|“||We call him... Gojira.||„|
The Legendary Godzilla is the second incarnation of Godzilla to be featured in an American-made film, after the TriStar Godzilla from the 1998 film, and the tenth onscreen incarnation of the character overall.
- 1 Name
- 2 Appearance
- 3 Personality
- 4 Origins
- 5 History
- 6 Abilities
- 7 Filmography
- 8 Video Games
- 9 Comics and Books
- 10 Gallery
- 11 Roar
- 12 Trivia
- 13 Videos
- 14 See Also
- 15 References
- 16 External Links
- 17 Comments
In Legendary Pictures' Godzilla, Godzilla is at first referred to as "Gojira" (ゴジラ?) by the character Ishiro Serizawa, although other characters eventually begin referring to him by his English name "Godzilla." Godzilla's species is officially designated as "Species 5146_Adam" by Monarch, the scientific organization that studies him in the film. This version of Godzilla is sometimes referred to as "RejeGoji" (レジェゴジ?) by Japanese fans, which comes from shortening Legendary in Japanese (レジェンダリー?) and combining it with "Goji" Rejendarī (ゴジ?), a shortened version of Godzilla's Japanese name "Gojira."
- Main article: LegendaryGoji.
The Legendary Godzilla's face is shaped very squarely, his neck is broad and possesses gills. His eyes are a yellow color, and his teeth are small and not nearly as straightly lined up as many previous Godzilla incarnations.
The Legendary Godzilla's nostrils are more separate than previous incarnations, with them being in opposite sides of the snout, making it more reptile-like instead of the more mammalian fashion of being close together in front of it. Godzilla's head and neck seem to lean forward more so than any previous design. His dorsal plates are smaller than the previous designs, but they still retain the core maple-leaf shape, although straighter and very sharp, somewhat like the Godzilla from Godzilla 2000: Millennium.
This Godzilla's claws are a black color, and his feet are wider and resemble an elephant's foot more than the other Godzillas' feet do. His skin is more reptile-like and crocodile-like and rougher than the other incarnations, and is a blackish color. His body and tail are very wide as well, making him look somewhat bulkier than other Godzilla designs.
Legendary Pictures has confirmed that their Godzilla's tail is 550 feet and 4 inches long, his height is 355 feet, there are exactly 89 dorsal plates running down his back, the palm of his hands are 34 feet and 4 inches each, and that his roar can be heard from three miles away.
In Legendary Pictures' Godzilla, Godzilla's behavior seems to be that of a territorial animal. Ishiro Serizawa theorized that this Godzilla is the driving force to restore balance to nature whenever that balance is disrupted, suggesting that he essentially considers the entire Earth to be his territory. However, unlike previous incarnations, he doesn't blatantly attack or plow through ships at sea simply because they are there. In fact, with larger ships like aircraft carriers, he simply dove down under them. Even when he was attacked by the military, he didn't noticeably react or fight back and simply continued to hunt the M.U.T.O.s, even when he was being followed in close proximity by four naval ships. He also does not seem to intentionally cause destruction. Even when he destroyed the Golden Gate Bridge, it did not appear to be intentional, but rather just him reacting from being hit in the gills by missile fire. He shows little interest in humans, instead focusing his attention entirely on the M.U.T.O.s. After defeating both M.U.T.O.s, he leaves the humans alone without any more conflict.
In Godzilla: Awakening, the prequel to Legendary Pictures' Godzilla, Godzilla was explained to be an ancient life form from the Permian period, having survived various extinction events by consuming geothermal radiation in a hibernation-like state at the bottom of the sea. Godzilla was theorized by Ishiro Serizawa to have been the alpha predator of his ecosystem, and prevented the other species from overpopulating and overrunning the world, acting as a force of nature that maintained balance.
