Yoshimitsu Banno: Difference between revisions

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|caption          =Yoshimitsu Banno with a blow-up Godzilla
|caption          =Yoshimitsu Banno with a blow-up Godzilla
|birthday        =March 30, 1931  
|birthday        =March 30, 1931  
|birthplace      =Imabari, Ehime Prefecture, Japan
|birthplace      =Imabari, Ehime Prefecture, [[Japan]]
|first            =''Throne of Blood'' (1957)
|first            =''Throne of Blood'' (1957)
|notable          =''[[Godzilla vs. Hedorah]]'' (1971)
|notable          =''[[Godzilla vs. Hedorah]]'' (1971)
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|wikipedia        =http://en.m.wikipedia.org/wiki/Yoshimitsu_Banno
|wikipedia        =http://en.m.wikipedia.org/wiki/Yoshimitsu_Banno
}}
}}
'''Yoshimitsu Banno''' {{Nihongo|坂野義光|Banno Yoshimitsu}} was a [[Japan]]ese director, writer, and producer best known for ''[[Godzilla vs. Hedorah]]'', which he directed and co-wrote. Banno was a special guest at [[G-Fest]] XII in [[2005]] and an executive co-producer for [[Legendary Pictures]]' ''[[Godzilla (2014 film)|Godzilla]]''. He passed away on May 7, 2017.
'''Yoshimitsu Banno''' {{Nihongo|坂野義光|Banno Yoshimitsu}} was a [[Japan]]ese director, writer, and producer best known for ''[[Godzilla vs. Hedorah]]'', which he directed and co-wrote. Banno was a special guest at [[G-Fest]] XII in [[2005]] and an executive co-producer for [[Legendary Pictures]]' ''[[Godzilla (2014 film)|Godzilla]]''. He passed away on May 7, 2017, at the age of 86.


His memoir, ''Why I Let Godzilla Fly: 85-Year-Old Creator Yoshimitsu Banno'', was published in 2016.
His memoir, ''Why I Let Godzilla Fly: 85-Year-Old Creator Yoshimitsu Banno'', was published in 2016.
{{TOC}}
{{TOC}}
==Biography==
==Biography==
===''[[Godzilla (2014 film)|Godzilla]]'' (2014) Production Notes===
===[[Godzillamovie.com]]===
YOSHIMITSU BANNO (Executive Producer) is the veteran Japanese filmmaker best known for the cult-classic ''Godzilla vs. Hedorah'' (1971, a.k.a. ''Godzilla vs. The Smog Monster''), directing and co-writing the 11th film in Toho Company’s long-lived franchise, which began in 1954 with the eponymous original directed by Ishiro Honda.
YOSHIMITSU BANNO (Executive Producer) is the veteran Japanese filmmaker
best known for the cult-classic “Godzilla vs. Hedorah” (1971, a.k.a.
“Godzilla vs. The Smog Monster”), directing and co-writing the 11th film
in Toho Company’s long-lived franchise, which began in 1954 with the
eponymous original directed by Ishiro Honda.


Banno joined the Toho Company shortly after graduating from Tokyo University in 1955, studying at Toho under such directors as Hiromichi Horikawa, Mikio Naruse, Kengo Furusawa and Seiji Maruyama. He began his career as an assistant director, first working with the legendary Akira Kurosawa on four consecutive features—''Throne of Blood'' and ''The Lower Depths'' (1957), ''The Hidden Fortress'' (1958) and ''The Bad Sleep Well'' (1960).
Banno joined the Toho Company shortly after graduating from Tokyo
University in 1955, studying at Toho under such directors as Hiromichi
Horikawa, Mikio Naruse, Kengo Furusawa and Seiji Maruyama. He began his
career as an assistant director, first working with the legendary Akira
Kurosawa on four consecutive features—“Throne of Blood” and “The Lower
Depths” (1957), “The Hidden Fortress” (1958) and “The Bad Sleep Well”
(1960).


He continued as an assistant director on ten more features (many for filmmaker Furusawa) before making his own directorial debut on the 1970 feature, ''Japanese Nature and Dream'', which played at Osaka's Expo 70 at the Mitsubishi Future Pavilion. Banno created a true audiovisual experience in the film, using mirrors to simulate the effects of earthquakes and volcanic eruptions, attracting record-breaking crowds.
He continued as an assistant director on ten more features (many for
filmmaker Furusawa) before making his own directorial debut on the 1970
feature, “Japanese Nature and Dream,which played at Osaka's Expo 70 at
the Mitsubishi Future Pavilion. Banno created a true audiovisual
experience in the film, using mirrors to simulate the effects of
earthquakes and volcanic eruptions, attracting record-breaking crowds.


