is shocked by the demonstration, but agrees to keep Serizawa's secret. However, she is unable to tell him about her engagement to Ogata.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>That night, Godzilla appears again out of Tokyo Bay and attacks Tokyo's Shinagawa Ward. While the monster's attack is relatively short, it causes much destruction and death. The next morning, the JSDF hastily construct a line of 40-meter electric towers along the coast of Tokyo that will send 50,000 volts of electricity through Godzilla, should he arrive again. Civilians are then evacuated from the city and put into bomb shelters. The JSDF then prepares a blockade along the fence line.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>That night, Godzilla appears again out of Tokyo Bay and attacks Tokyo's Shinagawa Ward. While the monster's attack is relatively short, it causes much destruction and death. The next morning, the JSDF hastily construct a line of 40-meter electric towers along the coast of Tokyo that will send 50,000 volts of electricity through Godzilla, should he arrive again. Civilians are then evacuated from the city and put into bomb shelters. The JSDF then prepares a blockade along the fence line.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l350">Line 350:</td>
<td colspan="2" class="diff-lineno">Line 350:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Odo Island]] is renamed Oko Island.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Odo Island]] is renamed Oko Island.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hideto Ogata|Ogata]] is a student of [[Kyohei Yamane|Dr. Yamane]]. In his introductory scene with [[Emiko Yamane|Emiko]], he is asked over the phone by Yamane to assist with his conference with the government officials.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hideto Ogata|Ogata]] is a student of [[Kyohei Yamane|Dr. Yamane]]. In his introductory scene with [[Emiko Yamane|Emiko]], he is asked over the phone by Yamane to assist with his conference with the government officials.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Dr. Yamane is a radiobiologist in addition to a <del style="font-weight: bold; text-decoration: none;">paleontologist</del>. In the earlier placed scene where he meets with the officials (as in the American version), he reasons an atomic phenomenon may be the cause of the ship disasters.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Dr. Yamane is a radiobiologist in addition to a <ins style="font-weight: bold; text-decoration: none;">palaeontologist</ins>. In the earlier placed scene where he meets with the officials (as in the American version), he reasons an atomic phenomenon may be the cause of the ship disasters.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The injury to [[Daisuke Serizawa|Dr. Serizawa]]'s eye is a recent one caused by his experiments, rather than being an injury he sustained in the Second World War. His inland "field experiments" and absence are merely a ruse to draw away suspicion from the experiments conducted in secret in his own Tokyo laboratory. The allegations of a German colleague by Hagiwara and Serizawa's dismissal of such one are omitted in the dialogue.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The injury to [[Daisuke Serizawa|Dr. Serizawa]]'s eye is a recent one caused by his experiments, rather than being an injury he sustained in the Second World War. His inland "field experiments" and absence are merely a ruse to draw away suspicion from the experiments conducted in secret in his own Tokyo laboratory. The allegations of a German colleague by Hagiwara and Serizawa's dismissal of such one are omitted in the dialogue.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Confined to his hospital bed, Martin does not attend the operation to kill Godzilla with the [[Oxygen Destroyer]] himself, but watches the events unfold via television.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Confined to his hospital bed, Martin does not attend the operation to kill Godzilla with the [[Oxygen Destroyer]] himself, but watches the events unfold via television.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l581">Line 581:</td>
<td colspan="2" class="diff-lineno">Line 581:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Originally, the effects in this film were to be accomplished by stop-motion animation (filming small immobile puppets while moving them between each frame so that the playback will create an illusion of movement), which was very popular at the time. However, due to the film's budget, [[Eiji Tsuburaya]] made up a newer and cheaper method for this film later dubbed "[[suitmation]]" - foam-fabricating costumes that are coated with layers of latex and portrayed by actors.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Originally, the effects in this film were to be accomplished by stop-motion animation (filming small immobile puppets while moving them between each frame so that the playback will create an illusion of movement), which was very popular at the time. However, due to the film's budget, [[Eiji Tsuburaya]] made up a newer and cheaper method for this film later dubbed "[[suitmation]]" - foam-fabricating costumes that are coated with layers of latex and portrayed by actors.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>**Despite this, two scenes in the film appear to use stop-motion: at 58:28, when one of the fire trucks sent to stop the fires caused by Godzilla's rampage flips over, and at 1:03:58, when an agitated Godzilla swings its tail into a nearby building.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>**Despite this, two scenes in the film appear to use stop-motion: at 58:28, when one of the fire trucks sent to stop the fires caused by Godzilla's rampage flips over, and at 1:03:58, when an agitated Godzilla swings its tail into a nearby building.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*In Akira Kurosawa's posthumously published book ''A Dream is a Genius'', ''Godzilla'' is listed at number 34 on the list of the director's top 100 <del style="font-weight: bold; text-decoration: none;">favorite </del>films.<ref>[http://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html Akira Kurosawa’s List of His 100 Favorite Movies - Open Culture]</ref></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*In Akira Kurosawa's posthumously published book ''A Dream is a Genius'', ''Godzilla'' is listed at number 34 on the list of the director's top 100 <ins style="font-weight: bold; text-decoration: none;">favourite </ins>films.<ref>[http://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html Akira Kurosawa’s List of His 100 Favorite Movies - Open Culture]</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Godzilla'' is one of the few films in the series to show nudity, as several women in the background of a shot during the first scene on [[Odo Island]] are topless. Unlike instances of nudity in two later [[Showa era]] ''Godzilla'' films, ''[[Godzilla vs. Megalon]]'' and ''[[Terror of Mechagodzilla]]'', this shot was retained in the U.S. version; however, it was shortened by several seconds.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Godzilla'' is one of the few films in the series to show nudity, as several women in the background of a shot during the first scene on [[Odo Island]] are topless. Unlike instances of nudity in two later [[Showa era]] ''Godzilla'' films, ''[[Godzilla vs. Megalon]]'' and ''[[Terror of Mechagodzilla]]'', this shot was retained in the U.S. version; however, it was shortened by several seconds.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Some stock footage of Godzilla's rampage from this film would later be used for the monster [[Varan]]'s attack on [[Tokyo]] in the film ''[[Varan (film)|Varan]]'' (1958).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Some stock footage of Godzilla's rampage from this film would later be used for the monster [[Varan]]'s attack on [[Tokyo]] in the film ''[[Varan (film)|Varan]]'' (1958).</div></td></tr>
</table>KaijuFan21https://wikizilla.org/w/index.php?title=Godzilla_(1954_film)&diff=361085&oldid=361082Godzilla (1954 film)2024-03-26T01:13:06Z<p><span dir="auto"><span class="autocomment">Trivia</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 01:13, 26 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l580">Line 580:</td>