An ancient alpha-predator that thrived during the Permian period, Godzilla retreated to the ocean depths as the Earth's surface radiation levels declined, instead feeding on the planet's natural geothermal radiation. Godzilla remained dormant underwater for hundreds of millions of years, appearing occasionally at various points in human history, inspiring the mythologies of several cultures. In 1954, an American nuclear submarine unwittingly awakened Godzilla when it reached the lower depths of the ocean, drawing him to the surface in search of new sources of radiation. Godzilla attacked and fed on American and Soviet nuclear submarines in the South Pacific Ocean, with each nation believing the other was responsible for the attacks. When Godzilla's existence became known, the American military began detonating a series of nuclear bombs in the Marshall Islands to try and kill him, under the guise of nuclear testing. On March 1, 1954, Godzilla was lured ashore at Bikini Atoll, where the American military detonated their first-ever dry-fuel hydrogen bomb, codenamed Castle Bravo, in an attempt to kill him. Godzilla vanished following the detonation, and the United States covered up all evidence of his existence. A scientific organization known as Monarch had been formed to study Godzilla and any gigantic creatures like him, and continued to search for him in the following decades.
In 2014, Godzilla detected the mating call of a M.U.T.O., a parasitic lifeform that lived during Godzilla's time and laid its eggs in corpses of his species. In order to preserve his own existence, Godzilla came ashore in Honolulu to fight the winged male M.U.T.O. before it could reunite with its female counterpart and reproduce. Godzilla confronted the M.U.T.O. at the Honolulu airport, engaging in a brief clash before the M.U.T.O. flew back out over the ocean. Godzilla dove underwater and continued pursuing his enemy. The United States military believed Godzilla to be just as dire a threat as the M.U.T.O., although Monarch scientist Ishiro Serizawa stated that Godzilla was only here to hunt the M.U.T.O. and that he should be allowed to do so. When the female M.U.T.O. emerged in Nevada and began heading to California to reunite with the male, the military formed a plan to lure Godzilla and both M.U.T.O.s out to a remote island and kill them all with a nuclear warhead several times more powerful than Castle Bravo. Serizawa believed the detonation would fail to kill any of the creatures and warned William Stenz, the Navy admiral in charge of the operation, to call off the attack. Stenz regretfully told Serizawa they had no choice and allowed the warhead to be armed and carried by boat over San Francisco Bay. The male M.U.T.O. used its electromagnetic pulse to disable the military's vehicles and stole the warhead, using it as a nest on which the female could lay its eggs. Godzilla emerged from the Bay shortly afterward, surfacing near the Golden Gate Bridge. Tanks were deployed onto the bridge and opened fire on Godzilla while civilians were attempting to cross it. Godzilla withstood the artillery fire until a blast hit him in the gills, causing him to smash into the bridge and split it in half. Godzilla roared and continued to approach the city, where the M.U.T.O.s had constructed their nest.
When Godzilla entered downtown San Francisco, the male M.U.T.O. attacked him while its mate laid her eggs. Meanwhile, several soldiers were sent into the heart of the city via a HALO jump to recover and disarm the warhead before it could explode. Godzilla finally reached the nest and roared at the female M.U.T.O., who charged at Godzilla and attacked him. Soon, the male reentered the battle and both M.U.T.O.s double-teamed Godzilla. With the nest unguarded, the soldiers recovered the warhead, while Ford Brody opened a gasoline line, causing the entire nest to explode in a fireball. Both M.U.T.O.s witnessed the explosion and stopped pummeling Godzilla and rushed back to their nest. The female M.U.T.O. grieved over her dead offspring, but became enraged after seeing Brody near the nest. Before the M.U.T.O. could kill Brody, Godzilla emerged behind her and blasted her with his atomic breath, buying time for Brody and the other soldiers to carry the warhead to the docks. The male flew behind Godzilla and pulled him out of the way, allowing the female to chase after the soldiers. As the male flew behind Godzilla to try and grab him again, Godzilla swung his tail at it, impaling the M.U.T.O. on a skyscraper and killing it. Godzilla stopped to catch his breath, only for a skyscraper to collapse onto him and bury him in rubble. As Godzilla lie on the ground being buried in debris, he caught a brief glimpse of Brody, who was running to the docks. Brody ran to the docks, only to witness the female M.U.T.O. kill all of his companions. Brody grabbed the warhead and placed it on a boat, preparing to send it out to sea where it could detonate safely. Suddenly, the boat's engine deactivated as the female M.U.T.O. approached, her EMP field disabling all nearby electronics. Brody drew his pistol and aimed it at the M.U.T.O., fully expecting to be killed. Just then, Godzilla came up behind the M.U.T.O. and bit down on her neck, pulling her away from the boat. Godzilla grabbed the M.U.T.O.'s jaws and pried them open, then fired his atomic breath down her throat until her head fell off. Godzilla roared victoriously before dropping the M.U.T.O.'s head and collapsing onto the ground unconscious. The boat reactivated and began heading out of the bay, while Brody was rescued by a helicopter.
