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'''Brian Rogers''' is a film producer. Originally involved with [[Yoshimitsu Banno]]'s ''[[Godzilla 3-D]]'', he produced the [[Legendary Pictures]] film that evolved out of the project, ''[[Godzilla (2014 film)|Godzilla]]'' (2014), alongside [[Thomas Tull]], [[Jon Jashni]], and [[Mary Parent]]. He is also attached to its sequel, ''[[Godzilla: King of the Monsters]]''.
'''Brian Rogers''' is a film producer. Originally involved with [[Yoshimitsu Banno]]'s ''[[Godzilla 3-D]]'', he produced the [[Legendary Pictures]] film that evolved out of the project, ''[[Godzilla (2014 film)|Godzilla]]'' (2014), and its sequels.
{{TOC}}
{{TOC}}
==Biography==
==Biography==
===[[Godzillamovie.com]]===
===[[Godzillamovie.com]]===
BRIAN ROGERS (Producer) has vast experience in the film industry and a
{{Quote|BRIAN ROGERS (Producer) has vast experience in the film industry and a list of credits that includes theatrical motion pictures, special venue 3D films, Imax films and television production. These have taken him to all parts of the world including India, Nepal, China, Japan, England,
list of credits that includes theatrical motion pictures, special venue
the Hawaiian Islands, and the Caribbean islands of Puerto Rico, St. John, St. Thomas and St. Lucia. This is coupled with his many years of pioneering producer work with all aspects and formats of 3D production including both live action and computer-generated imagery that were photographed in 65mm, 35mm and digital capture.
3D films, Imax films and television production. These have taken him to
all parts of the world including India, Nepal, China, Japan, England,
the Hawaiian Islands, and the Caribbean islands of Puerto Rico, St.
John, St. Thomas and St. Lucia. This is coupled with his many years of
pioneering producer work with all aspects and formats of 3D production
including both live action and computer-generated imagery that were
photographed in 65mm, 35mm and digital capture.


His diverse slate of projects includes works for HBO, Universal
His diverse slate of projects includes works for HBO, Universal Pictures, Paramount, MGM, Imax, NBC and Nickelodeon, with credits that include the James Bond actioner “License to Thrill,” “Men In Black,” “Pirates 3D,” and the very first digital 3D production “Race For Atlantis.” Rogers’ IMAX credits include “Dr. Bigscreen” for Sony Pictures and “Mystic India,” lensed in India and in the Himalayas of Nepal, a production that utilized a total of 50,000 extras in period costuming. He was also a producer and line producer on many segments of “Terminator 2 3D,” which was director James Cameron’s first foray into the 3D realm. Rogers has been a consulting producer for the theatrical Imax 3D films “Cirque Du Soleil 3D,” “Mummies” and for television movie projects for Paramount and Granada USA. Other 3D credits include theatrical concert films, including “Luna Sea” for Sony PLC in Japan, as well as capturing sporting events such as “The X Games” in 3D.
Pictures, Paramount, MGM, Imax, NBC and Nickelodeon, with credits that
include the James Bond actioner “License to Thrill,” “Men In Black,”
“Pirates 3D,” and the very first digital 3D production “Race For
Atlantis.” Rogers’ IMAX credits include “Dr. Bigscreen” for Sony
Pictures and “Mystic India,” lensed in India and in the Himalayas of
Nepal, a production that utilized a total of 50,000 extras in period
costuming. He was also a producer and line producer on many segments of
“Terminator 2 3D,” which was director James Cameron’s first foray into
the 3D realm. Rogers has been a consulting producer for the theatrical
Imax 3D films “Cirque Du Soleil 3D,” “Mummies” and for television movie
projects for Paramount and Granada USA. Other 3D credits include
theatrical concert films, including “Luna Sea” for Sony PLC in Japan, as
well as capturing sporting events such as “The X Games” in 3D.


Rogers has an extensive history working on visual effects for VFX
Rogers has an extensive history working on visual effects for VFX companies that include Digital Domain, IE Effects, R Greenberg/Imaginary Forces and Rhythm & Hues. This has been as a producer, VFX producer, line producer along with 3D stereo conversion supervision on such films as “Harry Potter and the Deathly Hallows: Part 2,” “Green Lantern” and “The Hole.”  
companies that include Digital Domain, IE Effects, R Greenberg/Imaginary
Forces and Rhythm & Hues. This has been as a producer, VFX producer,
line producer along with 3D stereo conversion supervision on such films
as “Harry Potter and the Deathly Hallows: Part 2,” “Green Lantern” and
“The Hole.”  


