Konto 55: The Great Outer Space Adventure: Difference between revisions
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|image =Konto 55 Space Adventure.png | |image =Konto 55 Space Adventure.png | ||
|caption =The Japanese poster for Konto 55: The Great Outer Space Adventure | |caption =The Japanese poster for Konto 55: The Great Outer Space Adventure | ||
|name =''Konto 55: The Great<br>Outer Space Adventure''|alt-titles=yes | |name =''Konto 55: The Great<br>Outer Space Adventure''|alt-titles=yes | ||
|dt =''Konto 55: The Great Outer Space Adventure'' (1969) | |dt =''Konto 55: The Great Outer Space Adventure'' (1969) | ||
|director =[[Jun Fukuda]] | |director =[[Jun Fukuda]] | ||
|producer =Kikumaru Okuda, Ryoji Asai,<br>Tadahiro Teramoto | |producer =Kikumaru Okuda, Ryoji Asai,<br>Tadahiro Teramoto | ||
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The group eventually make a landing on a Palladian energy station to refuel, but find that all of its personnel have been killed. The ground beneath Sakamoto and Serizawa gives way, and they fall into the subterranean throne room of Bluebeard, an alien who has conquered the station for himself. After freezing the men solid with a ray from his staff, Bluebeard's attention is turned to Kogiku, who descends into the room. Bluebeard insists that Kogiku become part of his "collection," but she challenges him to a [[wikipedia:Strip game|strip game]] of rock paper scissors, and finds an opening to freeze him with his own staff. After Kogiku dethaws them with her body heat, Sakamoto and Serizawa stumble across a vault filled with women from across history who have been revived by Bluebeard and frozen in ice blocks. The men dethaw five of the most beautiful to take along with them on their journey: [[wikipedia:Yang Guifei|Yang Guifei]] of [[China]], [[wikipedia:Cleopatra|Cleopatra]] of [[Egypt]], [[wikipedia:Joan of Arc|Joan of Arc]] of [[France]], [[wikipedia:Marilyn Monroe|Marilyn Monroe]] of the [[United States]], and [[wikipedia:Ono no Komachi|Ono no Komachi]] of [[Japan]]. However, because Dogma does not have any further time pills for the new passengers, within hours they rapidly age, die, and decay into skeletons which are jettisoned into space. | The group eventually make a landing on a Palladian energy station to refuel, but find that all of its personnel have been killed. The ground beneath Sakamoto and Serizawa gives way, and they fall into the subterranean throne room of Bluebeard, an alien who has conquered the station for himself. After freezing the men solid with a ray from his staff, Bluebeard's attention is turned to Kogiku, who descends into the room. Bluebeard insists that Kogiku become part of his "collection," but she challenges him to a [[wikipedia:Strip game|strip game]] of rock paper scissors, and finds an opening to freeze him with his own staff. After Kogiku dethaws them with her body heat, Sakamoto and Serizawa stumble across a vault filled with women from across history who have been revived by Bluebeard and frozen in ice blocks. The men dethaw five of the most beautiful to take along with them on their journey: [[wikipedia:Yang Guifei|Yang Guifei]] of [[China]], [[wikipedia:Cleopatra|Cleopatra]] of [[Egypt]], [[wikipedia:Joan of Arc|Joan of Arc]] of [[France]], [[wikipedia:Marilyn Monroe|Marilyn Monroe]] of the [[United States]], and [[wikipedia:Ono no Komachi|Ono no Komachi]] of [[Japan]]. However, because Dogma does not have any further time pills for the new passengers, within hours they rapidly age, die, and decay into skeletons which are jettisoned into space. | ||
After passing by an American satellite resembling a giant [[wikipedia:Coca-Cola|Coca-Cola]] bottle, the ship finally arrives on Pallad. A meeting is held by the government council of the Palladian Federation, in which it is explained that, because of the planet's eight centuries of total peace, | After passing by an American satellite resembling a giant [[wikipedia:Coca-Cola|Coca-Cola]] bottle, the ship finally arrives on Pallad. A meeting is held by the government council of the Palladian Federation, in which it is explained that, because of the planet's eight centuries of total peace, its citizens have become lazy and are no longer making advancements in education or technology. The Palladians intend to study Sakamoto, Serizawa, and Kogiku in order to relearn violence, and