Kiyoko Shibuya: Difference between revisions

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'''Kiyoko Shibuya''' {{Nihongo|渋谷 紀世子|Shibuya Kiyoko}} is a [[Japan]]ese visual effects [[:Category:Directors|director]] and [[:Category:Producers|producer]]. Inspired to work in effects by ''[[wikipedia:Star Wars (film)|Star Wars]]'' ([[1977]]) and ''[[wikipedia:Back to the Future|Back to the Future]]'' ([[1985]]), she joined [[Shirogumi]] as a miniature builder before debuting as a compositor on [[wikipedia:Juzo Itami|Juzo Itami]]'s ''[[wikipedia:Daibyonin|The Last Dance]]'' ([[1993]]).{{R|Wacom}}
'''Kiyoko Shibuya''' {{Nihongo|渋谷 紀世子|Shibuya Kiyoko}} is a [[Japan]]ese visual effects [[:Category:Directors|director]] and [[:Category:Producers|producer]]. Inspired to work in effects by ''[[wikipedia:Star Wars (film)|Star Wars]]'' ([[1977]]) and ''[[wikipedia:Back to the Future|Back to the Future]]'' ([[1985]]), she joined [[Shirogumi]] as a miniature builder before debuting as a compositor on [[wikipedia:Juzo Itami|Juzo Itami]]'s ''[[wikipedia:Daibyonin|The Last Dance]]'' ([[1993]]).{{R|Wacom}}


Shibuya is a frequent collaborator of director [[Takashi Yamazaki]], and has received four [[jawp:VFX-JAPANアワード|VFX-JAPAN awards]] for her work on his films ''[[wikipedia:Always: Sunset on Third Street '64|Always: Sunset on Third Street 3]]'' ([[2012]]), ''[[wikipedia:The Eternal Zero (film)|The Eternal Zero]]'' ([[2013]]), ''[[wikipedia:Fueled: The Man They Called Pirate|Fueled: The Man They Called Pirate]]'' ([[2016]]), and ''[[jawp:鎌倉ものがたり#映画|Destiny: The Tale of Kamakura]]'' ([[2017]]).<ref>{{cite web|url=https://vfx-japan.jp/award/|title=過去のアワード|work=VFX-JAPAN|accessdate=4 September 2023}}</ref> She has also been involved with all three of Yamazaki's projects involving [[Godzilla]]: ''[[wikipedia:Always: Sunset on Third Street 2|Always: Sunset on Third Street 2]]'' (2012), ''[[Godzilla the Ride: Giant Monsters Ultimate Battle]]'' ([[2021]]), and ''[[Godzilla Minus One]]'' ([[2023]]). Shibuya, along with Yamazaki and other staff from Shirogumi, won [[wikipedia:Academy Award for Best Visual Effects|Best Visual Effects]] for ''Godzilla Minus One'' at the [[wikipedia:96th Academy Awards|96th Academy Awards]], making her the first woman of color in history to be given such a nomination.<ref name="Oscar">{{cite web|url=https://variety.com/video/godzilla-minus-one-visual-effects-oscars/|title=How ‘Godzilla Minus One’ Came Together With a $15 Million Budget and 35 VFX Artists — and Made Oscars History|first=Jazz|last=Tangcay|work=Variety|accessdate=23 February 2024}}</ref>
Shibuya is a frequent collaborator of director [[Takashi Yamazaki]], and has received four [[jawp:VFX-JAPANアワード|VFX-JAPAN awards]] for her work on his films ''[[wikipedia:Always: Sunset on Third Street '64|Always: Sunset on Third Street 3]]'' ([[2012]]), ''[[wikipedia:The Eternal Zero (film)|The Eternal Zero]]'' ([[2013]]), ''[[wikipedia:Fueled: The Man They Called Pirate|Fueled: The Man They Called Pirate]]'' ([[2016]]), and ''[[jawp:鎌倉ものがたり#映画|Destiny: The Tale of Kamakura]]'' ([[2017]]).<ref>{{cite web|url=https://vfx-japan.jp/award/|title=過去のアワード|work=VFX-JAPAN|accessdate=4 September 2023}}</ref> She has also been involved with all three of Yamazaki's projects involving [[Godzilla]]: ''[[wikipedia:Always: Sunset on Third Street 2|Always: Sunset on Third Street 2]]'' (2012), ''[[Godzilla the Ride: Giant Monsters Ultimate Battle]]'' ([[2021]]), and ''[[Godzilla Minus One]]'' ([[2023]]). Shibuya, along with Yamazaki and other staff from Shirogumi, won [[wikipedia:Academy Award for Best Visual Effects|Best Visual Effects]] for ''Godzilla Minus One'' at the [[wikipedia:96th Academy Awards|96th Academy Awards]], making her the first woman of color in history to be nominated for or win the category.<ref name="Oscar">{{cite web|url=https://variety.com/video/godzilla-minus-one-visual-effects-oscars/|title=How ‘Godzilla Minus One’ Came Together With a $15 Million Budget and 35 VFX Artists — and Made Oscars History|first=Jazz|last=Tangcay|work=Variety|accessdate=23 February 2024}}</ref>
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==Selected filmography==
==Selected filmography==

Revision as of 15:34, 11 March 2024

Kiyoko Shibuya
Kiyoko Shibuya circa 2015
Born 1970
Tokyo, Japan[1]
Occupation Visual effects director/producer
First work The Last Dance (1993)
Notable work Always: Sunset on
Third Street
(2006)
Imdb.pngWp EN.pngWp JA.png

Kiyoko Shibuya (渋谷 紀世子,   Shibuya Kiyoko) is a Japanese visual effects director and producer. Inspired to work in effects by Star Wars (1977) and Back to the Future (1985), she joined Shirogumi as a miniature builder before debuting as a compositor on Juzo Itami's The Last Dance (1993).[1]

Shibuya is a frequent collaborator of director Takashi Yamazaki, and has received four VFX-JAPAN awards for her work on his films Always: Sunset on Third Street 3 (2012), The Eternal Zero (2013), Fueled: The Man They Called Pirate (2016), and Destiny: The Tale of Kamakura (2017).[2] She has also been involved with all three of Yamazaki's projects involving Godzilla: Always: Sunset on Third Street 2 (2012), Godzilla the Ride: Giant Monsters Ultimate Battle (2021), and Godzilla Minus One (2023). Shibuya, along with Yamazaki and other staff from Shirogumi, won Best Visual Effects for Godzilla Minus One at the 96th Academy Awards, making her the first woman of color in history to be nominated for or win the category.[3]

Selected filmography

Visual effects director

Miscellaneous

Trivia

  • Shibuya is the first woman to direct for a Godzilla film.

External links

References

This is a list of references for Kiyoko Shibuya. These citations are used to identify the reliable sources on which this article is based. These references appear inside articles in the form of superscript numbers, which look like this: [1]

  1. 1.0 1.1 "クリエイティブが生まれる現場 白組・Fudeトップクリエイター特別インタビュー". Wacom. Retrieved 4 September 2023.
  2. "過去のアワード". VFX-JAPAN. Retrieved 4 September 2023.
  3. Tangcay, Jazz. "How 'Godzilla Minus One' Came Together With a $15 Million Budget and 35 VFX Artists — and Made Oscars History". Variety. Retrieved 23 February 2024.
  4. Miyake, Tomoyuki (19 December 2022). "高解像度ドームスクリーンで魅せる60fpsの大迫力映像〜ライドアトラクション『ゴジラ・ザ・ライド大怪獣頂上決戦』VFXメイキング". CGWORLD.

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