<td colspan="2" class="diff-lineno">Line 580:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Although this was [[Godzilla]]'s first film, the character's real debut was ''The Monster Godzilla'' {{nihongo|怪獣ゴジラ}}, a radio drama which aired on Nippon Broadcasting, based on Takeo Murata's first-draft script. Its 11 half-hour episodes played from July 17 to September 25.<ref name="NewGodzillaDictionary-p43">{{cite book|title=[[Godzilla Dictionary (New Edition)|Godzilla Dictionary [New Edition]]]|date=7 August 2014|publisher=Kasakura Publishing|page=43|isbn=9784773087253}}</ref> To date, the audio of the drama has only been released in the form of a CD (''Godzilla Sound Memorial'', alongside a 1984 interview with Tomoyuki Tanaka) packaged in the ''G-Shock - Godzilla Premium Collections 2001-'' set {{nihongo|Gの衝撃 ゴジラ・プレミアム・コレクションズ2001}} by Toho in 2001.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Although this was [[Godzilla]]'s first film, the character's real debut was ''The Monster Godzilla'' {{nihongo|怪獣ゴジラ}}, a radio drama which aired on Nippon Broadcasting, based on Takeo Murata's first-draft script. Its 11 half-hour episodes played from July 17 to September 25.<ref name="NewGodzillaDictionary-p43">{{cite book|title=[[Godzilla Dictionary (New Edition)|Godzilla Dictionary [New Edition]]]|date=7 August 2014|publisher=Kasakura Publishing|page=43|isbn=9784773087253}}</ref> To date, the audio of the drama has only been released in the form of a CD (''Godzilla Sound Memorial'', alongside a 1984 interview with Tomoyuki Tanaka) packaged in the ''G-Shock - Godzilla Premium Collections 2001-'' set {{nihongo|Gの衝撃 ゴジラ・プレミアム・コレクションズ2001}} by Toho in 2001.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Originally, the effects in this film were to be accomplished by stop-motion animation (filming small immobile puppets while moving them between each frame so that the playback will create an illusion of movement), which was very popular at the time. However, due to the film's budget, [[Eiji Tsuburaya]] made up a newer and cheaper method for this film later dubbed "[[suitmation]]" - foam-fabricating costumes that are coated with layers of latex and portrayed by actors.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Originally, the effects in this film were to be accomplished by stop-motion animation (filming small immobile puppets while moving them between each frame so that the playback will create an illusion of movement), which was very popular at the time. However, due to the film's budget, [[Eiji Tsuburaya]] made up a newer and cheaper method for this film later dubbed "[[suitmation]]" - foam-fabricating costumes that are coated with layers of latex and portrayed by actors.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>**Despite this, two scenes appear to use stop-motion: at 58:28, when one of the fire trucks sent to stop the fires caused by Godzilla's rampage flips over, and at 1:03:58, when an agitated Godzilla swings its tail into a nearby building.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>**Despite this, two scenes <ins style="font-weight: bold; text-decoration: none;">in the film </ins>appear to use stop-motion: at 58:28, when one of the fire trucks sent to stop the fires caused by Godzilla's rampage flips over, and at 1:03:58, when an agitated Godzilla swings its tail into a nearby building.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*In Akira Kurosawa's posthumously published book ''A Dream is a Genius'', ''Godzilla'' is listed at number 34 on the list of the director's top 100 favorite films.<ref>[http://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html Akira Kurosawa’s List of His 100 Favorite Movies - Open Culture]</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*In Akira Kurosawa's posthumously published book ''A Dream is a Genius'', ''Godzilla'' is listed at number 34 on the list of the director's top 100 favorite films.<ref>[http://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html Akira Kurosawa’s List of His 100 Favorite Movies - Open Culture]</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Godzilla'' is one of the few films in the series to show nudity, as several women in the background of a shot during the first scene on [[Odo Island]] are topless. Unlike instances of nudity in two later [[Showa era]] ''Godzilla'' films, ''[[Godzilla vs. Megalon]]'' and ''[[Terror of Mechagodzilla]]'', this shot was retained in the U.S. version; however, it was shortened by several seconds.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Godzilla'' is one of the few films in the series to show nudity, as several women in the background of a shot during the first scene on [[Odo Island]] are topless. Unlike instances of nudity in two later [[Showa era]] ''Godzilla'' films, ''[[Godzilla vs. Megalon]]'' and ''[[Terror of Mechagodzilla]]'', this shot was retained in the U.S. version; however, it was shortened by several seconds.</div></td></tr>
</table>Daimajin1966https://wikizilla.org/w/index.php?title=Godzilla_(1954_film)&diff=361082&oldid=355782Godzilla (1954 film)2024-03-26T01:06:14Z<p><span dir="auto"><span class="autocomment">French and Belgian release</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 01:06, 26 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l350">Line 350:</td>
<td colspan="2" class="diff-lineno">Line 350:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Odo Island]] is renamed Oko Island.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Odo Island]] is renamed Oko Island.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hideto Ogata|Ogata]] is a student of [[Kyohei Yamane|Dr. Yamane]]. In his introductory scene with [[Emiko Yamane|Emiko]], he is asked over the phone by Yamane to assist with his conference with the government officials.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Hideto Ogata|Ogata]] is a student of [[Kyohei Yamane|Dr. Yamane]]. In his introductory scene with [[Emiko Yamane|Emiko]], he is asked over the phone by Yamane to assist with his conference with the government officials.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Dr. Yamane is a <del style="font-weight: bold; text-decoration: none;">radiologist </del>in addition to a paleontologist. In the earlier placed scene where he meets with the officials (as in the American version), he reasons an atomic phenomenon may be the cause of the ship disasters.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Dr. Yamane is a <ins style="font-weight: bold; text-decoration: none;">radiobiologist </ins>in addition to a paleontologist. In the earlier placed scene where he meets with the officials (as in the American version), he reasons an atomic phenomenon may be the cause of the ship disasters.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The injury to [[Daisuke Serizawa|Dr. Serizawa]]'s eye is a recent one caused by his experiments, rather than being an injury he sustained in the Second World War. His inland "field experiments" and absence are merely a ruse to draw away suspicion from the experiments conducted in secret in his own Tokyo laboratory. The allegations of a German colleague by Hagiwara and Serizawa's dismissal of such one are omitted in the dialogue.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The injury to [[Daisuke Serizawa|Dr. Serizawa]]'s eye is a recent one caused by his experiments, rather than being an injury he sustained in the Second World War. His inland "field experiments" and absence are merely a ruse to draw away suspicion from the experiments conducted in secret in his own Tokyo laboratory. The allegations of a German colleague by Hagiwara and Serizawa's dismissal of such one are omitted in the dialogue.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Confined to his hospital bed, Martin does not attend the operation to kill Godzilla with the [[Oxygen Destroyer]] himself, but watches the events unfold via television.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Confined to his hospital bed, Martin does not attend the operation to kill Godzilla with the [[Oxygen Destroyer]] himself, but watches the events unfold via television.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===West German and Austrian release===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===West German and Austrian release===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In West Germany and Austria, a shorter German language cut of the Toho version was released by Lehmacher Film on August 10, 1956. A version distributed by Atrium Film containing a different opening credits sequence also exists. In total, 13 minutes were removed from the film.<ref name="Godzilla (1954) - Schnittberichte.com">[http://www.schnittberichte.com/schnittbericht.php?ID=1711]</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In West Germany and Austria, a shorter German language cut of the Toho version was released by Lehmacher Film on August 10, 1956. A version distributed by Atrium Film containing a different opening credits sequence also exists. In total, 13 minutes were removed from the film.<ref name="Godzilla (1954) - Schnittberichte.com">[http://www.schnittberichte.com/schnittbericht.php?ID=1711]</ref></div></td></tr>
</table>Space Hunter Mhttps://wikizilla.org/w/index.php?title=Godzilla_Raids_Again&diff=361080&oldid=361078Godzilla Raids Again2024-03-26T01:00:26Z<p><span dir="auto"><span class="autocomment">Trailers</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 01:00, 26 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l292">Line 292:</td>