so trap them in a glass cell. However, because the trio do not display any violent or sexual urges during their stay, the government determines that they must not really be Earthlings, and rules to have Dogma put to death for deceiving them. Just before Dogma is to be beheaded, Sakamoto and Serizawa announce that they will display their true nature, and begin to stage a fight for the Palladian onlookers. Pleased, the government offers to provide them with any weapons or environments they so choose, in exchange for the winner getting to take Kogiku for himself. The pair challenge each other to various events, including a Mexican standoff, a boxing match, a game of ''[[wikipedia:Chō-han|chō-han]]'', and a go-kart race. Their feud comes to an end when they crash their go-karts, fracturing their skulls and requiring emergency surgery. Though Pallad's doctors are able to patch them up without a hitch, they take it upon themselves to extract the very essence of the men's violent tendencies. The Palladians succeed in reproducing this violence, and condense it into a pill which is given to the masses. As a result, violence breaks out across the planet, and the nation of Kireji Island secedes from the Palladian Federation and begins experimenting with nuclear weapons. In retaliation, the government rules to bomb Kireji with a nuke of their own. | ||
Dogma informs Sakamoto and Serizawa, now completely blissful, that the planet will be imminently destroyed. He rushes they and Kogiku back onto his ship, but pledges to stay behind and see the planet through to its end. The trio depart for Earth as | Dogma informs Sakamoto and Serizawa, now completely blissful, that the planet will be imminently destroyed. He rushes they and Kogiku back onto his ship, but pledges to stay behind and see the planet through to its end. The trio depart for Earth as a nuclear holocaust unfolds on Pallad, wiping out all life. When they arrive on Earth, now roughly 100 years in the future, two additional passengers step off of the ship: a son from both men, mothered by Kogiku. While making their way through Ginza, Sakamoto and Serizawa bump into a group of protesters who inform them that Earth is on the brink of nuclear war. Having seen firsthand the effects of nuclear weapons on Pallad, the men beg on the doorsteps of the U.S. and Soviet embassies, but are arrested. Unbothered, they play [[wikipedia:Pat-a-cake, pat-a-cake, baker's man|pat-a-cakes]] in their cell, and are promptly committed into a mental hospital. Standing in front of the asylum with her two sons, Kogiku wonders if there is a planet good enough to raise them on. | ||
==Staff== | ==Staff== | ||
{{Main|Konto 55: The Great Outer Space Adventure/Credits}} | {{Main|Konto 55: The Great Outer Space Adventure/Credits}} | ||
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|last8=Hayakawa|first8=Masaru | |last8=Hayakawa|first8=Masaru | ||
|date=29 November 2014|publisher=[[Kadokawa]]|isbn=978-4-04-866999-3|ref={{harvid|Nakamura et al.|2014}}}} | |date=29 November 2014|publisher=[[Kadokawa]]|isbn=978-4-04-866999-3|ref={{harvid|Nakamura et al.|2014}}}} | ||
*{{Cite book|title=[[Complete History of Toho Special Effects Films]]|chapter=Toho Special Effects Film Productions List|others=Supervised by [[Tomoyuki Tanaka]]|publisher=[[Toho]]|date=10 December 1983|isbn=4-924609-00-5|ref={{harvid|Tanaka|1983}}}} | *{{Cite book|title=[[Complete History of Toho Special Effects Films]]|chapter=Toho Special Effects Film Productions List|others=Supervised by [[Tomoyuki Tanaka]]|publisher=[[Toho]]|date=10 December 1983|isbn=4-924609-00-5|ref={{harvid|Tanaka|1983}}}} | ||
{{Kaiju Movies|tab=Toho}} | {{Kaiju Movies|tab=Toho}} | ||
{{Comments}} | {{Comments}} | ||
{{Era|TOH|SHO|FIL}} | {{Era|TOH|SHO|FIL}} | ||
[[Category:Toho Champion Festival releases]] | [[Category:Toho Champion Festival releases]] | ||
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[[Category:1960's Films]] | [[Category:1960's Films]] | ||
[[Category:Films directed by Jun Fukuda]] | [[Category:Films directed by Jun Fukuda]] | ||
[[Category:Japanese films]] | [[Category:Japanese films]] | ||
Revision as of 00:49, 27 July 2023
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“
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A violent duo abducted into space! The Federation of Planet Pallad surprises with laughs and action!