The next morning, San Francisco was in ruins, while military and emergency personnel surrounded Godzilla's unconscious body. Serizawa and his assistant Vivienne Graham looked sadly at Godzilla, believing him to be dead. Suddenly, Godzilla's eye opened and he began to stir. Godzilla stood up and began walking back out to the ocean. Godzilla let out one last victorious roar before diving back into the sea and disappearing beneath the waves.
|SPOILER WARNING: This section may contain major plot and/or ending details. Proceed at your own discretion.|
While appealing to Senator Willis to approve an expedition to Skull Island, Monarch member Bill Randa mentioned how the 1954 Castle Bravo nuclear tests were not tests, but attempts to kill a creature, though he did not mention Godzilla by name.
Following their adventure on Skull Island, James Conrad and Mason Weaver were held in an interrogation room by Monarch members Houston Brooks and Lin San, where they were shown documents related to the 1954 nuclear strikes against Godzilla, as well as two cave paintings depicting Godzilla alone and locked in battle with King Ghidorah.
The Legendary Godzilla retains the character's trademark atomic breath, however it appears to be used as a weapon of last resort rather than his primary weapon. When Godzilla charges his atomic breath, a blue glow slowly moves from the tip of his tail up his dorsal plates. Godzilla then spews a fiery blue blast of radiation from his mouth, which is capable of wounding and knocking down the female M.U.T.O. When he fires the beam directly into the female M.U.T.O.'s mouth, it decapitates and kills her almost instantly. It appears that once Godzilla has fully charged his atomic breath he can fire it multiple times, as he fires the beam twice in rapid succession after he charges it for the first time.
In the film's official novelization and in an earlier screenplay, it is mentioned that the M.U.T.O.s' EMP evolved to interfere with Godzilla's atomic breath, meaning it is possible that the atomic breath is not shown at its full strength in the film. However, it is unknown if this use of the EMP applies to the film.
It is possible that using his atomic breath significantly drains Godzilla's energy, as he is shown collapsing from exhaustion shortly after using his atomic breath a third time to kill the female M.U.T.O., though this could also be attributed to fatigue from the rest of the battle or from swimming from Hawaii to San Fransisco.
The Legendary Godzilla displays an impressive degree of durability. He is shown in the film's opening to have survived the detonation of Castle Bravo, a 15 megaton hydrogen bomb, while directly next to the bomb in 1954. When blasted by missiles and artillery by the United States military, Godzilla reacts but appears unharmed until one missile strikes him directly in the gills, causing him to reel back in pain and plow through the Golden Gate Bridge. Godzilla survives his battle against both M.U.T.O.s with little visible physical injury, and despite collapsing from exhaustion awakens hours later and walks back into the ocean completely unharmed.
While relying less on his atomic breath than previous incarnations, the Legendary Godzilla makes greater use of his physical strength and combat skills when fighting. Godzilla is able to defeat the male M.U.T.O. in each encounter, due to his size advantage. Godzilla is also able to overpower the larger female M.U.T.O. when he confronts her, although he does experience difficulty when trying to battle both M.U.T.O.s at once. When fighting the female M.U.T.O., Godzilla first grabs her by the neck and pushes her backwards then bites down on her neck. He also at one point pushes the female M.U.T.O. to the ground and steps on her chest to pin her down, which could have allowed him to finish her had the male not intervened. Godzilla finally kills the female M.U.T.O. by grabbing her from behind when she is distracted and prying her jaws apart so he can fire his atomic breath down her throat. Godzilla's tail is also a formidable weapon, shown when he uses it to smash the male M.U.T.O. into a skyscraper when it tries to attack him from behind, impaling it on the building and killing it instantly.
