Eiji Tsuburaya, Japan's special effects pioneer, set the standard for Suitmation, starting with his work on the many classic Godzilla movies and other tokusatsu kaiju films from Toho Other studios, including Daiei Motion Picture Company, Toei Company Ltd., and even Eiji Tsuburaya's own Tsuburaya Productions, continued to portray giant monsters (and even giant superheroes and robots) in movies and television using the Suitmation technique. The technique began to evolve as artists emphasized great detail. Design teams are sometimes only one or two people, and the suits can take a long time to develop. In the United States, the term became associated with B-movies was often used to point out the cheesiness of "rubber suits." When the U.S. film industry became highly dependent on CGI and soon saw "classic techniques" as being obsolete, Japan further perfected the art, and when CGI was integrated, it brought more out of the suits. Shinji Higuchi became well-known for his use of both CGI and suitmation throughout Daiei's Gamera trilogy in the late 1990's. In the U.S., effects artist such as Steve Wang, Rick Baker, Stan Winston, and a handful of others still continued to utilize traditional practical effects techniques and treated the style as an art form, dedicating themselves to detail and precise realism for the suits. Winston in particular revolutionized special effects through combining animatronics, suits and puppets with CGI to create even more convincing effects in films such as Jurassic Park. This method was and is still used on Jim Henson's well-known programs Sesame Street, The Muppet Show and Dinosaurs; and on TV Globo's children's program TV Colosso. By the 2010's, tokusatsu films utilizing suitmation in Japan had become increasingly less common, with Japan's film industry gradually improving its use of CGI. The upcoming Gamera film from Kadokawa even promises to portray its monsters completely through CGI. In 2015, Toho released a two-part live-action adaptation of the Attack on Titan manga and anime series, directed and with special effects by Shinji Higuchi. Higuchi elected to portray the Titan creatures with actors covered in makeup and prosthetics augmented with CGI, while the Colossal Titan was portrayed with a gigantic "suit" (in reality a large bust of its upper body operated by three people) also augmented with CGI. Toho's upcoming film Shin Godzilla also features special effects from Higuchi, and was originally expected to make use of similar techniques. However, the finalized film solely uses CG animation, with some motion capture.
Most costumes used in suitmation are created using a method called "Foam Fabrication." This process has varied as the technology available to technicians has changed.
- In the Showa era, suits started as patterns and plans of the creature based on the suit actor and the design. Then, the patterns are converted into sheets of upholstery foam that were are cut, glued and sculpted into the creature. After the foam structure is complete, the outside is covered with contact adhesive (a flexible glue used in the industry and used to glue the foam) and then the skin texture in pushed-in with wooden tools and by adding more pieces of foam. Finally, the suit is sealed with a few coats of liquid latex (a natural rubber originated from trees) mixed with tint paints. Heads were usually made from baking clay coated with foam, glue and latex.
- In the Heisei era, the heads and the skin of the suits were actually latex casts from stone molds made over clay sculptures.
- In the Millenuim series, a combination of both techniques was used, but with foam latex parts cast in molds instead of regular latex.
In any case, the suits were very, very grueling, especially in the pioneering days of suitmation when studios were very hot. The average stuntperson could only last for three minutes before becoming too uncomfortable. Conditions improved when studios became air-conditioned. In Godzilla 2000: Millennium, an oxygen hose was attached to Godzilla's tail, which threaded up to the neck so that the actor could breathe.
Suit actors for tokusatsu superheroes such as Ultraman usually wore a form-fitting latex costume similar to a wet suit. The helmet was made originally from latex, and later, fiberglass. A set of batteries in the suit make the eyes and Color Timer light up. Toei superheroes had various sorts of costume materials, from leather to vinyl to cloth. Starting with Kagaku Sentai Dynaman, the heroes in Sentai wear spandex. Helmets are made of fiberglass, and had clips on the side to lock them into place. Later, helmets had the clips hidden for a smoother look, although knockoff helmets used for promotional work and live appearances do retain the external clips.
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