(宇宙に誘拐されたモーレツ・コンビ！爆笑とアクションでびっくリかえるパラト星連邦！) |
„
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— Tagline |
Konto 55: The Great Outer Space Adventure (コント55号 宇宙大冒険 Konto Gojūgo-gō: Uchū Daibōken) is a 1969 tokusatsu science fiction comedy film directed by Jun Fukuda and written by James Miki, with special effects by Yoichi Manoda. Produced by Toho, it is the company's fourth and final film to star titular comedy duo Konto 55, and the only of the series to incorporate sci-fi elements. It stars Kinichi Hagimoto and Jiro Sakagami of Konto 55 and Dankichi Tanku and Ganta Iwata of the companion group Konto 0, as well as Hiroshi Kawaguchi and Noriko Takahashi. The film was released to Japanese theaters on December 20, 1969[a] as part of the winter Toho Champion Festival, alongside All Monsters Attack and the anime film Star of the Giants: Go, Go, Hyuma.[3]
Plot
In Bunkyū-era Kyoto, samurai Keima Sakamoto asks a geisha, Kogiku, for her hand in marriage, but is challenged to a duel for her love by Shinsengumi Kaku Serizawa. Before long, the men are broken up by a mysterious figure who informs them that Kogiku has decided to become a nun to escape the pain of their love triangle, and fled to a convent. The stranger leads them to this supposed convent, which is in fact an alien spacecraft that takes off into space with they and Kogiku onboard. Their captor introduces himself as Dogma, a visitor from the planet Pallad who intends to bring them back to his people to save them from the brink of extinction. However, because each day spent traveling through space is equivalent to roughly one year on Earth, he gives the trio "time pills" which slows their aging.
The group eventually make a landing on a Palladian energy station to refuel, but find that all of its personnel have been killed. The ground beneath Sakamoto and Serizawa gives way, and they fall into the subterranean throne room of Bluebeard, an alien who has conquered the station for himself. After freezing the men solid with a ray from his staff, Bluebeard's attention is turned to Kogiku, who descends into the room. Bluebeard insists that Kogiku become part of his "collection," but she challenges him to a strip game of rock paper scissors, and finds an opening to freeze him with his own staff. After Kogiku dethaws them with her body heat, Sakamoto and Serizawa stumble across a vault filled with women from across history who have been revived by Bluebeard and frozen in ice blocks. The men dethaw five of the most beautiful to take along with them on their journey: Yang Guifei of China, Cleopatra of Egypt, Joan of Arc of France, Marilyn Monroe of the United States, and Ono no Komachi of Japan. However, because Dogma does not have any further time pills for the new passengers, within hours they rapidly age, die, and decay into skeletons which are jettisoned into space.
After passing by an American satellite resembling a giant Coca-Cola bottle, the ship finally arrives on Pallad. A meeting is held by the government council of the Palladian Federation, in which it is explained that, because of the planet's eight centuries of total peace, its citizens have become lazy and are no longer making advancements in education or technology. The Palladians intend to study Sakamoto, Serizawa, and Kogiku in order to relearn violence, and so trap them in a glass cell. However, because the trio do not display any violent or sexual urges during their stay, the government determines that they must not really be Earthlings, and rules to have Dogma put to death for deceiving them. Just before Dogma is to be beheaded, Sakamoto and Serizawa announce that they will display their true nature, and begin to stage a fight for the Palladian onlookers. Pleased, the government offers to provide them with any weapons or environments they so choose, in exchange for the winner getting to take Kogiku for himself. The pair challenge each other to various events, including a Mexican standoff, a boxing match, a game of chō-han, and a go-kart race. Their feud comes to an end when they crash their go-karts, fracturing their skulls and requiring emergency surgery. Though Pallad's doctors are able to patch them up without a hitch, they take it upon themselves to extract the very essence of the men's violent tendencies. The Palladians succeed in reproducing this violence, and condense it into a pill which is given to the masses. As a result, violence breaks out across the planet, and the nation of Kireji Island secedes from the Palladian Federation and begins experimenting with nuclear weapons. In retaliation, the government rules to bomb Kireji with a nuke of their own.