<td colspan="2" class="diff-lineno">Line 292:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Trailers===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Trailers===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Videos|</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Videos|</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">4b179urNFlQ</youtube>|Japanese trailer<br>(fragment from ''[[Rodan (film)|Rodan]]'' trailer)}}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">4b179urNFlQ</youtube>|Japanese trailer<br>(fragment from <ins style="font-weight: bold; text-decoration: none;">the </ins>''[[Rodan (film)|Rodan]]'' trailer)}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">y1K3p9buv9E</youtube>|Japanese teaser trailer<br>(audio lost)}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">y1K3p9buv9E</youtube>|Japanese teaser trailer<br>(audio lost)}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">2M0MBI5wyEg</youtube>|U.S. ''Gigantis, the Fire Monster''<br>teaser trailer}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">2M0MBI5wyEg</youtube>|U.S. ''Gigantis, the Fire Monster''<br>teaser trailer}}</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l298">Line 298:</td>
<td colspan="2" class="diff-lineno">Line 298:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">p01xnU-_jy8</youtube>|U.S. ''Gigantis, the Fire Monster''<br>TV spots (reconstructed)}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Vid|<youtube width="300" height="169">p01xnU-_jy8</youtube>|U.S. ''Gigantis, the Fire Monster''<br>TV spots (reconstructed)}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Miscellaneous===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Miscellaneous===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Videos|</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Videos|</div></td></tr>
</table>Daimajin1966https://wikizilla.org/w/index.php?title=Godzilla_Raids_Again&diff=361078&oldid=361024Godzilla Raids Again2024-03-26T00:55:44Z<p><span dir="auto"><span class="autocomment">Gigantis, the Fire Monster</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 00:55, 26 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l127">Line 127:</td>
<td colspan="2" class="diff-lineno">Line 127:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===''Gigantis, the Fire Monster''===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===''Gigantis, the Fire Monster''===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Cast|notice=no</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Cast|notice=no</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Keye Luke|Keye Luke]]|[[Shoichi Tsukioka]]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Keye Luke|Keye Luke]]|[[Shoichi Tsukioka]] <ins style="font-weight: bold; text-decoration: none;">/ policeman</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Aya Oyama|Hidemi Yamaji</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Aya Oyama|Hidemi Yamaji</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Marvin Miller (actor)|Marvin Miller]]|[[Koji Kobayashi]] / prologue narrator</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Marvin Miller (actor)|Marvin Miller]]|[[Koji Kobayashi<ins style="font-weight: bold; text-decoration: none;">]] / Dr. [[Kyohei Yamane</ins>]] / prologue narrator </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Paul Frees|Paul Frees]]|<del style="font-weight: bold; text-decoration: none;">Dr. [[Kyohei Yamane]] </del>/ Captain Terasawa / <del style="font-weight: bold; text-decoration: none;">Kohei Yamaji</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:Paul Frees|Paul Frees]]|<ins style="font-weight: bold; text-decoration: none;">Kohei Yamaji </ins>/ Captain Terasawa / <ins style="font-weight: bold; text-decoration: none;">convict</ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:George Takei|George Takei]]|Ikeda</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|[[wikipedia:George Takei|George Takei]]|Ikeda <ins style="font-weight: bold; text-decoration: none;">/ Osaka SDF dispatcher</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Jane Chang|Yasuko Inoue</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Jane Chang|Yasuko Inoue</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|James Yagi|Osaka SDF captain</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|James Yagi|Osaka SDF captain</div></td></tr>
</table>Space Hunter Mhttps://wikizilla.org/w/index.php?title=Godzilla_Raids_Again&diff=361024&oldid=360664Godzilla Raids Again2024-03-25T23:27:55Z<p><span dir="auto"><span class="autocomment">U.S. release</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:27, 25 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l223">Line 223:</td>
<td colspan="2" class="diff-lineno">Line 223:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===[[United States|U.S.]] release===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===[[United States|U.S.]] release===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Gigantis The Fire Monster Poster A.png|thumb|right|200px|U.S. ''Gigantis, the Fire Monster'' poster]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Gigantis The Fire Monster Poster A.png|thumb|right|200px|U.S. ''Gigantis, the Fire Monster'' poster]]</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Following the sleeper hit of their localization of ''[[Godzilla (1954 film)#U.S. release|Godzilla]]'', producers Edward Barison, Harry Rybnick and Richard Kaye acquired the U.S. theatrical rights to ''Godzilla Raids Again''. Their idea was to create a new U.S. film for AB-PT Pictures Corporation featuring the special effects and crowd sequences from ''Godzilla Raids Again'' complemented by new effects footage. Ib Melchior and Edwin Watson drafted a screenplay for the project in May 1957 entitled ''[[The Volcano Monsters]]'', in which [[Godzilla (Second Generation)|Godzilla]] and [[Anguirus (First Generation)|Anguirus]] - now a giant, female ''[[Tyrannosaurus rex]]'' and a giant ''[[wikipedia:Ankylosaurus|Ankylosaurus]]'', respectively - are discovered in a volcanic cave and later ravage [[San Francisco]]. In July 1957, despite Toho having shipped new Godzilla and Anguirus suits to Hollywood, AB-PT Pictures Corp. removed the film from their 1957 slate for unknown reasons and apparently moved it to the 1958 slate. The project then plunged into a year-long development hell. A further revision of the screenplay was made, dated February 1958, and the project continued to be promoted in fan magazines as an upcoming release by Melchior and Watson's agent, [[wikipedia:Forrest J Ackerman|Forrest J Ackerman]]. It is unknown why ''The Volcano Monsters'' went unmade, how advanced the project's development had reached while active, when in 1958 that it was scrapped, what <del style="font-weight: bold; text-decoration: none;">ever </del>happened to the monster suits, or whether the group involved in the project was a consortium that included producer Paul Schreibman, who would go on to prepare a separate localization that would also disguise the film's origin as a sequel to ''Godzilla''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Following the sleeper hit of their localization of ''[[Godzilla (1954 film)#U.S. release|Godzilla]]'', producers Edward Barison, Harry Rybnick<ins style="font-weight: bold; text-decoration: none;">, </ins>and Richard Kaye acquired the U.S. theatrical rights to ''Godzilla Raids Again''. Their idea was to create a new U.S. film for AB-PT Pictures Corporation featuring the special effects and crowd sequences from ''Godzilla Raids Again'' complemented by new effects footage. Ib Melchior and Edwin Watson drafted a screenplay for the project in May 1957 entitled ''[[The Volcano Monsters]]'', in which [[Godzilla (Second Generation)|Godzilla]] and [[Anguirus (First Generation)|Anguirus]] - now a giant, female ''[[Tyrannosaurus rex]]'' and a giant ''[[wikipedia:Ankylosaurus|Ankylosaurus]]'', respectively - are discovered in a volcanic cave and later ravage [[San Francisco]]. In July 1957, despite Toho having shipped new Godzilla and Anguirus suits to Hollywood, AB-PT Pictures Corp. removed the film from their 1957 slate for unknown reasons and apparently moved it to the 1958 slate. The project then plunged into a year-long development hell. A further revision of the screenplay was made, dated February 1958, and the project continued to be promoted in fan magazines as an upcoming release by Melchior and Watson's agent, [[wikipedia:Forrest J Ackerman|Forrest J Ackerman]]. It is unknown why ''The Volcano Monsters'' went unmade, how advanced the project's development had reached while active, when in 1958 that it was scrapped, what happened to the monster suits, or whether the group involved in the project was a consortium that included producer Paul Schreibman, who would go on to prepare a separate localization that would also disguise the film's origin as a sequel to ''Godzilla''.