The huge success and unique vision of Banno’s directorial debut led ''Godzilla'' series producer Tomoyuki Tanaka to enlist the filmmaker to help revitalize the series. The result, ''Godzilla vs. Hedorah,'' was a passionately avant-garde film born out of Banno’s visit to a severely polluted beach near the industrial area of Yokkaichi. Banno called his new monster Hedorah, taking its name from the Japanese word Hedoro, which means "mud." Critics cited the film as one of the most unusual and unique in the series, mixing a blend of social satire, fighting monsters, animation, psychedelic imagery, split screens and musical sequences with death and violence.
The huge success and unique vision of Banno’s directorial debut led
“Godzilla” series producer Tomoyuki Tanaka to enlist the filmmaker to
help revitalize the series. The result, “Godzilla vs. Hedorah,was a
passionately avant-garde film born out of Banno’s visit to a severely
polluted beach near the industrial area of Yokkaichi. Banno called his
new monster Hedorah, taking its name from the Japanese word Hedoro,
which means “mud.Critics cited the film as one of the most unusual and
unique in the series, mixing a blend of social satire, fighting
monsters, animation, psychedelic imagery, split screens and musical
sequences with death and violence.


After ''Godzilla vs. Hedorah'', Banno realized the documentary ''Starving Sahara'' (1972), co-writing the screenplay for the film which depicted the severity of the drought in Africa.  He next returned to the assistant director ranks with ''Prophecies of Nostradamus'' (Nosutodoramusu no Daiyogen, 1974), adapted from the novel by Tsutomu Goto.
After “Godzilla vs. Hedorah,Banno realized the documentary “Starving
Sahara” (1972), co-writing the screenplay for the film which depicted
the severity of the drought in Africa.  He next returned to the
assistant director ranks with “Prophecies of Nostradamus”
(Nosutodoramusu no Daiyogen, 1974), adapted from the novel by Tsutomu Goto.


Over the next four years, Banno made a series of documentaries for the television program ''Wonderful World''. In the early 1980s, he produced the Toho telefilm ''Tokyo Earthquake M8'' before writing and producing several animated films such as ''The Story of Shigeo Nagashima'', ''The Wizard of Oz'' and ''Techno Police'' (Tekuno porisu 21C).
Over the next four years, Banno made a series of documentaries for the
television program “Wonderful World.”  In the early 1980s, he produced
the Toho telefilm “Tokyo Earthquake M8” before writing and producing
several animated films such as “The Story of Shigeo Nagashima,” “The
Wizard of Oz” and “Techno Police” (Tekuno porisu 21C).


Banno also worked on the development of Japax, a shooting format and 70mm projection system similar to IMAX. He produced the first Japax film, ''Breathe'', for the Tsukuba Expo in 1985. Further evolution led to Opax (70mm format projection screen dome), Cubic (3-D 70mm format) and Twin Cubic, which used dual Japax projectors.
Banno also worked on the development of Japax, a shooting format and
70mm projection system similar to IMAX. He produced the first Japax
film, “Breathe,for the Tsukuba Expo in 1985.   Further evolution led
to Opax (70mm format projection screen dome), Cubic (3-D 70mm format)
and Twin Cubic, which used dual Japax projectors.


Several films in various formats were presented at festivals and exhibitions throughout Japan. Those projects produced by Banno include ''Magma Adventure'' (1988), ''Hurry Up Children of Earth'' (1988) and ''Eagle Fly'' (1989). He also designed for the amusement park Space World, located in the city of Kitakyushu.
Several films in various formats were presented at festivals and
exhibitions throughout Japan. Those projects produced by Banno include
“Magma Adventure” (1988), “Hurry Up Children of Earth” (1988) and “Eagle
Fly” (1989). He also designed for the amusement park Space World,
located in the city of Kitakyushu.


In 1989, Banno became an executive director in TOHO E・B Co. Ltd. and established Advanced Audiovisual Productions Inc., and became its President in 2001.
In 1989, Banno became an executive director in TOHO E・B Co. Ltd. and
established Advanced Audiovisual Productions Inc., and became its
President in 2001.
==Kaiju Filmography==
==Kaiju Filmography==
*''[[Godzilla vs. Hedorah]]'' (1971) - Director / Screenwriter
*''[[Godzilla vs. Hedorah]]'' (1971) - Director, Screenwriter
*''[[Prophecies of Nostradamus]]'' (1974) - Assistant Director / Story
*''[[Prophecies of Nostradamus]]'' (1974) - Assistant Director, Story
*''[[Godzilla (2014 film)|Godzilla]]'' (2014) - Executive Producer
*''[[Godzilla (2014 film)|Godzilla]]'' (2014) - Executive Producer
==Gallery==
==Gallery==
Line 45: Line 87:
Banno2002.png|Banno in a 2002 interview  
Banno2002.png|Banno in a 2002 interview  
</gallery>
</gallery>
==Video==
==Video==
{{videos|
{{videos|

