Search results

Toho Company, Limited (東宝株式会社,   Tōhō Kabushiki Gaisha), also stylized as TOHO, is a major Japanese film studio. It is headquartered in Chiyoda, Tokyo

two-part 1940 film Enoken's Sun Wukong. He joined Daiei Tokyo Studio as a cinematographer during World War II. Specializing in visual effects, he worked on a

(1918) as Mad Dick The Ghost of Slumber Mountain (1918) - Writer / cinematographer Creation (1931) War Eagles (1938-1939) The Valley of the Mist (1950-1951)

materials] Princess Kaguya (1935) - Cinematographer Sun Wukong: Part 1 and Part 2 (1940) - Special effects cinematographer [with Bunshiro Okuno] Ramayana (circa

an assistant cinematographer. Following his work on The Legend of the White Serpent in 1956, he was promoted to a full-time cinematographer, and went on

Occupation Compositor, cinematographer

effects"), likely as shorthand for tokushu satsuei (特殊撮影, "special [effects] cinematograph[er]"). Credited alongside Gamera the Giant Monster special effects director/cameraman

Assistant cinematographer [with Shigeo Nakao, Masaru Kakinuma, Takeshi Yamamoto] Ultraman Ace (TV 1972-1973) - Special effects cinematographer [episodes

Special thanks Shin Ultraman (2022) - Post-production supervisor / cinematographer / storyboardist / virtual action cameraman / monitor images creator

Takeshi Yamamoto (山本 武,   Yamamoto Takeshi) is a Japanese special effects cinematographer. He is the son of prop master Kyuzo Yamamoto. The Last War (1961) [with

Monsters (2019) - Director / producer / screenwriter / original story / cinematographer / compositing / special effects compositing / editor / art director

Motoyoshi), also miscredited in English as Sokei Tomioka, was a Japanese cinematographer who worked on numerous Toho tokusatsu films during the Shōwa period

affiliate of Katsuro Onoue and Hiroshi Butsuda's Tokusatsu Lab, he and co-cinematographer Osamu Ichikawa were honored with a Japanese Academy Award for Best Cinematography

Araki and Hinnsaburo Araki, was a Japanese optical photographer and cinematographer. The brother of Eiji Tsuburaya's wife Masano, Araki joined J.O. Studios

SOS (2003) ESPY (1974) - Assistant cinematographer [uncredited] Monster Planet of Godzilla (1994) - Cinematographer [uncredited] Godzilla, Mothra and King

has since served the roles of director, director of special effects, cinematographer, and/or more on a handful of independent kaiju films. He wrote, directed

Monsters (2010) - Director / writer / director of visual effects / cinematographer / production designer Godzilla (2014) - Director Monsters: Dark Continent

effects cinematographer [with Kiyoshi Suzuki, Kazuo Sagawa, Sadao Sato] Submersion of Japan: Television Series (TV 1974-1975) - Cinematographer [with Kiyoshi

(1957) - Assistant special effects cinematographer [uncredited] Ultra Q (TV 1966) - Special effects cinematographer King Kong vs. Godzilla (1962) - Puppet

Yoshio Suzuki (鈴木 儀雄,   Suzuki Yoshio) is a former Japanese production designer. Beginning his career as a part-time modeler on Godzilla (1954) and Godzilla