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>At an undetermined point in 1958, Schreibman had finished a localization entitled ''Gigantis, the Fire Monster''. He hired Hugo Grimaldi to re-write<del style="font-weight: bold; text-decoration: none;">, </del>re-edit the film. Aside from changing Godzilla's name to "Gigantis," Grimaldi's version <del style="font-weight: bold; text-decoration: none;">changes </del>the origins of the monsters: "Gigantis" and Anguirus (spelled "Angurus" in [[Warner Bros.]]' advertising materials) are described as two related species of prehistoric fire monsters. The sound effects of the monsters were <del style="font-weight: bold; text-decoration: none;">altered </del>to reflect this, with several shots of Godzilla augmented with Anguirus' roar. For years, it was believed that the reason for these changes was that Warner Bros. did not have the rights to Godzilla's name. However, Paul Schreibman said that he changed Godzilla's name to "Gigantis" to give the audience the impression that they were seeing a new monster, believing that an original film would sell better than a sequel. He later claimed that he came to regret that decision. Additionally, nearly all of [[Masaru Sato]]'s original score was replaced with library music, most of which was composed by Paul Sawtell and Bert Shefter for other science fiction films. Significant quantities of stock footage, some of it from the propaganda film ''[[wikipedia:Our Enemy — The Japanese|Our Enemy — The Japanese]]'' (1943) and the adventure film ''[[wikipedia:Unknown Island|Unknown Island]]'' (1948), were also added into the film, most prominently in a new prologue and an expanded reel of film shown by Dr. [[Kyohei Yamane]] as he explains how "Gigantis" and Anguirus came into being.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>At an undetermined point in 1958, Schreibman had finished a localization entitled ''Gigantis, the Fire Monster''. He hired Hugo Grimaldi to re-write <ins style="font-weight: bold; text-decoration: none;">and </ins>re-edit the film. Aside from changing Godzilla's name to "Gigantis," Grimaldi's version <ins style="font-weight: bold; text-decoration: none;">alters </ins>the origins of the monsters: "Gigantis" and Anguirus (spelled "Angurus" in [[Warner Bros.]]' advertising materials) are described as two related species of prehistoric fire monsters. The sound effects of the monsters were <ins style="font-weight: bold; text-decoration: none;">changed </ins>to reflect this, with several shots of Godzilla augmented with Anguirus' roar. For years, it was believed that the reason for these changes was that Warner Bros. did not have the rights to Godzilla's name. However, Paul Schreibman said that he changed Godzilla's name to "Gigantis" to give the audience the impression that they were seeing a new monster, believing that an original film would sell better than a sequel. He later claimed that he came to regret that decision. Additionally, nearly all of [[Masaru Sato]]'s original score was replaced with library music, most of which was composed by Paul Sawtell and Bert Shefter for other science fiction films. Significant quantities of stock footage, some of it from the propaganda film ''[[wikipedia:Our Enemy — The Japanese|Our Enemy — The Japanese]]'' (1943) and the adventure film ''[[wikipedia:Unknown Island|Unknown Island]]'' (1948), were also added into the film, most prominently in a new prologue and an expanded reel of film shown by Dr. [[Kyohei Yamane]] as he explains how "Gigantis" and Anguirus came into being.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The English dubbing, also supervised and directed by Grimaldi, was recorded at Ryder Sound Service, Inc. in Hollywood. The voice cast featured veteran performers Keye Luke, Marvin Miller, and Paul Frees, as well as a very young George Takei of ''Star Trek'' fame. Luke was cast as Tsukioka, whose character now narrated the events of the film. In addition to voicing Kobayashi, Miller narrated a pre-credits stock footage montage detailing man's scientific progress.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The English dubbing, also supervised and directed by Grimaldi, was recorded at Ryder Sound Service, Inc. in Hollywood. The voice cast featured veteran performers Keye Luke, Marvin Miller, and Paul Frees, as well as a very young George Takei of ''Star Trek'' fame. Luke was cast as Tsukioka, whose character now narrated the events of the film. In addition to voicing Kobayashi, Miller narrated a pre-credits stock footage montage detailing man's scientific progress.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>After completing the Americanization of the film by the end of 1958, Schrebman had sold the theatrical rights to [[Warner Bros.]] by January 1959, and the <del style="font-weight: bold; text-decoration: none;">flm </del>was released in May 1959. A dialogue transcript submitted for censorship April 29, 1959 to the Motion Picture Division of the State Education Department of New York features numerous lines excised or shortened in the available version, as well as several other editorial differences, including the placement of the opening credits at the very start of the film. Audible cuts can be heard at points corresponding to some of the dialog edits. The provenance of this transcribed print is unknown. As of 2024, no original 35mm release print has been examined that would confirm what indeed was seen and heard during the original theatrical release. <ref name="Dialogue">{{cite book|title="Gigantis the Fire Monster" (Dialogue Transcript)|date=April 2, 1959 |publisher= Warner Bros.}}</ref> ''Gigantis, the Fire Monster'' was presented as a double feature with ''[[wikipedia:Teenagers from Outer Space (film)|Teenagers from Outer Space]]'', which Warner also purchased from Schreibman.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>After completing the Americanization of the film by the end of 1958, Schrebman had sold the theatrical rights to [[Warner Bros.]] by January 1959, and the <ins style="font-weight: bold; text-decoration: none;">film </ins>was released in May 1959. A dialogue transcript submitted for censorship <ins style="font-weight: bold; text-decoration: none;">on </ins>April 29, 1959<ins style="font-weight: bold; text-decoration: none;">, </ins>to the Motion Picture Division of the State Education Department of New York features numerous lines excised or shortened in the available version, as well as several other editorial differences, including the placement of the opening credits at the very start of the film. Audible cuts can be heard at points corresponding to some of the dialog edits. The provenance of this transcribed print is unknown. As of 2024, no original 35mm release print has been examined that would confirm what indeed was seen and heard during the original theatrical release.<ref name="Dialogue">{{cite book|title="Gigantis the Fire Monster" (Dialogue Transcript)|date=April 2, 1959 |publisher= Warner Bros.}}</ref> ''Gigantis, the Fire Monster'' was presented as a double feature with ''[[wikipedia:Teenagers from Outer Space (film)|Teenagers from Outer Space]]'', which Warner also purchased from Schreibman.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''Gigantis, the Fire Monster'' did not enter standard television syndication after its theatrical run. The film remained obscure in the U.S. until its reappearance on cable TV in 1984, followed by syndicated airings and a VHS release via [[Anchor Bay|Video Treasures]] in 1989. A video generated title card restoring Toho's English title, ''Godzilla Raids Again'', accompanied the film in syndication in the late 1980s and early 1990s. This version was released on DVD alongside the Japanese version by [[Classic Media]] on November 7, 2006. The North American distribution rights to ''Godzilla Raids Again'' are currently held by Janus Films, who released it along with all of the other [[Showa era|Showa]] ''[[Godzilla (franchise)|Godzilla]]'' films in [[The Criterion Collection]]'s Blu-ray box set titled ''Godzilla: The Showa-Era Films, 1954-1975'' in [[2019]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''Gigantis, the Fire Monster'' did not enter standard television syndication after its theatrical run. The film remained obscure in the U.S. until its reappearance on cable TV in 1984, followed by syndicated airings and a VHS release via [[Anchor Bay|Video Treasures]] in 1989. A video<ins style="font-weight: bold; text-decoration: none;">-</ins>generated title card restoring Toho's English title, ''Godzilla Raids Again'', accompanied the film in syndication in the late 1980s and early 1990s. This version was released on DVD alongside the Japanese version by [[Classic Media]] on November 7, 2006. The North American distribution rights to ''Godzilla Raids Again'' are currently held by Janus Films, who released it along with all of the other [[Showa era|Showa]] ''[[Godzilla (franchise)|Godzilla]]'' films in [[The Criterion Collection]]'s Blu-ray box set titled ''Godzilla: The Showa-Era Films, 1954-1975'' in [[2019]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===United Kingdom release===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===United Kingdom release===</div></td></tr>
</table>Astounding Beyond Beliefhttps://wikizilla.org/wiki/Frankenstein_vs._BaragonFrankenstein vs. Baragon2024-03-25T17:58:39Z<p><a href="/wiki/User:Godzillastoenail" class="mw-userlink" title="User:Godzillastoenail"><bdi>Godzillastoenail</bdi></a> posted a new comment on <a href="/wiki/Frankenstein_vs._Baragon#comment-85602" title="Frankenstein vs. Baragon">Frankenstein vs. Baragon</a> Stop it, no, no, no.</p>