He has been a featured guest speaker at the 3D Next Conference and the
He has been a featured guest speaker at the 3D Next Conference and the 3D Entertainment Summit held in Los Angeles. He is also a member of the British Academy of Film & Television Artists.}}
3D Entertainment Summit held in Los Angeles. He is also a member of the
==Selected filmography==
British Academy of Film & Television Artists.
==Selected Filmography==
===Producer===
===Producer===
*''[[Godzilla (2014 film)|Godzilla]]'' (2014)
*''[[Godzilla (2014 film)|Godzilla]]'' (2014)
*''[[Godzilla: King of the Monsters]]'' (2019)
*''[[Godzilla: King of the Monsters]]'' (2019)
*''[[Godzilla vs. Kong]]'' (2020)
*''[[Godzilla vs. Kong]]'' (2021)
 
*''[[Monarch: Legacy of Monsters]]'' (TV 2023-2024)
{{Godzilla 2014}}
*''[[Godzilla x Kong: The New Empire]]'' (2024)
{{Template:Godzilla: King of the Monsters}}
{{Real People|tab=Producer}}
{{Real People}}
{{Comments}}
{{Comments}}
{{Era|REL}}
{{Era|REL}}
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[[Category:Real people]]
[[Category:Real people]]
[[Category:Producers]]
[[Category:Producers]]
[[Category:Godzilla producers]]

Latest revision as of 20:57, 3 November 2023

Brian Rogers
Brian Rogers
First work The Dead Pit (1989)
Notable work Godzilla (2014)
Imdb.pngWp.png

Brian Rogers is a film producer. Originally involved with Yoshimitsu Banno's Godzilla 3-D, he produced the Legendary Pictures film that evolved out of the project, Godzilla (2014), and its sequels.

Biography

Godzillamovie.com

“
BRIAN ROGERS (Producer) has vast experience in the film industry and a list of credits that includes theatrical motion pictures, special venue 3D films, Imax films and television production. These have taken him to all parts of the world including India, Nepal, China, Japan, England,

the Hawaiian Islands, and the Caribbean islands of Puerto Rico, St. John, St. Thomas and St. Lucia. This is coupled with his many years of pioneering producer work with all aspects and formats of 3D production including both live action and computer-generated imagery that were photographed in 65mm, 35mm and digital capture.

His diverse slate of projects includes works for HBO, Universal Pictures, Paramount, MGM, Imax, NBC and Nickelodeon, with credits that include the James Bond actioner “License to Thrill,” “Men In Black,” “Pirates 3D,” and the very first digital 3D production “Race For Atlantis.” Rogers’ IMAX credits include “Dr. Bigscreen” for Sony Pictures and “Mystic India,” lensed in India and in the Himalayas of Nepal, a production that utilized a total of 50,000 extras in period costuming. He was also a producer and line producer on many segments of “Terminator 2 3D,” which was director James Cameron’s first foray into the 3D realm. Rogers has been a consulting producer for the theatrical Imax 3D films “Cirque Du Soleil 3D,” “Mummies” and for television movie projects for Paramount and Granada USA. Other 3D credits include theatrical concert films, including “Luna Sea” for Sony PLC in Japan, as well as capturing sporting events such as “The X Games” in 3D.

Rogers has an extensive history working on visual effects for VFX companies that include Digital Domain, IE Effects, R Greenberg/Imaginary Forces and Rhythm & Hues. This has been as a producer, VFX producer, line producer along with 3D stereo conversion supervision on such films as “Harry Potter and the Deathly Hallows: Part 2,” “Green Lantern” and “The Hole.”

He has been a featured guest speaker at the 3D Next Conference and the 3D Entertainment Summit held in Los Angeles. He is also a member of the British Academy of Film & Television Artists.
„

Selected filmography

Producer

Staff members
 
Directors
Drama directors
Adam Wingard • Daisuke Sato • Ernest Schoedsack • Eugène Lourié • Gareth Edwards • Hideaki Anno • Hirochika Muraishi • Hiroto Yokokawa • Hiroyuki Seshita • Ishiro Honda • John Guillermin • Jordan Vogt-Roberts • Jun Fukuda • Kazuhiro Nakagawa • Kazuki Omori • Kensho Yamashita • Kimiyoshi Yasuda • Kiyotaka Taguchi‎‎ • Kobun Shizuno • Koji Hashimoto • Kunio Miyoshi • Masaaki Hisamatsu • Masaaki Tezuka • Masaji Nonagase • Merian C. Cooper • Michael Dougherty • Minoru Kawasaki • Motoyoshi Oda • Noriaki Yuasa • Okihiro Yoneda • Peter Jackson • Roland Emmerich • Ryuhei Kitamura • Ryuichi Ichino • Shinji Higuchi • Shinpei Hayashiya • Shizuo Nakajima • Shusuke Kaneko • Takao Okawara • Takashi Miike • Takashi Yamazaki • Takeshi Yagi • Takuya Uenishi • Tomoo Haraguchi • Tokuzo Tanaka • Willis O'Brien • Yoshikazu Ishii • Yoshimitsu Banno • Yusuke Ishida
Effects directors
Assistant directors
 
Artists
Production designers
Illustrators
Propmakers

 
 
V • T • E

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