Dogma informs Sakamoto and Serizawa, now completely blissful, that the planet will be imminently destroyed. He rushes they and Kogiku back onto his ship, but pledges to stay behind and see the planet through to its end. The trio depart for Earth as a nuclear holocaust unfolds on Pallad, wiping out all life. When they arrive on Earth, now roughly 100 years in the future, two additional passengers step off of the ship: a son from both men, mothered by Kogiku. While making their way through Ginza, Sakamoto and Serizawa bump into a group of protesters who inform them that Earth is on the brink of nuclear war. Having seen firsthand the effects of nuclear weapons on Pallad, the men beg on the doorsteps of the U.S. and Soviet embassies, but are arrested. Unbothered, they play pat-a-cakes in their cell, and are promptly committed into a mental hospital. Standing in front of the asylum with her two sons, Kogiku wonders if there is a planet good enough to raise them on.
Staff
- Main article: Konto 55: The Great Outer Space Adventure/Credits.
Staff role on the left, staff member's name on the right.
- Directed by Jun Fukuda
- Written by James Miki
- Executive producers Kikumaru Okuda, Tadahiro Teramoto, Ryoji Asai
- Music by Kenjiro Hirose
- Cinematography by Yuzuru Aizawa
- Edited by Fumiko Ohashi
- Production design by Shigekazu Ikuno
- First assistant director Masayoshi Nemoto
- Director of special effects Yoichi Manoda[1]
- First assistant director of special effects Takeharu Ikebuchi
Cast
- Main article: Konto 55: The Great Outer Space Adventure/Credits.
Actor's name on the left, character played on the right.
- Kinichi Hagimoto as Keima "Sa" Sakamoto, royalist samurai
- Jiro Sakagami as Kaku "Se" Serizawa, Shinsengumi warrior
- Hiroshi Kawaguchi as Dogma, alien from the planet Pallad
- Noriko Takahashi as Kogiku, Kyoto geisha
- Junzaburo Ban as Bluebeard, alien ruler
- Oh Ranfan as Yang Guifei, Chinese consort
- Emma Sugimoto as Cleopatra, Egyptian monarch
- Maki Carrousel as Joan of Arc, French heroine
- Yukako Honda as Marilyn Monroe, American actress
- Keiko Sawai as Ono no Komachi, Japanese poet
- Toru Yuri as Dr. Dodome, Palladian doctor
- Bokuzen Hidari as Palladian military director
- Sakae Umezu as Palladian physicist
- Toshiaki Minami as Palladian government secretary
- Dankichi Tanku as Palladian sociologist
- Ganta Iwata as Palladian biologist
- Toki Shiozawa as Palladian teacher
- Keisuke Sagawa as Palladian TV commentator
- Shigeru Tsujishi as man who sees UFO in Kyoto
- Keiko Ozawa, Kinuyo Sado as Palladian protestors
- Setsuko Kawaguchi as Palladian girl
- Midori Uchiyama, Maki Wakayama as women walking in Ginza
- Keiji Yanoma, Takao Zushi as protestors in Ginza
Appearances
Aliens
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Weapons and vehicles
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Development
The Great Outer Space Adventure was intended to appeal to a wide range of ages, mixing science fiction with the comedic stylings of Konto 55, who had garnered popularity even among children.[5] According to the book Godzilla Toho Champion Festival Perfection, the film's inclusion on the first Champion Festival bill may have been an attempt at offsetting potentially low financial returns on All Monsters Attack, as pairings of kaiju and comedy films had proven popular during the Golden Age.[5]
Production
The film's special effects were directed by Yoichi Manoda, who otherwise worked as a cameraman on movies like Ebirah, Horror of the Deep and Destroy All Monsters.[1]
The climax makes use of stock footage from various prior Toho movies including The Last War, Dogora, The Crazy Adventure, and Latitude Zero.[2][3]
Gallery
- Main article: Konto 55: The Great Outer Space Adventure/Gallery.