Godzillastoenailhttps://wikizilla.org/wiki/Ken_WatanabeKen Watanabe2024-03-25T14:01:04Z<p><a href="/wiki/User:ToastGaming2023" class="mw-userlink" title="User:ToastGaming2023"><bdi>ToastGaming2023</bdi></a> edited comment #85502 on <a href="/wiki/Ken_Watanabe#comment-85502" title="Ken Watanabe">Ken Watanabe</a> "A mosquito landed on Watanabe's nose during filming of his "let them fight" line in Godzilla, prompting him to quip "let them bite" afterwards." 🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣</p>
ToastGaming2023https://wikizilla.org/wiki/Ken_WatanabeKen Watanabe2024-03-25T14:00:35Z<p><a href="/wiki/User:ToastGaming2023" class="mw-userlink" title="User:ToastGaming2023"><bdi>ToastGaming2023</bdi></a> posted a new comment on <a href="/wiki/Ken_Watanabe#comment-85502" title="Ken Watanabe">Ken Watanabe</a> A mosquito landed on Watanabe's nose during filming of his "let them fight" line in Godzilla, prompting him to quip "let them bite" afterwards.</p>
ToastGaming2023https://wikizilla.org/wiki/Godzilla_(franchise)Godzilla (franchise)2024-03-25T11:47:43Z<p><a href="/wiki/User:Godrizza_draws" class="mw-userlink" title="User:Godrizza draws"><bdi>Godrizza draws</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(franchise)#comment-85475" title="Godzilla (franchise)">Godzilla (franchise)</a> Me still waiting for a damn transformers collaborative figure:</p>
Godrizza drawshttps://wikizilla.org/w/index.php?title=Godzilla_Raids_Again&diff=360664&oldid=354740Godzilla Raids Again2024-03-25T03:10:33Z<p><span dir="auto"><span class="autocomment">U.S. release</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:10, 25 March 2024</td>
</tr><tr><td colspan="4" class="diff-multi" lang="en">(2 intermediate revisions by the same user not shown)</td></tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l223">Line 223:</td>
<td colspan="2" class="diff-lineno">Line 223:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===[[United States|U.S.]] release===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===[[United States|U.S.]] release===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Gigantis The Fire Monster Poster A.png|thumb|right|200px|U.S. ''Gigantis, the Fire Monster'' poster]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[File:Gigantis The Fire Monster Poster A.png|thumb|right|200px|U.S. ''Gigantis, the Fire Monster'' poster]]</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Following the <del style="font-weight: bold; text-decoration: none;">successful U.S. release </del>of ''[[Godzilla (1954 film)#U.S. release|Godzilla<del style="font-weight: bold; text-decoration: none;">, King of the Monsters!</del>]]'', <del style="font-weight: bold; text-decoration: none;">[[Toho]] sold </del>the <del style="font-weight: bold; text-decoration: none;">American distribution </del>rights to ''Godzilla Raids Again'' <del style="font-weight: bold; text-decoration: none;">to Harry Rybnick and Edward Barison</del>. Their idea was to create a new film for AB-PT Pictures Corporation featuring the special effects sequences from ''Godzilla Raids Again''. Ib Melchior and Edwin Watson drafted a screenplay <del style="font-weight: bold; text-decoration: none;">titled </del>''[[The Volcano Monsters]]'', in which [[Godzilla (Second Generation)|Godzilla]] and [[Anguirus (First Generation)|Anguirus]]<del style="font-weight: bold; text-decoration: none;">, </del>now <del style="font-weight: bold; text-decoration: none;">referred to as </del>a ''[[Tyrannosaurus rex]]'' and <del style="font-weight: bold; text-decoration: none;">an </del>''[[wikipedia:Ankylosaurus|Ankylosaurus]]'', respectively<del style="font-weight: bold; text-decoration: none;">, </del>are discovered in a volcanic cave. Toho shipped new Godzilla and Anguirus suits to Hollywood <del style="font-weight: bold; text-decoration: none;">to allow the producers to film new footage of the monsters. Ultimately</del>, AB-PT Pictures Corp. removed the film from their 1957 slate for unknown reasons<del style="font-weight: bold; text-decoration: none;">, </del>and <del style="font-weight: bold; text-decoration: none;">although still in </del>development <del style="font-weight: bold; text-decoration: none;">through </del>1958, ''The Volcano Monsters'' was <del style="font-weight: bold; text-decoration: none;">never made. The </del>monster suits <del style="font-weight: bold; text-decoration: none;">were eventually lost</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Following the <ins style="font-weight: bold; text-decoration: none;">sleeper hit of their localization </ins>of ''[[Godzilla (1954 film)#U.S. release|Godzilla]]'', <ins style="font-weight: bold; text-decoration: none;">producers Edward Barison, Harry Rybnick and Richard Kaye acquired </ins>the <ins style="font-weight: bold; text-decoration: none;">U.S. theatrical </ins>rights to ''Godzilla Raids Again''. Their idea was to create a new <ins style="font-weight: bold; text-decoration: none;">U.S. </ins>film for AB-PT Pictures Corporation featuring the special effects <ins style="font-weight: bold; text-decoration: none;">and crowd </ins>sequences from ''Godzilla Raids Again'' <ins style="font-weight: bold; text-decoration: none;">complemented by new effects footage</ins>. Ib Melchior and Edwin Watson drafted a screenplay <ins style="font-weight: bold; text-decoration: none;">for the project in May 1957 entitled </ins>''[[The Volcano Monsters]]'', in which [[Godzilla (Second Generation)|Godzilla]] and [[Anguirus (First Generation)|Anguirus]] <ins style="font-weight: bold; text-decoration: none;">- </ins>now a <ins style="font-weight: bold; text-decoration: none;">giant, female </ins>''[[Tyrannosaurus rex]]'' and <ins style="font-weight: bold; text-decoration: none;">a giant </ins>''[[wikipedia:Ankylosaurus|Ankylosaurus]]'', respectively <ins style="font-weight: bold; text-decoration: none;">- </ins>are discovered in a volcanic cave <ins style="font-weight: bold; text-decoration: none;">and later ravage [[San Francisco]]</ins>. <ins style="font-weight: bold; text-decoration: none;">In July 1957, despite </ins>Toho <ins style="font-weight: bold; text-decoration: none;">having </ins>shipped new Godzilla and Anguirus suits to Hollywood, AB-PT Pictures Corp. removed the film from their 1957 slate for unknown reasons and <ins style="font-weight: bold; text-decoration: none;">apparently moved it to the 1958 slate. The project then plunged into a year-long </ins>development <ins style="font-weight: bold; text-decoration: none;">hell. A further revision of the screenplay was made, dated February </ins>1958, <ins style="font-weight: bold; text-decoration: none;">and the project continued to be promoted in fan magazines as an upcoming release by Melchior and Watson's agent, [[wikipedia:Forrest J Ackerman|Forrest J Ackerman]]. It is unknown why </ins>''The Volcano Monsters'' <ins style="font-weight: bold; text-decoration: none;">went unmade, how advanced the project's development had reached while active, when in 1958 that it </ins>was <ins style="font-weight: bold; text-decoration: none;">scrapped, what ever happened to the </ins>monster suits<ins style="font-weight: bold; text-decoration: none;">, or whether the group involved in the project was a consortium that included producer Paul Schreibman, who would go on to prepare a separate localization that would also disguise the film's origin as a sequel to ''Godzilla''</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">In </del>1958, the <del style="font-weight: bold; text-decoration: none;">film</del>'<del style="font-weight: bold; text-decoration: none;">s U</del>.<del style="font-weight: bold; text-decoration: none;">S. distribution rights were acquired by producer Paul Schreibman, who </del>hired Hugo Grimaldi to re-write <del style="font-weight: bold; text-decoration: none;">and </del>re-edit the film<del style="font-weight: bold; text-decoration: none;">, re-titling it ''Gigantis, the Fire Monster''</del>. Aside from changing Godzilla's name to "Gigantis," Grimaldi's version changes the origins of the monsters: "Gigantis" and Anguirus (spelled "Angurus" in [[Warner Bros.]]' advertising materials) are described as two related species of prehistoric fire monsters. The sound effects of the monsters were altered to reflect this, with several shots of Godzilla augmented with Anguirus' roar. For years, it was believed that the reason for these changes was that Warner Bros. did not have the rights to Godzilla's name. However, Paul Schreibman said that he changed Godzilla's name to "Gigantis" to give the audience the impression that they were seeing a new monster, believing that an original film would sell better than a sequel. He <del style="font-weight: bold; text-decoration: none;">has since </del>claimed that he came to regret that decision. Additionally, nearly all of [[Masaru Sato]]'s original score was replaced with library music, most of which was composed by Paul Sawtell and Bert Shefter for other science fiction films. Significant quantities of stock footage, some of it from the propaganda film ''[[wikipedia:Our Enemy — The Japanese|Our Enemy — The Japanese]]'' (1943) and the adventure film ''[[wikipedia:Unknown Island|Unknown Island]]'' (1948), were also added into the film, most prominently in a new prologue and an expanded reel of film shown by Dr. [[Kyohei Yamane]] as he explains how "Gigantis" and Anguirus came into being.