Revision as of 18:55, 9 May 2017

Yoshimitsu Banno
Yoshimitsu Banno with a blow-up Godzilla
Born March 30, 1931
Imabari, Ehime Prefecture, Japan
First work Throne of Blood (1957)
Notable work Godzilla vs. Hedorah (1971)
Imdb.pngWp.png

Yoshimitsu Banno (坂野義光,   Banno Yoshimitsu) was a Japanese director, writer, and producer best known for Godzilla vs. Hedorah, which he directed and co-wrote. Banno was a special guest at G-Fest XII in 2005 and an executive co-producer for Legendary Pictures' Godzilla. He passed away on May 7, 2017, at the age of 86.

His memoir, Why I Let Godzilla Fly: 85-Year-Old Creator Yoshimitsu Banno, was published in 2016.

Biography

Godzillamovie.com

YOSHIMITSU BANNO (Executive Producer) is the veteran Japanese filmmaker best known for the cult-classic “Godzilla vs. Hedorah” (1971, a.k.a. “Godzilla vs. The Smog Monster”), directing and co-writing the 11th film in Toho Company’s long-lived franchise, which began in 1954 with the eponymous original directed by Ishiro Honda.

Banno joined the Toho Company shortly after graduating from Tokyo University in 1955, studying at Toho under such directors as Hiromichi Horikawa, Mikio Naruse, Kengo Furusawa and Seiji Maruyama. He began his career as an assistant director, first working with the legendary Akira Kurosawa on four consecutive features—“Throne of Blood” and “The Lower Depths” (1957), “The Hidden Fortress” (1958) and “The Bad Sleep Well” (1960).

He continued as an assistant director on ten more features (many for filmmaker Furusawa) before making his own directorial debut on the 1970 feature, “Japanese Nature and Dream,” which played at Osaka's Expo 70 at the Mitsubishi Future Pavilion. Banno created a true audiovisual experience in the film, using mirrors to simulate the effects of earthquakes and volcanic eruptions, attracting record-breaking crowds.

The huge success and unique vision of Banno’s directorial debut led “Godzilla” series producer Tomoyuki Tanaka to enlist the filmmaker to help revitalize the series. The result, “Godzilla vs. Hedorah,” was a passionately avant-garde film born out of Banno’s visit to a severely polluted beach near the industrial area of Yokkaichi. Banno called his new monster Hedorah, taking its name from the Japanese word Hedoro, which means “mud.” Critics cited the film as one of the most unusual and unique in the series, mixing a blend of social satire, fighting monsters, animation, psychedelic imagery, split screens and musical sequences with death and violence.

After “Godzilla vs. Hedorah,” Banno realized the documentary “Starving Sahara” (1972), co-writing the screenplay for the film which depicted the severity of the drought in Africa. He next returned to the assistant director ranks with “Prophecies of Nostradamus” (Nosutodoramusu no Daiyogen, 1974), adapted from the novel by Tsutomu Goto.

Over the next four years, Banno made a series of documentaries for the television program “Wonderful World.” In the early 1980s, he produced the Toho telefilm “Tokyo Earthquake M8” before writing and producing several animated films such as “The Story of Shigeo Nagashima,” “The Wizard of Oz” and “Techno Police” (Tekuno porisu 21C).

Banno also worked on the development of Japax, a shooting format and 70mm projection system similar to IMAX. He produced the first Japax film, “Breathe,” for the Tsukuba Expo in 1985. Further evolution led to Opax (70mm format projection screen dome), Cubic (3-D 70mm format) and Twin Cubic, which used dual Japax projectors.

Several films in various formats were presented at festivals and exhibitions throughout Japan. Those projects produced by Banno include “Magma Adventure” (1988), “Hurry Up Children of Earth” (1988) and “Eagle Fly” (1989). He also designed for the amusement park Space World, located in the city of Kitakyushu.

In 1989, Banno became an executive director in TOHO E・B Co. Ltd. and established Advanced Audiovisual Productions Inc., and became its President in 2001.

Kaiju Filmography

Gallery

Video

SciFi Japan TV interview #1
SciFi Japan TV interview #2

External Links

Real World