Alternate titles
- Konto 55: Grand Outer Space Adventure (alternate translation, used on Toho Kingdom)
- Konto 55: Space Adventure (alternate translation, used by Showa Video)
- Konto 55: The Great Space Adventure (alternate translation)
Video releases
Toho DVD (2006)
- Region: 2
- Discs: 1
- Audio: Japanese (mono)
- Subtitles: Japanese
- Special features: Audio commentary by Tsutomu Sekine
- Notes: Also available in a box set with the other Konto 55 films. Re-released in 2014 for the Toho DVD Cinema Fanclub.
While Konto 55: The Great Outer Space Adventure is unavailable officially in the West, a fansub has been released on Blu-ray by Showa Video.
Trivia
- The other three Konto 55 films which preceded The Great Outer Space Adventure are:
- Konto 55: The Weakness of the Century (コント55号 世紀の大弱点 Konto Gojūgo-gō: Seiki no Daijakuten), released November 2, 1968
- Konto 55: The Weakness of Humanity (コント55号 人類の大弱点 Konto Gojūgo-gō: Jinrui no Daijakuten), released August 13, 1969
- Konto 55: I Am the Grandson of the Grandson of a Ninja (コント55号 俺は忍者の孫の孫 Konto Gojūgo-gō: Ore wa Ninja no Mago no Mago), released October 10, 1969
- Close to a decade later, in 1978, screenwriter James Miki would reuse the name of the Pallad aliens for a sci-fi segment in Pink Lady's Motion Picture.
- Midori Uchiyama, who has a bit part in this movie as a pedestrian, voiced Minilla in the Toho Champion Festival co-feature All Monsters Attack.
- While Sakamoto and Serizawa are playing chō-han, a tattoo of a firebreathing monster resembling Godzilla is visible on the latter's back.
- When Dogma asks his ship's computer to foretell Kogiku's future lover, it responds with Yuzo Kayama, the star of Toho's long-running Young Guy film series.
- Director Jun Fukuda had directed four films in the series, including Young Guy Graduates and Young Guy on Mt. Cook which released earlier in 1969.
External links
- Konto 55: Grand Outer Space Adventure on Toho Kingdom
- Konto 55: The Great Outer Space Adventure on the Toho Reference Room
Notes
References
This is a list of references for Konto 55: The Great Outer Space Adventure. These citations are used to identify the reliable sources on which this article is based. These references appear inside articles in the form of superscript numbers, which look like this: [1]
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Bibliography
- Kawakita, Koichi; Sugita, Hiroki; Toya, Koichi; Kamatsu, Tadashi; Sasaki, Yu, eds. (1 January 1990). Encyclopedia of Godzilla. Gakken.
- Nakamura, Satoshi (1997). "Konto 55: The Great Outer Space Adventure". Japanese SFX and Fantasy Movies. Keibunsha. ISBN 4-7669-2706-0.
- Nakamura, Satoshi; Shiraishi, Masahiko; Aita, Tetsuo; Tomoi, Taketo; Shimazaki, Jun; Maruyama, Takeshi; Shimizu, Toshifumi; Hayakawa, Masaru (29 November 2014). Godzilla Toho Champion Festival Perfection. Kadokawa. ISBN 978-4-04-866999-3.
- "Toho Special Effects Film Productions List". Complete History of Toho Special Effects Films. Supervised by Tomoyuki Tanaka. Toho. 10 December 1983. ISBN 4-924609-00-5.CS1 maint: others (link)
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