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">At an undetermined point in </ins>1958<ins style="font-weight: bold; text-decoration: none;">, Schreibman had finished a localization entitled ''Gigantis</ins>, the <ins style="font-weight: bold; text-decoration: none;">Fire Monster'</ins>'. <ins style="font-weight: bold; text-decoration: none;">He </ins>hired Hugo Grimaldi to re-write<ins style="font-weight: bold; text-decoration: none;">, </ins>re-edit the film. Aside from changing Godzilla's name to "Gigantis," Grimaldi's version changes the origins of the monsters: "Gigantis" and Anguirus (spelled "Angurus" in [[Warner Bros.]]' advertising materials) are described as two related species of prehistoric fire monsters. The sound effects of the monsters were altered to reflect this, with several shots of Godzilla augmented with Anguirus' roar. For years, it was believed that the reason for these changes was that Warner Bros. did not have the rights to Godzilla's name. However, Paul Schreibman said that he changed Godzilla's name to "Gigantis" to give the audience the impression that they were seeing a new monster, believing that an original film would sell better than a sequel. He <ins style="font-weight: bold; text-decoration: none;">later </ins>claimed that he came to regret that decision. Additionally, nearly all of [[Masaru Sato]]'s original score was replaced with library music, most of which was composed by Paul Sawtell and Bert Shefter for other science fiction films. Significant quantities of stock footage, some of it from the propaganda film ''[[wikipedia:Our Enemy — The Japanese|Our Enemy — The Japanese]]'' (1943) and the adventure film ''[[wikipedia:Unknown Island|Unknown Island]]'' (1948), were also added into the film, most prominently in a new prologue and an expanded reel of film shown by Dr. [[Kyohei Yamane]] as he explains how "Gigantis" and Anguirus came into being.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The English dubbing, also supervised and directed by Grimaldi, was recorded at Ryder Sound Service, Inc. in Hollywood. The voice cast featured veteran performers Keye Luke, Marvin Miller, and Paul Frees, as well as a very young George Takei of ''Star Trek'' fame. Luke was cast as Tsukioka, whose character now narrated the events of the film. In addition to voicing Kobayashi, Miller narrated a pre-credits stock footage montage detailing man's scientific progress.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The English dubbing, also supervised and directed by Grimaldi, was recorded at Ryder Sound Service, Inc. in Hollywood. The voice cast featured veteran performers Keye Luke, Marvin Miller, and Paul Frees, as well as a very young George Takei of ''Star Trek'' fame. Luke was cast as Tsukioka, whose character now narrated the events of the film. In addition to voicing Kobayashi, Miller narrated a pre-credits stock footage montage detailing man's scientific progress.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>After completing the Americanization of the film, <del style="font-weight: bold; text-decoration: none;">Paul Schreibman </del>sold the theatrical rights to Warner Bros., <del style="font-weight: bold; text-decoration: none;">which </del>released <del style="font-weight: bold; text-decoration: none;">the film on </del>May <del style="font-weight: bold; text-decoration: none;">21</del>, 1959<del style="font-weight: bold; text-decoration: none;">. Warner Bros. seems </del>to <del style="font-weight: bold; text-decoration: none;">have had further editing on </del>the <del style="font-weight: bold; text-decoration: none;">picture undertaken, evidenced by </del>the <del style="font-weight: bold; text-decoration: none;">presence </del>of numerous lines in <del style="font-weight: bold; text-decoration: none;">an April 2</del>, <del style="font-weight: bold; text-decoration: none;">1959</del>, <del style="font-weight: bold; text-decoration: none;">dialogue transcription which are unheard in Warner's final </del>theatrical <del style="font-weight: bold; text-decoration: none;">version</del>.<ref name="Dialogue">{{cite book|title="Gigantis the Fire Monster" (Dialogue Transcript)|date=April 2, 1959 |publisher= Warner Bros.}}</ref> ''Gigantis, the Fire Monster'' was presented as a double feature with ''[[wikipedia:Teenagers from Outer Space (film)|Teenagers from Outer Space]]'', which Warner also purchased from Schreibman.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>After completing the Americanization of the film <ins style="font-weight: bold; text-decoration: none;">by the end of 1958</ins>, <ins style="font-weight: bold; text-decoration: none;">Schrebman had </ins>sold the theatrical rights to <ins style="font-weight: bold; text-decoration: none;">[[</ins>Warner Bros.<ins style="font-weight: bold; text-decoration: none;">]] by January 1959</ins>, <ins style="font-weight: bold; text-decoration: none;">and the flm was </ins>released <ins style="font-weight: bold; text-decoration: none;">in </ins>May <ins style="font-weight: bold; text-decoration: none;">1959. A dialogue transcript submitted for censorship April 29</ins>, 1959 to the <ins style="font-weight: bold; text-decoration: none;">Motion Picture Division of </ins>the <ins style="font-weight: bold; text-decoration: none;">State Education Department </ins>of <ins style="font-weight: bold; text-decoration: none;">New York features </ins>numerous lines <ins style="font-weight: bold; text-decoration: none;">excised or shortened </ins>in <ins style="font-weight: bold; text-decoration: none;">the available version, as well as several other editorial differences</ins>, <ins style="font-weight: bold; text-decoration: none;">including the placement of the opening credits at the very start of the film. Audible cuts can be heard at points corresponding to some of the dialog edits. The provenance of this transcribed print is unknown. As of 2024</ins>, <ins style="font-weight: bold; text-decoration: none;">no original 35mm release print has been examined that would confirm what indeed was seen and heard during the original </ins>theatrical <ins style="font-weight: bold; text-decoration: none;">release</ins>. <ref name="Dialogue">{{cite book|title="Gigantis the Fire Monster" (Dialogue Transcript)|date=April 2, 1959 |publisher= Warner Bros.}}</ref> ''Gigantis, the Fire Monster'' was presented as a double feature with ''[[wikipedia:Teenagers from Outer Space (film)|Teenagers from Outer Space]]'', which Warner also purchased from Schreibman.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Gigantis, the Fire Monster'' did not enter standard television syndication after its theatrical run. The film remained obscure in the U.S. until its reappearance on cable TV in 1984, followed by syndicated airings and a VHS release via [[Anchor Bay|Video Treasures]] in 1989. A video generated title card restoring Toho's English title, ''Godzilla Raids Again'', accompanied the film in syndication in the late 1980s and early 1990s. This version was released on DVD alongside the Japanese version by [[Classic Media]] on November 7, 2006. The North American distribution rights to ''Godzilla Raids Again'' are currently held by Janus Films, who released it along with all of the other [[Showa era|Showa]] ''[[Godzilla (franchise)|Godzilla]]'' films in [[The Criterion Collection]]'s Blu-ray box set titled ''Godzilla: The Showa-Era Films, 1954-1975'' in [[2019]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Gigantis, the Fire Monster'' did not enter standard television syndication after its theatrical run. The film remained obscure in the U.S. until its reappearance on cable TV in 1984, followed by syndicated airings and a VHS release via [[Anchor Bay|Video Treasures]] in 1989. A video generated title card restoring Toho's English title, ''Godzilla Raids Again'', accompanied the film in syndication in the late 1980s and early 1990s. This version was released on DVD alongside the Japanese version by [[Classic Media]] on November 7, 2006. The North American distribution rights to ''Godzilla Raids Again'' are currently held by Janus Films, who released it along with all of the other [[Showa era|Showa]] ''[[Godzilla (franchise)|Godzilla]]'' films in [[The Criterion Collection]]'s Blu-ray box set titled ''Godzilla: The Showa-Era Films, 1954-1975'' in [[2019]].</div></td></tr>
</table>Sydney Perkinshttps://wikizilla.org/wiki/Frankenstein_vs._BaragonFrankenstein vs. Baragon2024-03-24T22:58:03Z<p><a href="/wiki/User:OaxiKaiju" class="mw-userlink" title="User:OaxiKaiju"><bdi>OaxiKaiju</bdi></a> posted a new comment on <a href="/wiki/Frankenstein_vs._Baragon#comment-85412" title="Frankenstein vs. Baragon">Frankenstein vs. Baragon</a> I want to appear in Uradcy's profile, sorry</p>