The Legendary Godzilla possesses gills and amphibious lungs, which close whenever he comes onto land, allowing him to breathe both underwater and on land. An adept swimmer, Godzilla swims by undulating his tail like a crocodile. Godzilla is capable of swimming extremely quickly and eluding the United States Navy despite his size.
The Legendary Godzilla demonstrates learning and planning during his battle with the M.U.T.O.s. When he is unable to overpower both M.U.T.O.s at the same time, he instead gradually learns their weaknesses and attack patterns after repeated clashes with them. After being repeatedly attacked from behind by the male M.U.T.O., Godzilla anticipates its attack and allows it to fly behind him before swinging his tail and impaling the male M.U.T.O. on a building. After his atomic breath proves effective against the female M.U.T.O., Godzilla sneaks up on her while she is going after Ford Brody and pulls her jaws apart, then fires his atomic breath down her throat and kills her. The Legendary Godzilla also appears to avoid unnecessary conflict, as he completely ignores the military's attacks and does not at any point retaliate, even after being visibly hurt by a missile striking his gills. After defeating both M.U.T.O.s, he leaves San Francisco peacefully, without causing any further destruction.
The Legendary Godzilla, while a formidable opponent, demonstrates a few weaknesses. The gills on his neck appear to be a weak point, shown when he reels back in pain after being struck directly in the gills by a missile. The M.U.T.O.s are able to draw blood from Godzilla and cause him to collapse to the ground by striking his gills with their hooked claws. Godzilla was also easily overwhelmed when both M.U.T.O.s attacked at once, being unable to fight the female head on and anticipate the male's attacks at the same time. Godzilla's endurance is also not limitless, as he suffers from apparent exhaustion multiple times during the fight. After killing the male M.U.T.O., Godzilla pauses to breathe, only to be pinned under a collapsing skyscraper. After killing the female, Godzilla roars victoriously before collapsing to the ground and passing out.
- Godzilla (2014)
- Kong: Skull Island (2017) [mentioned; cave paintings]
- Godzilla: King of the Monsters (2019) [pre-production]
- Godzilla vs. Kong (2020) [pre-production]
- Godzilla: Strike Zone
- Godzilla: Crisis Defense
- Godzilla: Smash3
- Godzilla (PlayStation 3 / PlayStation 4)
- Godzilla: Kaiju Collection
In this freeware game released shortly before the film debuted in theaters, Godzilla serves an antagonistic role, and chases the player through San Francisco in the third stage. Players must avoid flying debris and make it to the end of the level to take cover.
Legendary Godzilla appears in the video game Godzilla on the PlayStation 3 and PlayStation 4, under the names "Hollywood Godzilla" or "Godzilla (2014)." He is encountered on the final stage of the game as the final boss when playing through God of Destruction Mode as the default Godzilla, provided the player has reached at least 100 meters and recorded all of the special camera angles on the other stages. After the Hollywood Godzilla is defeated, he and Burning Godzilla are unlocked as playable characters in King of Kaiju Mode. In the PlayStation 4 version of the game, Hollywood Godzilla is available to play in all game modes. In God of Destruction Mode, Hollywood Godzilla will always be scaled to his movie-accurate height of 108.2 meters, while other monsters start at 50 meters and grow by absorbing G-energy. However, Hollywood Godzilla will only begin the game at 50% power, and absorbing G-energy increases his power. In King of Kaiju mode, Hollywood Godzilla is scaled to the 80-meter class, like all other monsters.
One tap: Right Scratch
Two taps: Left Scratch
Three taps: Slap Down
Tap + Up: Grab Press
Tap + Down: Tail Sweep
Tap + Roar: Armor Tackle
Tap: Atomic Ray
Tap + Roar: Rushing Blast
Tap: Double Tail Attack
Godzilla (2014)Paleozoic Era. It escaped to the deep sea during the mass extinction of all living things in the Permian period. Lurking for eons at the bottom of the ocean, where it managed to perpetuate its species, it appeared on land once again in the 1940s, when it was tracked by both U.S. and Soviet armies.
