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Telegian (Tadao Nakamaru), and The Human Vapor (Kaoru Yachigusa) Notes: Packaged with The H-Man, The Secret of the Telegian, and The Human Vapor. This was

performances, and he uses the money to marry Omitsu. Like 90% of all Japanese films produced before 1945, Japanese King Kong is considered a lost film. Staff

by Indra Dhanush Films. The country's sole entry in the genre, it is now considered a lost film, with only stills, a censor script, and the soundtrack still

Audio commentary by Dennis Muren and Phil Tippett Notes: 1.85:1 aspect ratio. Packaged with Queen of Outer Space and Attack of the 50 Foot Woman. Reissued

a three-story building," "makes geisha girls dance on his palm," and visits Heaven and Hell. Staff role on the left, staff member's name on the right. Directed

trailer and TV spot, one of two possible kaiju masks, theater map, postcard The 12 Day Tale of the Monster that Died in 8 is the first black and white kaiju

for him, prompting Go to go undercover to try and find him. Backed up by the ape, Go confronts Toba and trades him Chinami's location for the reward money

company's last black-and-white kaiju film. It stars Kozo Nomura, Ayumi Sonoda, Fumito Matsuo, Koreya Senda, Akio Kusama, Yoshio Tsuchiya, and Akihiko Hirata

(the first of the "big bug" films, a subgenre spawned from the "monster on the loose" films, as they came to be called), and led to a decade of imitators

Raids Again. Godzilla Raids Again is the last Godzilla film to be filmed entirely in black-and-white and in the Academy aspect ratio. Two shots of newspapers

monster film co-directed by Merian C. Cooper and Ernest Schoedsack and written by James Ashmore Creelman and Ruth Rose from a story by Edgar Wallace and Cooper

in the film, Tsukaji and Yukawa visit a zoo in Tokyo. Yukawa suggests elephant and giraffe monsters, prompting Tsukaji to imagine "Zoulla" and "Giraafus"

computer-colorized version of the film was scrapped when results of a Celebrity poll showed fans would prefer the original black and white release. Titled Gamera

35mm black and white negative (spherical) Cut on: 35mm black and white internegative and camera negative (spherical) Distribution format: 35mm black and

Agon (アゴン) is a 1968 black-and-white Japanese tokusatsu kaiju miniseries supervised and co-written by prolific Toho screenwriter Shinichi Sekizawa. The

of the black-and-white film Gamera the Giant Monster. This film is distinct from all of those that followed it in that it is the only one filmed in black-and-white

conceived by Edgar Wallace and Merian C. Cooper, written and illustrated by Anthony Browne, that was created and published with approval and permission from the

sensibility is that of the black-and-white Godzilla films of the 1950s. What small story there is contains a chaste romance and lots of references to the

90-second black-and-white animated short cartoon made by Marv Newland. It played before Godzilla 1985 during its American theatrical run and on home video

Image gallery for the 1962 film Bulgasari. South Korean Bulgasari poster Black and white Bulgasari poster Black and white Bulgasari poster Review in Chosun