OaxiKaijuhttps://wikizilla.org/wiki/Frankenstein_vs._BaragonFrankenstein vs. Baragon2024-03-24T22:57:59Z<p><a href="/wiki/User:OaxiKaiju" class="mw-userlink" title="User:OaxiKaiju"><bdi>OaxiKaiju</bdi></a> edited comment #85410 on <a href="/wiki/Frankenstein_vs._Baragon#comment-85410" title="Frankenstein vs. Baragon">Frankenstein vs. Baragon</a> XD</p>
OaxiKaijuhttps://wikizilla.org/wiki/Frankenstein_vs._BaragonFrankenstein vs. Baragon2024-03-24T22:57:49Z<p><a href="/wiki/User:OaxiKaiju" class="mw-userlink" title="User:OaxiKaiju"><bdi>OaxiKaiju</bdi></a> posted a new comment on <a href="/wiki/Frankenstein_vs._Baragon#comment-85410" title="Frankenstein vs. Baragon">Frankenstein vs. Baragon</a> I want to appear in Uradcy's profile, sorry</p>
OaxiKaijuhttps://wikizilla.org/wiki/Frankenstein_vs._BaragonFrankenstein vs. Baragon2024-03-24T22:41:51Z<p><a href="/wiki/User:ThatOneKaijuFan2011" class="mw-userlink" title="User:ThatOneKaijuFan2011"><bdi>ThatOneKaijuFan2011</bdi></a> posted a new comment on <a href="/wiki/Frankenstein_vs._Baragon#comment-85400" title="Frankenstein vs. Baragon">Frankenstein vs. Baragon</a> WHYYYY</p>
ThatOneKaijuFan2011https://wikizilla.org/wiki/Frankenstein_vs._BaragonFrankenstein vs. Baragon2024-03-24T21:22:50Z<p><a href="/wiki/User:BaragonwaSaikoda" class="mw-userlink" title="User:BaragonwaSaikoda"><bdi>BaragonwaSaikoda</bdi></a> posted a new comment on <a href="/wiki/Frankenstein_vs._Baragon#comment-85356" title="Frankenstein vs. Baragon">Frankenstein vs. Baragon</a> NAWWWWWWWWWWWW</p>
BaragonwaSaikodahttps://wikizilla.org/wiki/Godzilla_(franchise)Godzilla (franchise)2024-03-24T21:18:24Z<p><a href="/wiki/User:Ultraman_rides_a_dragon_cuz_yes" class="mw-userlink" title="User:Ultraman rides a dragon cuz yes"><bdi>Ultraman rides a dragon cuz yes</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(franchise)#comment-85354" title="Godzilla (franchise)">Godzilla (franchise)</a> Can't wait for Godzilla to pull a Sonic Forces move and make sticnodes Godzilla ocs canon.</p>
Ultraman rides a dragon cuz yeshttps://wikizilla.org/wiki/Frankenstein_vs._BaragonFrankenstein vs. Baragon2024-03-24T21:12:40Z<p><a href="/wiki/User:OaxiKaiju" class="mw-userlink" title="User:OaxiKaiju"><bdi>OaxiKaiju</bdi></a> posted a new comment on <a href="/wiki/Frankenstein_vs._Baragon#comment-85346" title="Frankenstein vs. Baragon">Frankenstein vs. Baragon</a> The alternate ending would have been even better if Frankenstein had been a female.</p>
OaxiKaijuhttps://wikizilla.org/wiki/Haruo_NakajimaHaruo Nakajima2024-03-24T16:03:35Z<p><a href="/wiki/User:Godzillastoenail" class="mw-userlink" title="User:Godzillastoenail"><bdi>Godzillastoenail</bdi></a> edited comment #85224 on <a href="/wiki/Haruo_Nakajima#comment-85224" title="Haruo Nakajima">Haruo Nakajima</a> That quote goes harder than the Godzilla Final Wars theme!</p>
Godzillastoenailhttps://wikizilla.org/wiki/Haruo_NakajimaHaruo Nakajima2024-03-24T16:01:32Z<p><a href="/wiki/User:Godzillastoenail" class="mw-userlink" title="User:Godzillastoenail"><bdi>Godzillastoenail</bdi></a> posted a new comment on <a href="/wiki/Haruo_Nakajima#comment-85224" title="Haruo Nakajima">Haruo Nakajima</a> That comment went harder than Godzilla's tough scales!</p>
Godzillastoenailhttps://wikizilla.org/w/index.php?title=Frankenstein_vs._Baragon&diff=360422&oldid=354563Frankenstein vs. Baragon2024-03-24T07:02:05Z<p><span dir="auto"><span class="autocomment">Trivia</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 07:02, 24 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l266">Line 266:</td>
<td colspan="2" class="diff-lineno">Line 266:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Toho produced a loose sequel to this film, ''[[The War of the Gargantuas]]'', in [[1966]]. This film revolves around two monsters, [[Sanda]] and [[Gaira]], who have regenerated from pieces of [[Frankenstein]]'s severed flesh. Sanda, like Frankenstein, was raised by human scientists and became kind and gentle, while Gaira grew up to become a violent and savage man-eater. ''The War of the Gargantuas'' only loosely acknowledges the events of ''Frankenstein vs. Baragon'', renaming and largely recasting the scientists from the previous film and moving their laboratory from [[Hiroshima]] to Kyoto. Dialogue and flashback sequences seem to place Sanda into the role of Frankenstein from the previous film, although Toho officially considers the film a direct continuation and maintains that Sanda and Gaira were spawned from Frankenstein.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Toho produced a loose sequel to this film, ''[[The War of the Gargantuas]]'', in [[1966]]. This film revolves around two monsters, [[Sanda]] and [[Gaira]], who have regenerated from pieces of [[Frankenstein]]'s severed flesh. Sanda, like Frankenstein, was raised by human scientists and became kind and gentle, while Gaira grew up to become a violent and savage man-eater. ''The War of the Gargantuas'' only loosely acknowledges the events of ''Frankenstein vs. Baragon'', renaming and largely recasting the scientists from the previous film and moving their laboratory from [[Hiroshima]] to Kyoto. Dialogue and flashback sequences seem to place Sanda into the role of Frankenstein from the previous film, although Toho officially considers the film a direct continuation and maintains that Sanda and Gaira were spawned from Frankenstein.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Trivia==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Trivia==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*''Frankenstein vs. Baragon'' was theatrically released in Japan as a double feature with ''Young Guy at Sea'', the fifth entry in Toho's ''Young Guy'' series.<ref>{{Cite book|title=[[Toho Special Effects Movie Complete Works]]|date=28 September 2012|page=94|isbn=4864910138}}</ref></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*''Frankenstein vs. Baragon'' was theatrically released in <ins style="font-weight: bold; text-decoration: none;">[[</ins>Japan<ins style="font-weight: bold; text-decoration: none;">]] </ins>as a double feature with ''Young Guy at Sea'', the fifth entry in Toho's ''Young Guy'' series.<ref>{{Cite book|title=[[Toho Special Effects Movie Complete Works]]|date=28 September 2012|page=94|isbn=4864910138}}</ref></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*''Frankenstein Conquers the World'' was released as <del style="font-weight: bold; text-decoration: none;">part of </del>a double <del style="font-weight: bold; text-decoration: none;">bill </del>with ''Tarzan and the Valley of Gold''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*''Frankenstein Conquers the World'' was released <ins style="font-weight: bold; text-decoration: none;">in the [[United States|U.S.]] </ins>as a double <ins style="font-weight: bold; text-decoration: none;">feature </ins>with ''<ins style="font-weight: bold; text-decoration: none;">[[wikipedia:</ins>Tarzan and the Valley of Gold<ins style="font-weight: bold; text-decoration: none;">|Tarzan and the Valley of Gold]]</ins>''.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*According to the 2014 book ''[[Godzilla Dictionary (New Edition)|Godzilla Dictionary [New Edition]]]'', both ''Frankenstein vs. Baragon'' and its sequel ''[[The War of the Gargantuas]]'' take place in the same timeline as the [[Godzilla (franchise)|Godzilla]] films of the [[Showa era|Showa series]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*According to the 2014 book ''[[Godzilla Dictionary (New Edition)|Godzilla Dictionary [New Edition]]]'', both ''Frankenstein vs. Baragon'' and its sequel ''[[The War of the Gargantuas]]'' take place in the same timeline as the [[Godzilla (franchise)|Godzilla]] films of the [[Showa era|Showa series]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Supplementary materials for the [[Millennium era|Millennium series]] Godzilla films ''[[Godzilla Against Mechagodzilla]]'' and ''[[Godzilla: Tokyo SOS]]'' reveal that the events of ''Frankenstein vs. Baragon'' took place within the same [[:Category:Kiryu series continuity|continuity]] as those films, along with the events of several other non-Godzilla Showa era films, including ''[[Rodan (film)|Rodan]]'', ''[[Varan (film)|Varan]]'', ''[[Mothra (film)|Mothra]]'', ''[[Atragon]]'', ''The War of the Gargantuas'', ''[[King Kong Escapes]]'', and ''[[Space Amoeba]]''. These materials state that the [[Giant Octopus]] appeared alongside [[Frankenstein]] and [[Baragon]] in 1965, suggesting that the alternate ending to the film is canon in this continuity.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*Supplementary materials for the [[Millennium era|Millennium series]] Godzilla films ''[[Godzilla Against Mechagodzilla]]'' and ''[[Godzilla: Tokyo SOS]]'' reveal that the events of ''Frankenstein vs. Baragon'' took place within the same [[:Category:Kiryu series continuity|continuity]] as those films, along with the events of several other non-Godzilla Showa era films, including ''[[Rodan (film)|Rodan]]'', ''[[Varan (film)|Varan]]'', ''[[Mothra (film)|Mothra]]'', ''[[Atragon]]'', ''The War of the Gargantuas'', ''[[King Kong Escapes]]'', and ''[[Space Amoeba]]''. These materials state that the [[Giant Octopus]] appeared alongside [[Frankenstein]] and [[Baragon]] in 1965, suggesting that the alternate ending to the film is canon in this continuity.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l275">Line 275:</td>
