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== Trivia == | == Trivia == | ||
* Around 2012, a tribute to the film was made by fans as fake footage from ''[[The King Kong That Appeared in Edo]]''.<ref>{{Cite web|url=https://ja.wikipedia.org/wiki/%E6%B1%9F%E6%88%B8%E3%81%AB%E7%8F%BE%E3%82%8C%E3%81%9F%E3%82%AD%E3%83%B3%E3%82%B0%E3%82%B3%E3%83%B3%E3%82%B0#%E5%82%99%E8%80%83|work=Wikipedia|accessdate=31 December 2020|title=江戸に現れたキングコング}}</ref> | |||
* Around 2012, a tribute to the film was made by fans as fake footage from [[The King Kong That Appeared in Edo]].<ref>{{Cite web|url=https://ja.wikipedia.org/wiki/%E6%B1%9F%E6%88%B8%E3%81%AB%E7%8F%BE%E3%82%8C%E3%81%9F%E3%82%AD%E3%83%B3%E3%82%B0%E3%82%B3%E3%83%B3%E3%82%B0#%E5%82%99%E8%80%83|work=Wikipedia|accessdate=31 December 2020|title=江戸に現れたキングコング}}</ref> | |||
== References == | == References == |
Revision as of 18:39, 30 December 2020
This article is a work in progress. Please help in the creation of this article by expanding or improving it. |
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Yeti: Giant of the 20th Century is an Italian giant monster film produced by Stefano Film and distributed by Miramax Films in the U.S.. The film was released to Italian theaters on December 23, 1977.
Plot
“I knew that『plot』wasn't up to much.” This plot synopsis is missing or incomplete. Please help by editing this section. |
To be added.
Staff
Staff role on the left, staff member's name on the right.
- Directed by Frank Kramer
- Written by Mario di Nardo, Gianfranco Parolini, Marcello Coscia
- Produced by Wolfranco Coccia, Mario Di Nardo, Giancarlo Parolini, Nicolò Pomilia
- Cinematography by Sandro Mancori
- Edited by Patrizia Ceresani
- Assistant director Luciano Palermo
- Special effects by Benigno Carrozza, Nello Cappelli, Giovanni CappelliAmerigo Casagrande, Marcello Martinelli, Augusto Possanza
- Visual Effects by Ermando Biamonte
- Original story by Gianfranco Parolini, Mario di Nardo
Cast
Actor's name on the left, character played on the right.
- Antonella Interlenghi as Jane
- Mimmo Crao as Yeti
Appearances
Monsters
Production
At Christmas 1976 the remake of King Kong directed by John Guillermin and produced by the Italian Dino De Laurentiis, had meet with great success, especially in Italy.[1] Parolini, an expert packager of low-budget imitations of the most diverse films, wanted to try his hand at a rip-off of the myth, inspired by the film by De Laurentiis and set up a project initially entitled Yeti Big Foot, whose release was anticipated from a series of articles in different newspapers. Since in Italy the success of the King Kong '76 was mainly due to the fame obtained by the special effects curated by Carlo Rambaldiwho, as was believed at the time, had managed to create a gigantic animatronic capable of supporting the entire role of the ape Kong, even Parolini wanted to have his own mechanical protagonist, magnifying on each occasion an artificial giant almost nine meters high that would be used in the film: in addition to various reports in non-specialist magazines even the television program The other Sunday broadcast a short special showing the clumsy puppet presented as a technological marvel although, in reality, it was manufactured by puppeteers of the Viareggio carnival with the same techniques (tie rods and some simple joints to make the limbs move a little).
Parolini, in fact, as Guillermin did in the film about King Kong, in which the giant mechanical gorilla, in the end, only appears on the screen for a few seconds and would have used an appropriately masked actor. He selected for the role of the Yeti Mimmo Crao (not Mimmo Craig , as incorrectly stated in many web sites), a young Calabrian with expressive blue eyes who had recently supported the small role of the Apostle Thaddeus in Jesus of Nazareth by Franco Zeffirelli , aired in 1976. Meanwhile, the production company that financed the film, Stefano Film by Nicolò Pomilia and Wolfranco Coccia, was embroiled in a controversy: screenwriter Giorgio Moserin fact he claimed to have spoken months ago with Parolini about a subject on the Yeti, which he should have developed for De Laurentiis, and that Parolini had stolen the idea. the story ended up in court[2] even if De Laurentiis later gave up to make your own version.
Much of Parolini's film was shot in Cinecittà and around Rome, but some sequences were made in Canada. because as was common at the time and for Parolini in particular, they did not want to betray the Italian origin of the production, which it would be presented as international. A very high number of scenes used the blue screen technique , supervised by Ermanno Biamonte, which, however, obtained very poor results, so much so that in many shots the gigantic humanoid is transparent. The film, definitively titled Yeti the giant of the 20th century , was ready for Christmas 1977, enriched by a bombastic and very invasive soundtrack by Sante Maria Romitelliwhose main theme closely resembles the piece O fortuna from Carmina Burana by Carl Orff . The film experienced international launch and distribution, but real success never came at the box office.
Gallery
- Main article: Yeti: Giant of the 20th Century/Gallery.
Alternate titles
- Yeti (English title)
- Yeti Big Foot (Early title)
- Yeti: The 20th Century Giant
- Big Foot
Theatrical releases
- Italy - December 23, 1977 [view poster]
- United States - March 19, 1980, April 23, 1999 (re-release)
- Mexico - September 12, 1978
- Australia - December 10, 1979
- Spain - November 9, 1978
Videos
To Be Added
Video releases
To Be Added
Trivia
- Around 2012, a tribute to the film was made by fans as fake footage from The King Kong That Appeared in Edo.[3]
References
This is a list of references for Kaiju No. 14/Sandbox/Yeti: Giant of the 20th Century. These citations are used to identify the reliable sources on which this article is based. These references appear inside articles in the form of superscript numbers, which look like this: [1]
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