| Display title | Daisuke Sato |
| Default sort key | Daisuke Sato |
| Page length (in bytes) | 6,740 |
| Page ID | 61174 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Page creator | Kaiju No. 14 (talk | contribs) |
| Date of page creation | 05:02, 26 February 2021 |
| Latest editor | Les (talk | contribs) |
| Date of latest edit | 03:19, 24 September 2023 |
| Total number of edits | 49 |
| Total number of distinct authors | 6 |
| Recent number of edits (within past 90 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Daisuke Sato (佐藤 大介, Satō Daisuke) is a Japanese modeler and filmmaker. Having worked as a modeler on a handful of tokusatsu films in the 2000s, he has since served the roles of director, director of special effects, cinematographer, and/or more on a handful of independent kaiju films. He wrote, directed, executive produced, shot, and edited Howl from Beyond the Fog in 2019 and directed the special effects of the 2021 American film Iké Boys. He will also direct the special effects of, shoot, and co-direct Hoshi 35 (2023) and direct the special effects of and produce Brush of the God (2024). |