Able to walk upright vertically on two legs, it can survive on land, in water, and below the earth. It possesses tremendous physical strength, and in combat, most foes are overwhelmed just by the enormous destructive power of its long tail. Its ultimate weapon is the heat ray it blasts from its mouth.
Although this version of Godzilla was created in Hollywood entirely through CGI animation, the production team put great emphasis on giving it the sense of a costumed character. For the battle in the last scene, human movements were reproduced with CGI animation using motion capture technology, so that the characters' personalities would shine through, allowing audiences to empathize with them.
Godzilla in Godzilla: Smash3
Godzilla in Godzilla: Strike Zone
Godzilla 2014 in Godzilla: Kaiju Collection
Godzilla 2014 (ver. Red) in Godzilla: Kaiju Collection
Comics and Books250,000,000 years ago and was disturbed by a Shinomura that landed near him. Godzilla stood up and blasted the Shinomura with his atomic breath just as a meteor exploded nearby, triggering the Permian-Triassic extinction event and diminishing atmospheric radiation, which Godzilla depended on, forever, forcing Godzilla to look for radiation closer to the Earth's core in the bottom of the ocean.
Millions of years pass and Godzilla hibernates until he is awakened by the atomic bombing of Hiroshima on August 6, 1945. He surfaces near Hiroshima and chases after the awakened Shinomura. Throughout the rest of the 1940's, Godzilla chases off Shinomura from all sites it attacks around the Pacific Ocean and is mass-reported by eye-witnesses, but no one working for the U.S. government believes he exists except for doctor Serizawa, Ishiro Serizawa's father.
In March of 1954, Godzilla surfaces near Moansta Island to fight the two Shinomura, who had just fused into one. After a heated battle, Godzilla manages to separate both Shinomura and kills one of them with his atomic breath. As the other Shinomura gets away, Godzilla follows it to Bikini Atoll and is seen by Monarch, proving "Gojira" exists. The next day, an atomic "test" is performed on Bikini Atoll, killing the Shinomura and presumably Godzilla. Serizawa, however, believed Godzilla couldn't have died.
In 1981, Monarch member Shaw approached Ishiro Serizawa at his father's funeral, who joins Monarch in order to study Godzilla, who's still alive.
A photograph taken of Godzilla surfacing at Bikini Atoll in 1954 prior to the detonation of Castle Bravo, as well as photographs of the detonation itself, were hung on a map in Houston Brooks office at Monarch Field Office Sigma in 2012. Also hung on the map were a photograph of the male M.U.T.O. inside of its chrysalis and an image of a moth-like creature.
- Main article: LegendaryGoji#Gallery.
When creating Godzilla's new roar, sound designers Erik Aadahl and Ethan Van der Ryn embarked on a process of experimentation similar to the development of Godzilla's roar for the original 1954 film. They tried animal sounds, and reproduced the glove-on-strings method used to create the original Godzilla roar, but were not happy with the results. They spent six months over a three-year period trying to create a roar that would fit the new Godzilla, using scientific microphones that record above the range of human hearing and then taking the ultrasonic sounds and pitching and slowing them down.
Godzilla's roar can be heard for three miles.
- The Legendary Godzilla was at one point the tallest incarnation of Godzilla to appear in a film, however, his height was exceeded by the Godzilla from Shin Godzilla two years later.
- This Godzilla's fighting style and movements were primarily based on bears and komodo dragons.
- This is the first Godzilla to be portrayed by motion-capture, and the second to be primarily computer-generated, after the TriStar Godzilla.
- In an interview with Digital Spy, Jordan Vogt-Roberts stated that one potential post-credits scene for Kong: Skull Island involved characters on a boat in the Arctic Ocean witnessing Godzilla surface.
This is a list of references for Godzilla/Legendary. These citations are used to identify the reliable sources on which this article is based. These references appear inside articles in the form of superscript numbers, which look like this: 
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