King Kong vs. Prometheus
King Kong vs. Prometheus is an unrealized King Kong film proposal conceived by Willis O'Brien. It eventually led to the production of King Kong vs. Godzilla, though O'Brien was not consulted at all about the finished product.
In the jungles of the African Congo, the grandson of Dr. Frankenstein creates a giant humanoid-shaped monster made of various megafauna such as elephants and crocodiles. At the same time, King Kong is revealed to have survived his fall from the Empire State Building and spirited back to Skull Island by Carl Denham. Originally meant to be a servant, Dr. Frankenstein is encouraged by a visiting Carl Denham to promote his creation and the two combine their respective monsters into a large show together. The doctor assumes his creation, Prometheus, is safe thanks to a control device. However, Prometheus turns on his creator and kills him upon the show being brought to San Francisco. With Prometheus on a rampage, King Kong is turned loose to fend him off. The two creatures do battle across the city, where they both eventually perish after falling off the Golden Gate Bridge and into the ocean.
King Kong vs. Frankenstein was a project originally conceived as a sequel to the 1933 film King Kong, with a screenplay treatment written by stop-motion animator Willis O'Brien, featuring King Kong battling a large humanoid monster created by Dr. Frankenstein's grandson in San Francisco.
O'Brien showed his screenplay treatment and concept art to Daniel O'Shea of RKO Pictures, who in turn introduced O'Brien to producer John Beck. After a handshake deal with O'Brien, Beck commissioned screenwriter George Yates to flesh out the screenplay treatment into a full script that could be shown to investors. Yates changed the title to King Kong vs. Prometheus, after the full title of Mary Shelley’s original novel Frankenstein; or, The Modern Prometheus. Unable to find an interested studio in the U.S., John Beck went to Toho with the script. Toho instead purchased the rights to use the King Kong character from RKO and produced King Kong vs. Godzilla, which Beck retained the distribution rights for in the United States, Canada, the United Kingdom, and Israel. O'Brien was not aware of the film's existence until after it had been released in Japanese theaters. He contemplated suing Beck for intent to defraud, but did not have enough money for a protracted legal battle. On November 10, 1962, O'Brien died of a heart attack in his home, and his widow would later cite "the frustration of the King Kong Vs Frankenstein deal" as a contributing factor.
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