<td colspan="2" class="diff-lineno">Line 275:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The boar which Frankenstein unsuccessfully attempts to trap in this film received an official ornament from [[Cast]] in 2018 as part of the company's [[Godzilla Ornament Special Effects Collection]] Mini series, which treated the creature as a [[kaiju]] and gave it the official name "Giant Boar."</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The boar which Frankenstein unsuccessfully attempts to trap in this film received an official ornament from [[Cast]] in 2018 as part of the company's [[Godzilla Ornament Special Effects Collection]] Mini series, which treated the creature as a [[kaiju]] and gave it the official name "Giant Boar."</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The climactic fight footage from ''Frankenstein vs. Baragon'' was illegally used for the 1978 Bollywood caveman film ''Aadi Yug'', where it portrays both titular characters as regular-sized beings, considering the re-dubbed sound effects.<ref>https://youtu.be/lVbaGECUIrI</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*The climactic fight footage from ''Frankenstein vs. Baragon'' was illegally used for the 1978 Bollywood caveman film ''Aadi Yug'', where it portrays both titular characters as regular-sized beings, considering the re-dubbed sound effects.<ref>https://youtu.be/lVbaGECUIrI</ref></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==External links==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==External links==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[http://www.dailymotion.com/video/xup506_frankenstein-conquers-the-world-1965-upa-credits_shortfilms UPA opening credits]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[http://www.dailymotion.com/video/xup506_frankenstein-conquers-the-world-1965-upa-credits_shortfilms UPA opening credits]</div></td></tr>
</table>Daimajin1966https://wikizilla.org/wiki/Frankenstein_vs._BaragonFrankenstein vs. Baragon2024-03-24T06:15:19Z<p><a href="/wiki/User:KaijuFan21" class="mw-userlink" title="User:KaijuFan21"><bdi>KaijuFan21</bdi></a> posted a new comment on <a href="/wiki/Frankenstein_vs._Baragon#comment-85164" title="Frankenstein vs. Baragon">Frankenstein vs. Baragon</a> Surprised of how many video releases there are of this film.</p>
KaijuFan21https://wikizilla.org/wiki/Haruo_NakajimaHaruo Nakajima2024-03-24T02:00:36Z<p><a href="/wiki/User:Goatzilla1998" class="mw-userlink" title="User:Goatzilla1998"><bdi>Goatzilla1998</bdi></a> posted a new comment on <a href="/wiki/Haruo_Nakajima#comment-85156" title="Haruo Nakajima">Haruo Nakajima</a> tHE mAN In ThE sUIt!?!</p>
Goatzilla1998https://wikizilla.org/wiki/Godzilla_vs._DestoroyahGodzilla vs. Destoroyah2024-03-23T23:05:10Z<p><a href="/wiki/User:KaijuFan21" class="mw-userlink" title="User:KaijuFan21"><bdi>KaijuFan21</bdi></a> posted a new comment on <a href="/wiki/Godzilla_vs._Destoroyah#comment-85145" title="Godzilla vs. Destoroyah">Godzilla vs. Destoroyah</a> The only Godzilla movie capable of making my tears drop down my face and onto my shirt.</p>
KaijuFan21https://wikizilla.org/wiki/Godzilla_Raids_AgainGodzilla Raids Again2024-03-23T18:40:57Z<p><a href="/wiki/User:Showa_Fan" class="mw-userlink" title="User:Showa Fan"><bdi>Showa Fan</bdi></a> posted a new comment on <a href="/wiki/Godzilla_Raids_Again#comment-85107" title="Godzilla Raids Again">Godzilla Raids Again</a> Yeah same with Flares & Godzilla and Godzilla Advances</p>
Showa Fanhttps://wikizilla.org/w/index.php?title=Bye-Bye_Jupiter&diff=360116&oldid=340379Bye-Bye Jupiter2024-03-23T16:10:52Z<p><span dir="auto"><span class="autocomment">Trailers</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:10, 23 March 2024</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l202">Line 202:</td>
<td colspan="2" class="diff-lineno">Line 202:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{vid|<youtube width="300" height="169">=cfj9mx75AU0</youtube>|International trailer}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{vid|<youtube width="300" height="169">=cfj9mx75AU0</youtube>|International trailer}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{vid|<youtube width="300" height="169">2Bp8_oIRuDc&t=110s</youtube>|Polish trailer}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{vid|<youtube width="300" height="169">2Bp8_oIRuDc&t=110s</youtube>|Polish trailer}}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{vid|<youtube width="300" height="169">=4dmwGHnmBmg</youtube>|West German video trailer}}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Trivia==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Trivia==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Akihiko Hirata]]'s role as Ryutaro Inoue in this film was the actor's final role before he died later that same year. Hirata was planned to appear in ''[[The Return of Godzilla]]'' as [[Makoto Hayashida|Doctor Hayashida]],{{Citation needed}} but was replaced by Yosuke Natsuki after his death.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Akihiko Hirata]]'s role as Ryutaro Inoue in this film was the actor's final role before he died later that same year. Hirata was planned to appear in ''[[The Return of Godzilla]]'' as [[Makoto Hayashida|Doctor Hayashida]],{{Citation needed}} but was replaced by Yosuke Natsuki after his death.</div></td></tr>
</table>Space Hunter Mhttps://wikizilla.org/wiki/Godzilla_Raids_AgainGodzilla Raids Again2024-03-23T13:02:04Z<p><a href="/wiki/User:Obi-X" class="mw-userlink" title="User:Obi-X"><bdi>Obi-X</bdi></a> posted a new comment on <a href="/wiki/Godzilla_Raids_Again#comment-85026" title="Godzilla Raids Again">Godzilla Raids Again</a> Death Battle At Osaka Castle actually sounds kinda creepy</p>
Obi-Xhttps://wikizilla.org/w/index.php?title=Riley_Jackson&diff=359876&oldid=345810Riley Jackson2024-03-22T21:03:51Z<p><span dir="auto"><span class="autocomment">Video</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 21:03, 22 March 2024</td>
</tr><tr><td colspan="4" class="diff-multi" lang="en">(One intermediate revision by the same user not shown)</td></tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l32">Line 32:</td>
<td colspan="2" class="diff-lineno">Line 32:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[All Monsters Attack#U.S. release|Godzilla's Revenge]]'' (1971) - Post-production supervisor [Ryder Sound Services dub]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[All Monsters Attack#U.S. release|Godzilla's Revenge]]'' (1971) - Post-production supervisor [Ryder Sound Services dub]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[Nausicaä of the Valley of the Wind#U.S. release|Warriors of the Wind]]'' (1985) - Producer [Showmen, Inc. dub]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''[[Nausicaä of the Valley of the Wind#U.S. release|Warriors of the Wind]]'' (1985) - Producer [Showmen, Inc. dub]</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">==Videos==</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{Videos|</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{vid|<youtube width="300" height="169">3BD0jQQ6Vd8</youtube>|Compilation of roles dubbed by Jackson}}</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">}}</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==References==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==References==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Reflist}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Reflist}}</div></td></tr>
</table>Space Hunter Mhttps://wikizilla.org/wiki/TJ_StormTJ Storm2024-03-22T15:57:18Z<p><a href="/wiki/User:Keeri%27ijra" class="mw-userlink" title="User:Keeri'ijra"><bdi>Keeri'ijra</bdi></a> posted a new comment on <a href="/wiki/TJ_Storm#comment-84804" title="TJ Storm">TJ Storm</a> Cool that he gets to be a modern suit actor.</p>
Keeri'ijrahttps://wikizilla.org/wiki/TJ_StormTJ Storm2024-03-22T15:39:25Z<p><a href="/wiki/User:Obi-X" class="mw-userlink" title="User:Obi-X"><bdi>Obi-X</bdi></a> edited comment #21631 on <a href="/wiki/TJ_Storm#comment-21631" title="TJ Storm">TJ Storm</a> The last guy to play Godzilla here</p>
Obi-Xhttps://wikizilla.org/wiki/Godzilla_(franchise)Godzilla (franchise)2024-03-22T14:09:48Z<p><a href="/wiki/User:Titanozilla2023" class="mw-userlink" title="User:Titanozilla2023"><bdi>Titanozilla2023</bdi></a> posted a new comment on <a href="/wiki/Godzilla_(franchise)#comment-84779" title="Godzilla (franchise)">Godzilla (franchise)</a> I'm very angry at the moment. I was listening to Godzilla Suite II (amazing piece of music) and went to the comment section, opened a set of replies and saw some random obnoxious little shit saying that our Oscar was worthless, monster films are stupid, us Godzilla fans should develop more "sophisticated interests" and just general hate on the Godzilla franchise. On a Godzilla video. Probably just the average film critic and/or superhero fan.</p>
Titanozilla2023